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Lost in the Prairie

In one of fhe States of America, some years ago,
There suddenly came on a violent storm of snow,
Which was nearly the death of a party of workmen,
Who had finished their day's work - nine or ten of them.

The distance was nearly twenty miles to their camp,
And with the thick falling snow their clothes felt damp,
As they set out for their camp, which was in a large grove,
And to reach it, manfully against the storm they strove.

The wind blew very hard, and the snow was falling fast,
Still, they plodded on, but felt a little downcast,

Lost

"He ought to be home," said the old man, "without there's something amiss.
He only went to the Two-mile -- he ought to be back by this.
He would ride the Reckless filly, he would have his wilful way;
And, here, he's not back at sundown -- and what will his mother say?
"He was always his mother's idol, since ever his father died;
And there isn't a horse on the station that he isn't game to ride.
But that Reckless mare is vicious, and if once she gets away
He hasn't got strength to hold her -- and what will his mother say?"

Lost

"Black is the sky, but the land is white--
(O the wind, the snow and the storm!)--
Father, where is our boy to-night?
Pray to God he is safe and warm."

"Mother, mother, why should you fear?
Safe is he, and the Arctic moon
Over his cabin shines so clear--
Rest and sleep, 'twill be morning soon."

"It's getting dark awful sudden. Say, this is mighty queer!
Where in the world have I got to? It's still and black as a tomb.

Loss And Gain

Virtue runs before the muse
And defies her skill,
She is rapt, and doth refuse
To wait a painter's will.

Star-adoring, occupied,
Virtue cannot bend her,
Just to please a poet's pride,
To parade her splendor.

The bard must be with good intent
No more his, but hers,
Throw away his pen and paint,
Kneel with worshippers.

Then, perchance, a sunny ray
From the heaven of fire,
His lost tools may over-pay,
And better his desire.

Lord, what a Beloved is mine

Lord, what a Beloved is mine! I have a sweet quarry; I possess
in my breast a hundred meadows from his reed.
When in anger the messenger comes and repairs towards me,
he says, “Whither are you fleeing? I have business with you.”
Last night I asked the new moon concerning my Moon. The
moon said, “I am running in his wake, my foot is in his dust.”
When the sun arose I said,” How yellow of face you are!” The
sun said, “Out of shame for his countenance I have a face of
gold.”
“Water, you are prostrate, you are running on your head and

Looking at the grinding stones - Dohas Couplets I

Looking at the grinding stones, Kabir laments
In the duel of wheels, nothing stays intact.

searching for the wicked, met not a single one
When searched myself, 'I' found the wicked one

Tomorrows work do today, today's work anon
if the moment is lost, when will the work be done

Speak such words, sans ego's ploy
Body remains composed, giving the listener joy

Slowly slowly O mind, everything in own pace happens
Gardner may water a hundred buckets, fruit arrives only in its season

Look at The Clock' Patty Morgan The Milkmaid's Story

FYTTE I.

'Look at the Clock!' quoth Winifred Pryce,
As she open'd the door to her husband's knock,
Then paus'd to give him a piece of advice,
'You nasty Warmint, look at the Clock!
Is this the way, you
Wretch, every day you
Treat her who vow'd to love and obey you?
Out all night!
Me in a fright;
Staggering home as it's just getting light!
You intoxified brute! you insensible block!
Look at the Clock!-- Do!-- Look at the Clock!'

Winifred Pryce was tidy and clean,

London, Hast Thou Accursed Me

London, hast thou accused me
Of breach of laws, the root of strife?
Within whose breast did boil to see,
So fervent hot, thy dissolute life,
That even the hate of sins that grow
Within thy wicked walls so rife,
For to break forth did convert so
That terror could it not repress.
The which, by words since preachers know
What hope is left for to redress,
By unknown means it liked me
My hidden burden to express,
Whereby it might appear to thee
That secret sin hath secret spite;
From justice' rod no fault is free;

Living

The fire in leaf and grass
so green it seems
each summer the last summer.

The wind blowing, the leaves
shivering in the sun,
each day the last day.

A red salamander
so cold and so
easy to catch, dreamily

moves his delicate feet
and long tail. I hold
my hand open for him to go.

Each minute the last minute.

Little Brown Brother

I've always wanted to play the part
of that puckish pubescent Filipino boy

in those John Wayne Pacific-War movies.
Pepe, Jose, or Juanito would be smiling,

bare-chested and eager to please
for most of the steamy jungle scenes.

I'd be the one who would cross
the Japanese lines and ask for tanks,

air support, or more men. I'd miraculously
make it back to the town where John Wayne

is holding his position against the enemy
with his Thompson machine-gun. As a reward,

he'd rub that big white hand on my head