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From the Sea

All beauty calls you to me, and you seem,
Past twice a thousand miles of shifting sea,
To reach me. You are as the wind I breathe
Here on the ship's sun-smitten topmost deck,
With only light between the heavens and me.
I feel your spirit and I close my eyes,
Knowing the bright hair blowing in the sun,
The eager whisper and the searching eyes.
Listen, I love you. Do not turn your face
Nor touch me. Only stand and watch awhile
The blue unbroken circle of the sea.
Look far away and let me ease my heart

From the Drama of Charles II

COME and kiss me, mistress Beauty,
I will give you all that ’s due t’ye.

I will taste your rosebud lips
Daintily as the bee sips;
At your bonny eyes I ’ll look
Like a scholar at his book:

On my bosom you shall rest,
Like a robin on her nest:
Round my body you shall twine,
I ’ll be elm, and you be vine:

In a bumper of your breath
I would drain a draught of death;
In the tangles of your hair
I ’d be hanged and never care.

Then come kiss me, mistress Beauty,

From Love's First Fever to Her Plague

From love's first fever to her plague, from the soft second
And to the hollow minute of the womb,
From the unfolding to the scissored caul,
The time for breast and the green apron age
When no mouth stirred about the hanging famine,
All world was one, one windy nothing,
My world was christened in a stream of milk.
And earth and sky were as one airy hill.
The sun and mood shed one white light.

From the first print of the unshodden foot, the lifting
Hand, the breaking of the hair,
From the first scent of the heart, the warning ghost,

From Far Dakota's Canons

FROM far Dakota's cañons,
Lands of the wild ravine, the dusky Sioux, the lonesome stretch, the
silence,
Haply to-day a mournful wail, haply a trumpet-note for heroes.

The battle-bulletin,
The Indian ambuscade, the craft, the fatal environment,
The cavalry companies fighting to the last in sternest heroism,
In the midst of their little circle, with their slaughter'd horses
for breastworks,
The fall of Custer and all his officers and men.

Continues yet the old, old legend of our race,

From 'Arcades

O're the smooth enameld green
   Where no print of step hath been,
   Follow me as I sing,
   And touch the warbled string.
Under the shady roof
Of branching Elm Star-proof,
   Follow me,
I will bring you where she sits
Clad in splendor as befits
   Her deity.
Such a rural Queen
All Arcadia hath not seen.

313. From 'Comus'
I

The Star that bids the Shepherd fold,
Now the top of Heav'n doth hold,
And the gilded Car of Day,

from Hugh Selwyn Mauberly

For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old scene.Wrong from the start--

No, hardly, but seeing he had been born
In a half-savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait;

[idmen gar toi pant, hos eni Troiei]
Caught in the unstopped ear;
Giving the rocks small lee-way
The chopped seas held him, therefore, that year.

His true Penelope was Flaubert,

Freedom of Love

(Translated from the French by Edouard Rodti)

My wife with the hair of a wood fire
With the thoughts of heat lightning
With the waist of an hourglass
With the waist of an otter in the teeth of a tiger
My wife with the lips of a cockade and of a bunch of stars of the last magnitude
With the teeth of tracks of white mice on the white earth
With the tongue of rubbed amber and glass
My wife with the tongue of a stabbed host
With the tongue of a doll that opens and closes its eyes
With the tongue of an unbelievable stone

Fragments

In that fair capital where Pleasure, crowned
Amidst her myriad courtiers, riots and rules,
I too have been a suitor. Radiant eyes
Were my life's warmth and sunshine, outspread arms
My gilded deep horizons. I rejoiced
In yielding to all amorous influence
And multiple impulsion of the flesh,
To feel within my being surge and sway
The force that all the stars acknowledge too.
Amid the nebulous humanity
Where I an atom crawled and cleaved and sundered,
I saw a million motions, but one law;
And from the city's splendor to my eyes

Fragment 01

WHEN, upon the well-wrought chest,
Fiercely heat the howling wind,
And the oceans heaving breast
Filled with terror DanaCs mind ;
All in tears, her arm she throws
Over Perseus, as he lay
0, my babe, she said, what woes
On thy mothers bosom weigh!

Thou dost sleep with careless breast,
Slumbering in this dreary home,
Thou dost sweetly take thy rest,
In the darkness and the gloom.

In thy little mantle there,
Passing wave thou dost not mind,
Dashing oer thy clustering hair,
Nor fhe voices of the wind.

Fragment

Faint white pillars that seem to fade
As you look from here are the first one sees
Of his house where it hides and dies in a shade
Of beeches and oaks and hickory trees.
Now many a man, given woods like these,
And a house like that, and the Briony gold,
Would have said, "There are still some gods to please,
And houses are built without hands, we're told.

There are the pillars, and all gone gray.
Briony's hair went white. You may see
Where the garden was if you come this way.
That sun-dial scared him, he said to me;