Thrill with lissome lust of the light,
O man ! My man !
Come careering out of the night
Of Pan ! Io Pan .
Io Pan ! Io Pan ! Come over the sea
From Sicily and from Arcady !
Roaming as Bacchus, with fauns and pards
And nymphs and styrs for thy guards,
On a milk-white ass, come over the sea
To me, to me,
Coem with Apollo in bridal dress
(Spheperdess and pythoness)
Come with Artemis, silken shod,
And wash thy white thigh, beautiful God,
In the moon, of the woods, on the marble mount,
The dimpled dawn of of the amber fount !

It is time (it was time long ago) I should sever
This chain -- why I wear it I know not -- forever!
Yet I cling to the bond, e'en while sick of the mask
I must wear, as of one whom his commonplace task
And proof-armor of dullness have steeled to her charms!
Ah! how lovely she looked as she flung from her arms,
In heaps to this table (now starred with the stains
Of her booty yet wet with those yesterday rains),
These roses and lilies, and -- what? let me see!
Then was off in a moment, but turned with a glee,

Where the poppy-banners flow
   in and out amongst the corn,
   spotless morn
ever saw us come and go

hand in hand, as girl and boy
   warming fast to youth and maid,
   half afraid
at the hint of passionate joy

still in Summer's rose unshown:
   yet we heard nor knew a fear;
   strong and clear
summer's eager clarion blown

from the sunrise to the set:
   now our feet are far away,

These are the flowers of sleep
That nod in the heavy noon,
Ere the brown shades eastward creep
To a drowsy and dreamful tune—
These are the flowers of sleep.

Love’s lilies are passion-pale,
But these on the sun-kissed flood
Of the corn, that rolls breast deep,
Burn redder than drops of blood
On a dead king’s golden mail.

Heart’s dearest, I would that we
These blooms of forgetfulness
Might bind on our brows, and steep
Our love in Lethe ere less
Grow its flame with thee or me.

When Time with his evil eye

What wonder this?--we ask the lympid well,
O earth! of thee--and from thy solemn womb
What yieldest thou?--is there life in the abyss--
Doth a new race beneath the lava dwell?
Returns the past, awakening from the tomb?
Rome--Greece!--Oh, come!--Behold--behold! for this!
Our living world--the old Pompeii sees;
And built anew the town of Dorian Hercules!
House upon house--its silent halls once more
Opes the broad portico!--Oh, haste and fill
Again those halls with life!--Oh, pour along
Through the seven-vista'd theatre the throng!

Music curls
In the stone shells
Of the arches, and rings
Their stone bells.

Music lips
Each cold groove
Of parabolas' laced
Warp and woof,
And lingers round nodes
Of the ribbed roof

Chords open
Their flowers among
The stone flowers; blossom;
Stalkless hang.


Submitted by Stephen Fryer

His golden locks time hath to silver turn'd;
O time too swift, O swiftness never ceasing!
His youth 'gainst time and age hath ever spurn'd,
But spurn'd in vain; youth waneth by increasing:
Beauty, strength, youth, are flowers but fading seen;
Duty, faith, love, are roots, and ever green.

His helmet now shall make a hive for bees;
And lovers' sonnets turn'd to holy psalms,
A man-at-arms must now serve on his knees,
And feed on prayers, which are age his alms:
But though from court to cottage he depart,

[Polyhymnia: Describing, The honourable Triumph at Tylt,
before her Maiestie, on the 17. of Nouember, last past,
being the first day of the three and thirtith yeare of
her Highnesse raigne. With Sir Henrie Lea, his resignation
of honour at Tylt, to her Maiestie, and receiued by the right
honourable, the Earle of Cumberland.]

[Polyhimnia. Entituled, with all dutie to the Right
Honourable, Lord Compton of Compton.]


Therefore, when thirtie two were come and gone,
Years of her raigne, daies of her countries peace,

'Listen, now, verse should be as natural
As the small tuber that feeds on muck
And grows slowly from obtuse soil
To the white flower of immortal beauty.'

'Natural, hell! What was it Chaucer
Said once about the long toil
That goes like blood to the poem's making?
Leave it to nature and the verse sprawls,
Limp as bindweed, if it break at all
Life's iron crust. Man, you must sweat
And rhyme your guts taut, if you'd build
Your verse a ladder.'
'You speak as though
No sunlight ever surprised the mind

And it was at that age ... Poetry arrived
in search of me. I don't know, I don't know where
it came from, from winter or a river.
I don't know how or when,
no they were not voices, they were not
words, nor silence,
but from a street I was summoned,
from the branches of night,
abruptly from the others,
among violent fires
or returning alone,
there I was without a face
and it touched me.

I did not know what to say, my mouth
had no way
with names,
my eyes were blind,
and something started in my soul,