green

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1. Fareweel, ye bughts, an' all your ewes,
An' fields whare bIoomin' heather grows;
Nae mair the sportin' lambs I'll see
Since my true love's forsaken me.

CHORUS.
Nae mair I'll hear wi' pleasure sing
The cheerfu' lav'rock in the Spring,
But sad in grief now I maun mourn,
Far, far frae her, o'er Logan-burn.

2. Alas! nae mair we'll meetings keep
At bughts, whan herds ca' in their sheep;
Nae mair amang the threshes green
We'll row, where we hae aften been.
CHORUS

Speak softly; sun going down
Out of sight. Come near me now.

Dear dying fall of wings as birds
complain against the gathering dark...

Exaggerate the green blood in grass;
the music of leaves scraping space;

Multiply the stillness by one sound;
by one syllable of your name...

And all that is little is soon giant,
all that is rare grows in common beauty

To rest with my mouth on your mouth
as somewhere a star falls

And the earth takes it softly, in natural love...

I wish I were where Helen lies;
Night and day on me she cries;
Oh that I were where Helen lies
On fair Kirconnell lea!

Curst be the heart that thought the thought,
And curst the hand that fired the shot,
When in my arms burd Helen dropt,
And died to succour me!

O think na but my heart was sair
When my Love dropt down and spak nae mair!
I laid her down wi' meikle care
On fair Kirconnell lea.

As I went down the water-side,

Oenone:

Fair and fair, and twice so fair,
As fair as any may be;
The fairest shepherd on our green,
A love for any lady.

Paris:

Fair and fair, and twice so fair,
As fair as any may be;
Thy love is fair for thee alone
And for no other lady.

Oenone:

My love is fair, my love is gay,
As fresh as bin the flowers in May
And of my love my roundelay,
My merry, merry, merry roundelay,
Concludes with Cupid's curse,--
'They that do change old love for new

My Lord Tomnoddy got up one day;
It was half after two,
He had nothing to do,
So his Lordship rang for his cabriolet.

Tiger Tim
Was clean of limb,
His boots were polish'd, his jacket was trim
With a very smart tie in his smart cravat,
And a smart cockade on the top of his hat;
Tallest of boys, or shortest of men,
He stood in his stockings just four foot ten
And he ask'd, as he held the door on the swing,
'Pray, did your Lordship please to ring?'

My Lord Tomnoddy he raised his head,

She sits beside the window. All who pass
Turn once again to gaze on her sweet face.
She is so fair; but soon, too soon, alas,
To lie down in her last resting-place.

No gems are brighter than her sparkling eyes,
Her brow like polished marble, white and fair -
Her cheeks are glowing as the sunset skies -
You would not dream that Death was lurking there.

But, Oh! he lingers closely at her side,
And when the forest dons her Autumn dress,
We know that he will claim her as his bride,

All in the beautiful Autumn weather
One thought lingers with me and stays;
Death and winter are coming together,
Though both are veiled by the amber haze
I look on the forest of royal splendour!
I look on the face in my quiet room;
A face all beautiful, sad and tender,
And both are stamped with the seal of doom.

All through the days of Indian summer,
Minute by minute and hour by hour,
I feel the approach of a dreaded Comer –
A ghastly presence of awful power.

So I sit and write and ponder, while the house is deaf and dumb,
Seeing visions "over yonder" of the war I know must come.
In the corner - not a vision - but a sign for coming days
Stand a box of ammunition and a rifle in green baize.
And in this, the living present, let the word go through the land,
Every tradesman, clerk and peasant should have these two things at hand.

No - no ranting song is needed, and no meeting, flag or fuss -
In the future, still unheeded, shall the spirit come to us!

'Tis evening; the black snail has got on his track,
And gone to its nest is the wren,
And the packman snail, too, with his home on his back,
Clings to the bowed bents like a wen.

The shepherd has made a rude mark with his foot
Where his shadow reached when he first came,
And it just touched the tree where his secret love cut
Two letters that stand for love's name.

The evening comes in with the wishes of love,
And the shepherd he looks on the flowers,
And thinks who would praise the soft song of the dove,

EYES always open eyes
onions we were all found under
eyes never in a hurry wait for me
blink at the smash preserve the negative hold on a minute
(we are taking actuality as a section through sentiment at that point)

MICROPHONES tearing the remote controls controlling tears
twisting the tender cables urgent flowers suffer so
in evening close the door you can't come in
deface the setting sun when they is done
(three guggly waters play at hide and seek the moon what time is it)