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Hymn - Consecration of Magnolia Cemetery

Whose was the hand that painted thee, O Death!
In the false aspect of a ruthless foe,
Despair and sorrow waiting on thy breath --
O gentle Power! who could have wronged thee so?

Thou rather shouldst be crowned with fadeless flowers,
Of lasting fragrance and celestial hue;
Or be thy couch amid funereal bowers,
But let the stars and sunlight sparkle through.

So, with these thoughts before us, we have fixed
And beautified, O Death! thy mansion here,
Where gloom and gladness -- grave and garden -- mixed,

Hurt Hawks

I

The broken pillar of the wing jags from the clotted shoulder,
The wing trails like a banner in defeat,

No more to use the sky forever but live with famine
And pain a few days: cat nor coyote
Will shorten the week of waiting for death, there is game without talons.

He stands under the oak-bush and waits
The lame feet of salvation; at night he remembers freedom
And flies in a dream, the dawns ruin it.

He is strong and pain is worse to the strong, incapacity is worse.
The curs of the day come and torment him

Hunter

Oh, but a thought ago a baying hound
had led him to a clearing in the sky.
The stars tolled beyond the sombre clouds
and on the frozen pond the forest sighed.

He knelt, his arrows whetted by a tear,
the fire he’d set, rising into night.
Eternity approached, and in its sphere,
a sudden passing bird eclipsed the light.

He aimed and freed an arrow into dark.
Then maelstroms, downy plumes, snow tainted red,
the pity of the moon: he hit his mark.

The hellward bird now tumbling overhead—

Hugo's flower to butterfly

Sweet, bide with me and let my love
Be an enduring tether;
Oh, wanton not from spot to spot,
But let us dwell together.

You've come each morn to sip the sweets
With which you found me dripping,
Yet never knew it was not dew
But tears that you were sipping.

You gambol over honey meads
Where siren bees are humming;
But mine the fate to watch and wait
For my beloved's coming.

The sunshine that delights you now
Shall fade to darkness gloomy;
You should not fear if, biding here,
You nestled closer to me.

Hugh Selwyn Mauberly Part I

"Vocat aestus in umbram"
Nemesianus Es. IV.

E. P. Ode pour l'élection de son sépulchre

For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old sense. Wrong from the start --

No, hardly, but, seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait:

"Idmen gar toi panth, os eni Troie
Caught in the unstopped ear;
Giving the rocks small lee-way

For thisaccepted Breath

195

For this—accepted Breath—
Through it—compete with Death—
The fellow cannot touch this Crown—
By it—my title take—
Ah, what a royal sake
To my necessity—stooped down!

No Wilderness—can be
Where this attendeth me—
No Desert Noon—
No fear of frost to come
Haunt the perennial bloom—
But Certain June!

Get Gabriel—to tell—the royal syllable—
Get Saints—with new—unsteady tongue—
To say what trance below
Most like their glory show—
Fittest the Crown!

Dinah in Heaven

She did not know that she was dead,
But, when the pang was o'er,
Sat down to wait her Master's tread
Upon the Golden Floor,

With ears full-cock and anxious eye
Impatiently resigned;
But ignorant that Paradise
Did not admit her kind.

Persons with Haloes, Harps, and Wings
Assembled and reproved;
Or talked to her of Heavenly things,
But Dinah never moved.

There was one step along the Stair
That led to Heaven's Gate;
And, till she heard it, her affair
Was--she explained--to wait.

Arion to a Dolphin, On His Majesty's passage into England

Whom does this stately Navy bring?
O! ‘tis Great Britain's Glorious King,
Convey him then, ye Winds and Seas,
Swift as Desire and calm as Peace.
In your Respect let him survey
What all his other Subjects pay;
And prophesie to them again
The splendid smoothness of his Reign.
Charles and his mighty hopes you bear:
A greater now then Cæsar's here;
Whose Veins a richer Purple boast
Then ever Hero's yet engrost;
Sprung from a Father so august,
He triumphs in his very dust.
In him two Miracles we view,

Hudibras, Part I excerpts

THE ARGUMENT OF THE FIRST CANTOSir Hudibras his passing worth,
The manner how he sallied forth;
His arms and equipage are shown;
His horse's virtues, and his own.
Th' adventure of the bear and fiddle
Is sung, but breaks off in the middle.
When civil fury first grew high,
And men fell out, they knew not why;
When hard words, jealousies, and fears,
Set folks together by the ears,
And made them fight, like mad or drunk,
For Dame Religion, as for punk;
Whose honesty they all durst swear for,

How we drove the Trotter

Oh, he was a handsome trotter, and he couldn't be completer,
He had such a splendid action and he trotted to this metre,
Such a pace and such a courage, such a record-killing power,
That he did his mile in two-fifteen, his twenty in the hour.
When he trotted on the Bathurst road the pace it was a panter,
But he broke the poet's rhythm when he broke out in a canter -

As we were remarking the pace was a panter,
But just as we liked it he broke in a canter,
And rattled along with a motion terrific,
And scattered the sparks with a freedom prolific;