I strove with none, for none was worth my strife;
Nature I loved, and next to Nature, Art;
I warmed both hands before the fire of Life;
It sinks, and I am ready to depart.

``With Donne, whose muse on dromedary trots,
Wreathe iron pokers into true-love knots ;
Rhyme's sturdy cripple, fancy's maze and clue,
Wit's forge and fire-blast, meaning's press and screw.''

Faire Chloris, standing by the Fire,
An amorous coale with hot desire
Leapt on her breast, but could not melt
The chaste snow there--which when it felt
For shame it blusht; and then it died
There where resistance did abide,
And lest she should take it unkind
Repentant ashes left behind.

Angelic minds, they say, by simple intelligence
Behold the Forms of nature. They discern
Unerringly the Archtypes, all the verities
Which mortals lack or indirectly learn.
Transparent in primordial truth, unvarying,
Pure Earthness and right Stonehood from their clear,
High eminence are seen; unveiled, the seminal
Huge Principles appear.

The Tree-ness of the tree they know-the meaning of
Arboreal life, how from earth's salty lap
The solar beam uplifts it; all the holiness
Enacted by leaves' fall and rising sap;

By long leagues of wood and meadow
On and on we drive apace;
In the dreamy light and shadow
Veiling earth's autumnal face.

Rosy clouds are drifting o'er us,
Rooks rise parleying from their tryst,
And the road lies far before us,
Fading into amethyst.

On and on, through leagues of heather,
Deeps of scarlet beaded lane,
Like a pheasant's golden feather
Golden leaves around us rain.

On and on, where woodlands hoary,
In October's lavish fire,
Flame up with unearthly glory,

I SAW where in the shroud did lurk
A curious frame of Nature's work;
A floweret crush'd in the bud,
A nameless piece of Babyhood,
Was in her cradle-coffin lying;
Extinct, with scarce the sense of dying:
So soon to exchange the imprisoning womb
For darker closets of the tomb!
She did but ope an eye, and put
A clear beam forth, then straight up shut
For the long dark: ne'er more to see
Through glasses of mortality.
   Riddle of destiny, who can show
What thy short visit meant, or know

No. It's an impudent falsehood. Men did not
Invariably think the newer way Prosaic
mad, inelegant, or what not.

Was the first pointed arch esteemed a blot
Upon the church? Did anybody say How
modern and how ugly? They did not.

Plate-armour, or windows glazed, or verse fire-hot
With rhymes from France, or spices from Cathay,
Were these at first a horror? They were not.

If, then, our present arts, laws, houses, food
All set us hankering after yesterday,
Need this be only an archaising mood?

CARVED WITH A CUPID'S HEAD, AND PLAYED ON FOR THE FIRST TIME AFTER MORE THAN A CENTURY.


What fairy music clear and light,
Responsive to your fingers,
Swells rippling on the summer night,
And amorously lingers
Upon the sense, as long ago
In days of rouge and rococo!

A century of silence lay
On strings that had not spoken
Since powdered lords to ladies gay
Gave, for a lover's token,
Fans glowing fresh from Watteau's art,
Well worth a marchioness's heart.

Your dormant music, tranced and bound,

Thy petals yet are closely curled,
Rose of the world,
Around their scented, golden core;
Nor yet has Summer purpled o'er
Thy tender clusters that begin
To swell within
The dewy vine-leaves' early screen
Of sheltering green.


O hearts that are Love's helpless prey,
While yet you may,
Fly, ere the shaft is on the string!
The fire that now is smouldering
Shall be the conflagration soon
Whose paths are strewn
With torment of blanched lips and eyes
That agonize.

[From the Latin of Petronious Ascanius.]

When, wanton fair, the snowy orb you throw,
I feel a fire before unknown in snow.
E'en coldest snow I find has pow'r to warm
My breast, when flung by Julia's lovely arm.
T'elude love's pow'rful arts I strive in vain,
If ice and snow can latent fires contain.
These frolics leave: the force of beauty prove,
With equal passion cool my ardent love.