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Australian Federata

AUSTRALIA! land of lonely lake
And serpent-haunted fen;
Land of the torrent and the fire
And forest-sundered men:
Thou art not now as thou shalt be
When the stern invaders come,
In the hush before the hurricane,
The dread before the drum.
A louder thunder shall be heard
Than echoes on thy shore,
When o’er the blackened basalt cliffs
The foreign cannon roar—
When the stand is made in the sheoaks’ shade
When heroes fall for thee,
And the creeks in gloomy gullies run
Dark crimson to the sea:

Australia

WHAT can we give in return
For her beauty and mystery
Of flowering forest, infinite plain,
Deep sky and distant mountain-chain,
And her triumphant sea,
Thundering old songs of liberty?

Love—steadfast as her stars,
And passionate as her sun,
And joyous as the winds, that fling
The golden petals of her spring
By gully, spur, and run,
On dreaming age, and little one:

Courage—when courage fails
In the blind smoke and pain

Aunt Jane

I

When Aunt Jane died we hunted round,
And money everywhere we found.
How much I do not care to say,
But no death duties will we pay,
And Aunt Jane will be well content
We bilked the bloody Government.
II
While others spent she loved to save,
But couldn't take it to her grave.
While others save we love to spend;
She hated us but in the end
Because she left no Testament
To us all her possessions went.
III
That is to say they did not find
A lawyer's Will of any kind.
Yet there was one in her own hand,

Attraction

The meadow and the mountain with desire
Gazed on each other, till a fierce unrest
Surged ‘neath the meadow’s seemingly calm breast,
And all the mountain’s fissures ran with fire.

A mighty river rolled between them there.
What could the mountain do but gaze and burn?
What could the meadow do but look and yearn,
And gem its bosom to conceal despair?

Their seething passion agitated space,
Till lo! the lands a sudden earthquake shook,
The river fled: the meadow leaped, and took

Attack

AT dawn the ridge emerges massed and dun
In the wild purple of the glow'ring sun,
Smouldering through spouts of drifting smoke that shroud
The menacing scarred slope; and, one by one,
Tanks creep and topple forward to the wire.
The barrage roars and lifts. Then, clumsily bowed
With bombs and guns and shovels and battle-gear,
Men jostle and climb to meet the bristling fire.
Lines of grey, muttering faces, masked with fear,
They leave their trenches, going over the top,
While time ticks blank and busy on their wrists,

At the round earth's imagin'd corners

At the round earths imagin'd corners, blow
Your trumpets, Angells, and arise, arise
From death, you numberlesse infinities
Of soules, and to your scattered bodies goe,
All whom the flood did, and fire shall o'erthrow,
All whom warre, dearth, age, agues, tyrannies,
Despaire, law, chance, hath slaine, and you whose eyes,
Shall behold God, and never tast deaths woe.
But let them sleepe, Lord, and mee mourne a space,
For, if above all these, my sinnes abound,
'Tis late to aske abundance of thy grace,
When wee are there; here on this lowly ground,

At the Opera

THE CURTAIN rose—the play began—
The limelight on the gay garbs shone;
Yet carelessly I gazed upon
The painted players, maid and man,
As one with idle eyes who sees
The marble figures on a frieze.
Long lark-notes clear the first act close,
So the soprano: then a hush—
The tenor, tender as a thrush;
Then loud and high the chorus rose,
Till, with a sudden rush and strong,
It ended in a storm of song.

The curtain fell—the music died—
The lights grew bright, revealing there

At the Fishhouses

Although it is a cold evening,
down by one of the fishhouses
an old man sits netting,
his net, in the gloaming almost invisible,
a dark purple-brown,
and his shuttle worn and polished.
The air smells so strong of codfish
it makes one's nose run and one's eyes water.
The five fishhouses have steeply peaked roofs
and narrow, cleated gangplanks slant up
to storerooms in the gables
for the wheelbarrows to be pushed up and down on.
All is silver: the heavy surface of the sea,
swelling slowly as if considering spilling over,

At the Executed Murderer's Grave

Why should we do this? What good is it to us? Above all,
how can we do such a thing? How can it possibly be done?

--Freud

1.

My name is James A. Wright, and I was born
Twenty-five miles from this infected grave,
In Martins Ferry, Ohio, where one slave
To Hazel-Atlas Glass became my father.
He tried to teach me kindness. I return
Only in memory now, aloof, unhurried,
To dead Ohio, where I might lie buried,
Had I not run away before my time.
Ohio caught George Doty. Clean as lime,

At Sea

When the investing darkness growls,
And deep reverberates to deep;
When keyhole whines and chimney howls,
And all the roofs and windows weep;
Then, through the doorless walls of sleep,
The still-sealed ear and shuttered sight,
Phantoms of memory steal and creep,
The very ghosts of sound and light--
Dream-visions and dream-voices of a bygone night.


I see again, I hear again,
Where lightnings flash and house-eaves drip,
A flying swirl of waves and rain--