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To Sensibility

In SENSIBILITY'S lov'd praise
I tune my trembling reed,
And seek to deck her shrine with bays,
On which my heart must bleed!

No cold exemption from her pain
I ever wish to know;
Cheer'd with her transport, I sustain
Without complaint her woe.

Above whate'er content can give,
Above the charm of ease,
The restless hopes and fears, that live
With her, have power to please.

Where, but for her, were Friendship's power
To heal the wounded heart,
To shorten sorrow's ling'ring hour,
And bid its gloom depart?

To Romance

Parent of golden dreams, Romance!
Auspicious Queen of childish joys,
Who lead'st along, in airy dance,
Thy votive train of girls and boys;
At length, in spells no longer bound,
I break the fetters of my youth;
No more I tread thy mystic round,
But leave thy realms for those of Truth.

And yet 'tis hard to quit the dreams
Which haunt the unsuspicious soul,
Where every nymph a goddess seems,
Whose eyes through rays immortal roll;
While Fancy holds her boundless reign,
And all assume a varied hue;

Youth and Age

Youth that rides the wildest horse,
Youth that throws the deadliest steer,
Spending strength without remorse,
Grappling with the ghosts of fear,
Knows it only holds to-day
All it freely flings away.

Youth that rides a race with Death
When the frightened cattle break,
Living in the moment’s breath,
Risking all for honour’s sake,
Lightly knows it holds in fee
Life and immortality.

Age that rides the spavined grey,
Age that seeks the safest track,

Your Harps, Ye Trembling Saints

Your harps, ye trembling saints,
Down from the willows take;
Loud to the praise of love divine
Bid every string awake.

Though in a foreign land
We are not far from home,
And nearer to our house above
We every moment come.

His grace will to the end
Stronger and brighter shine;
Nor present things nor things to come
Shall quench the spark divine.

When we in darkness walk,
Nor feel the heavenly flame,
Then is the time to trust our God,
And rest upon His Name.

Soon shall our doubts and fears

Young Mother

Her baby was so full of glee,
And through the day
It laughed and babbled on her knee
In happy play.
It pulled her hair all out of curl
With noisy joy;
So peppy she was glad her girl
Was not a boy.

Then as she longed for it to sleep,
To her surprise
It just relaxed within her keep
With closing eyes.
And as it lay upon her breast
So still its breath,
So exquisite its utter rest
It looked like death.

It seemed like it had slipped away

Young Laughters, and My Music

Young laughters, and my music! Aye till now
The voice can reach no blending minors near;
'Tis the bird's trill because the spring is here
And spring means trilling on a blossomy bough;
'Tis the spring joy that has no why or how,
But sees the sun and hopes not nor can fear--
Spring is so sweet and spring seems all the year.
Dear voice, the first-come birds but trill as thou.

Oh music of my heart, be thus for long:
Too soon the spring bird learns the later song;
Too soon a sadder sweetness slays content

You must not wonder, though you think it strange

You must not wonder, though you think it strange,
To see me hold my lowering head so low;
And that mine eyes take no delight to range
About the gleams which on your face do grow.
The mouse which once hath broken out of trap
Is seldom teased with the trustless bait,
But lies aloof for fear of more mishap,
And feedeth still in doubt of deep deceit.
The scorched fly which once hath 'scap'd the flame
Will hardly come to play again with fire.
Whereby I learn that grievous is the game
Which follows fancy dazzled by desire.

You Men

(Español)
Hombres necios que acusáis
a la mujer sin razón,
sin ver que sois la ocasión
de lo mismo que culpáis:

si con ansia sin igual
solicitáis su desdén,
¿por qué quereis que obren bien
si las incitáis al mal?

Combatís su resistencia
y luego, con gravedad,
decís que fue liviandad
lo que hizo la diligencia.

Parecer quiere el denuedo
de vuestro parecer loco,
al niño que pone el coco
y luego le tiene miedo.

Queréis, con presunción necia,
hallar a la que buscáis,

You love meyou are sure

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You love me—you are sure—
I shall not fear mistake—
I shall not cheated wake—
Some grinning morn—
To find the Sunrise left—
And Orchards—unbereft—
And Dollie—gone!

I need not start—you're sure—
That night will never be—
When frightened—home to Thee I run—
To find the windows dark—
And no more Dollie—mark—
Quite none?

Be sure you're sure—you know—
I'll bear it better now—
If you'll just tell me so—
Than when—a little dull Balm grown—
Over this pain of mine—
You sting—again!

You come to me quiet as rain not yet fallen

You come to me quiet as rain not yet fallen
Afraid of how you might fail yourself your
dress seven summers old is kept open
in memory of sex, smells warm, of boys,
and of the once long grass.
But we are colder now; we have not
Love’s first magic here. You come to me
Quiet as bulbs not yet broken
Out into sunlight.

The fear I see in your now lining face
Changes to puzzlement when my hands reach
For you as branches reach. Your dress
Does not fall easily, nor does your body
Sing of it won accord. What love added to