We mix from many lands,
We march for very far;
In hearts and lips and hands
Our staffs and weapons are;
The light we walk in darkens sun and moon and star.

It doth not flame and wane
With years and spheres that roll,
Storm cannot shake nor stain
The strength that makes it whole,
The fire that moulds and moves it of the sovereign soul.

We are they that have to cope
With time till time retire;
We live on hopeless hope,
We feed on tears and fire;

The east wind blows in the street to-day;
The sky is blue, yet the town looks grey.
'Tis the wind of ice, the wind of fire,
Of cold despair and of hot desire,
Which chills the flesh to aches and pains,
And sends a fever through all the veins.

From end to end, with aimless feet,
All day long have I paced the street.
My limbs are weary, but in my breast
Stirs the goad of a mad unrest.
I would give anything to stay
The little wheel that turns in my brain;
The little wheel that turns all day,
That turns all night with might and main.

952

A Man may make a Remark—
In itself—a quiet thing
That may furnish the Fuse unto a Spark
In dormant nature—lain—

Let us deport—with skill—
Let us discourse—with care—
Powder exists in Charcoal—
Before it exists in Fire.

THIS ae nighte, this ae nighte,
   --Every nighte and alle,
Fire and fleet and candle-lighte,
   And Christe receive thy saule.

When thou from hence away art past,
   --Every nighte and alle,
To Whinny-muir thou com'st at last;
   And Christe receive thy saule.

If ever thou gavest hosen and shoon,
   --Every nighte and alle,
Sit thee down and put them on;
   And Christe receive thy saule.

A moonlight moor. Fairies leading a child.

Male Fairies: Do not fear us, earthly maid!
We will lead you hand in hand
By the willows in the glade,
By the gorse on the high land,

By the pasture where the lambs
Shall awake with lonely bleat,
Shivering closer to their dams
From the rustling of our feet.

You will with the banshee chat,
And will find her good at heart,
Sitting on a warm smooth mat
In the green hill's inmost part.

We will bring a crown of gold
Bending humbly every knee,

I.

Oh, what a dawn of day!
How the March sun feels like May!
All is blue again
After last night's rain,
And the South dries the hawthorn-spray.
Only, my Love's away!
I'd as lief that the blue were grey,

II.

Runnels, which rillets swell,
Must be dancing down the dell,
With a foaming head
On the beryl bed
Paven smooth as a hermit's cell;
Each with a tale to tell,
Could my Love but attend as well.

III.

Dearest, three months ago!

FROM off a hill whose concave womb reworded
A plaintful story from a sistering vale,
My spirits to attend this double voice accorded,
And down I laid to list the sad-tuned tale;
Ere long espied a fickle maid full pale,
Tearing of papers, breaking rings a-twain,
Storming her world with sorrow's wind and rain.

Upon her head a platted hive of straw,
Which fortified her visage from the sun,
Whereon the thought might think sometime it saw
The carcass of beauty spent and done:

Let us be thankful, Lord, for little things -
The song of birds, the rapture of the rose;
Cloud-dappled skies, the laugh of limpid springs,
Drowned sunbeams and the perfume April blows;
Bronze wheat a-shimmer, purple shade of trees -
Let us be thankful, Lord of Life, for these!
II
Let us be praiseful, Sire, for simple sights; -
The blue smoke curling from a fire of peat;
Keen stars a-frolicking on frosty nights,
Prismatic pigeons strutting in a street;
Daisies dew-diamonded in smiling sward -
For simple sights let us be praiseful, Lord!

Some people find out they are Jews.
They can't believe it.
Thy had always hated Jews.
As children they had roamed in gangs on winter nights in the old
neighborhood, looking for Jews.
They were not Jewish, they were Irish.
They brandished broken bottles, tough guys with blood on their
lips, looking for Jews.
They intercepted Jewish boys walking alone and beat them up.
Sometimes they were content to chase a Jew and he could elude
them by running away. They were happy just to see him run
away. The coward! All Jews were yellow.

A Letter To My Aunt Discussing The Correct Approach To Modern Poetry


To you, my aunt, who would explore
The literary Chankley Bore,
The paths are hard, for you are not
A literary Hottentot
But just a kind and cultured dame
Who knows not Eliot (to her shame).
Fie on you, aunt, that you should see
No genius in David G.,
No elemental form and sound
In T.S.E. and Ezra Pound.
Fie on you, aunt! I'll show you how
To elevate your middle brow,
And how to scale and see the sights
From modernist Parnassian heights.