“The sea is everywhere the sea.”


I

Gone—faded out of the story, the sea-faring friend I remember?
Gone for a decade, they say: never a word or a sign.
Gone with his hard red face that only his laughter could wrinkle,
Down where men go to be still, by the old way of the sea.

Never again will he come, with rings in his ears like a pirate,
Back to be living and seen, here with his roses and vines;
Here where the tenants are shadows and echoes of years uneventful,
Memory meets the event, told from afar by the sea.

Farewell to one now silenced quite,
Sent out of hearing, out of sight,--
My friend of friends, whom I shall miss,
He is not banished, though, for this,--
Nor he, nor sadness, nor delight.

Though I shall talk with him no more,
A low voice sounds upon the shore.
He must not watch my resting-place,
But who shall drive a mournful face
From the sad winds about my door?

I shall not hear his voice complain,
But who shall stop the patient rain?
His tears must not disturb my heart,
But who shall change the years and part

I.

Rise, winds of night! relentless tempests, rise!
Rush from the troubled clouds, and o'er me roll!
In this chill pause a deeper horror lies,
A wilder fear appals my shudd'ring soul!--
'Twas on this day,* this hour accurst,
That Nature, starting from repose,
Heard the dire shrieks of murder burst--
From infant innocence they rose,--
And shook these solemn towers!
I shudd'ring pass that fatal room,
For ages wrapt in central gloom!--
I shudd'ring pass that iron door,
Which fate perchance unlocks no more;

SANDBOX MINUS JOHN

DILLINGER EQUALS WHAT?





Often I return to the cover of Trout Fishing in America. I

took the baby and went down there this morning. They were

watering the cover with big revolving sprinklers. I saw some

bread lying on the grass. It had been put there to feed the

pigeons.

The old Italians are always doing things like that. The

bread had been turned to paste by the water and was squashed

flat against the grass. Those dopey pigeons were waiting until

A RETURN TO THE COVER OF

THIS BOOK



Dear Trout Fishing in America:



I met your friend Fritz in Washington Square. He told me

to tell you that his case went to a jury and that he was acquit-

ted by the jury.

He said that it was important for me to say that his case

went to a jury and that he was acquitted by the jury,

said it again.

He looked in good shape. He was sitting in the sun. There's

an old San Francisco saying that goes: "It's better to rest in

ANOTHER METHOD

OF MAKING WALNUT CATSUP





And this is a very small cookbook for Trout Fishing in America

as if Trout Fishing in America were a rich gourmet and

Trout Fishing in America had Maria Callas for a girlfriend

and they ate together on a marble table with beautiful candles.



Compote of Apples



Take a dozen of golden pippins, pare them

nicely and take the core out with a small

penknife; put them into some water, and

THE COVER FOR

TROUT FISHING IN AMERICA



The cover for Trout Fishing in America is a photograph taken

late in the afternoon, a photograph of the Benjamin Franklin

statue in San Francisco's Washington Square.

Born 1706--Died 1790, Benjamin Franklin stands on a

pedestal that looks like a house containing stone furniture.

He holds some papers in one hand and his hat in the other.

Then the statue speaks, saying in marble:

What it must be like to be an angel
or a squirrel, we can imagine sooner.

The last time we go to bed good,
they are there, lying about darkness.

They dandle us once too often,
these friends who become our enemies.

Suddenly one day, their juniors
are as old as we yearn to be.

They get wrinkles where it is better
smooth, odd coughs, and smells.

It is grotesque how they go on
loving us, we go on loving them

The effrontery, barely imaginable,
of having caused us.And of how.

Their lives: surely

I’m pardoned out. Again the stars
Shine on me with their myriad eyes.
So long I’ve peered ‘twixt iron bars,
I’m awed by this expanse of skies.
The world is wider than I thought,
And yet ‘tis not so wide, I know,
But into its remotest spot
My tale of shame can go.

I’m pardoned out. Old Father Time
Who seemed to halt in horror, when
I strained my manhood by a crime,
With steady step moves on again,
And through the black appalling night,
That walled me in a gloom accurst,
The wonder of the morning light

Oh, ponder, friend, the porcupine;
Refresh your recollection,
And sit a moment, to define
His means of self-protection.

How truly fortified is he!
Where is the beast his double
In forethought of emergency
And readiness for trouble?

Recall his figure, and his shade-
How deftly planned and clearly
For slithering through the dappled glade
Unseen, or pretty nearly.

Yet should an alien eye discern
His presence in the woodland,
How little has he left to learn
Of self-defense! My good land!