When Londons fatal bills were blown abroad
And few but Specters travel'd on the road,
Not towns but men in the black bill enrol'd
Were in Gazetts by Typographers sold:
But our Gazetts without Errataes must
Report the plague of towns reduct to dust:
And feavers formerly to tenants sent
Arrest the timbers of the tenement.
Ere the late ruines of old Groton's cold,
Of Marlbury's peracute disease we're told.
The feet of such who neighbouring dwellings urnd
Unto her ashes, not her doors return'd
And what remaind of tears as yet unspent

Long night succeeds thy little day;
Oh blighted blossom! can it be,
That this grey stone, and grassy clay,
Have clos'd our anxious care of thee?

The half-form'd speech of artless thought
That spoke a mind beyond thy years;
The song, the dance, by nature taught;
The sunny smiles, the transient tears;

The symmetry of face and form,
The eye with light and life replete;
The little heart so fondly warm,
The voice so musically sweet;

These, lost to hope, in memory yet
Around the hearts that lov'd thee cling,

Slayer of the winter, art thou here again?
O welcome, thou that's bring'st the summer nigh!
The bitter wind makes not thy victory vain,
Nor will we mock thee for thy faint blue sky.
Welcome, O March! whose kindly days and dry
Make April ready for the throstle's song,
Thou first redresser of the winter's wrong!

Yea, welcome March! and though I die ere June,
Yet for the hope of life I give thee praise,
Striving to swell the burden of the tune
That even now I hear thy brown birds raise,
Unmindful of the past or coming days;

This is not bad --
ambling along 44th Street
with Sonny Rollins for company,
his music flowing through the soft calipers
of these earphones,

as if he were right beside me
on this clear day in March,
the pavement sparkling with sunlight,
pigeons fluttering off the curb,
nodding over a profusion of bread crumbs.

In fact, I would say
my delight at being suffused
with phrases from his saxophone --
some like honey, some like vinegar --
is surpassed only by my gratitude

to Tommy Potter for taking the time

No man can be a failure if he thinks he's a success;
he may not own his roof-tree overhead,
He may be on his uppers and have hocked his evening dress -
(Financially speaking - in the red)
He may have chronic shortage to repay the old home mortgage,
And almost be a bankrupt in his biz.,
But though he skips his dinner,
And each day he's growing thinner,
If he thinks he is a winner,
Then he is.

But when I say Success I mean the sublimated kind;
A man may gain it yet be on the dole.

They say you can jinx a poem
if you talk about it before it is done.
If you let it out too early, they warn,
your poem will fly away,
and this time they are absolutely right.

Take the night I mentioned to you
I wanted to write about the madmen,
as the newspapers so blithely call them,
who attack art, not in reviews,
but with breadknives and hammers
in the quiet museums of Prague and Amsterdam.

Actually, they are the real artists,
you said, spinning the ice in your glass.
The screwdriver is their brush.

O lady! if, until this hour,
I've gazed in those bewildering eyes,
Yet never owned their touching power,
But when thou couldst not hear my sighs;
It has not been that love has slept
One single moment in my soul,
Or that on lip or look I kept
A stern and stoical control;
But that I saw, but that I felt,
In every tone and glance of thine,
Whate'er they spoke, where'er they dwelt,
How small, how poor a part was mine;
And that I deeply, dearly knew,
THAT hidden, hopeless love confessed,
The fatal words would lose me, too,

Mad Maria in the Square
Sits upon a wicker chair.
When the keeper asks the price
Mad Maria counts her lice.
No pesito can she pay,
So he shrugs and goes away;
Hopes she'll pay him with her prayers,
Shabby keeper of the chairs.
II
Mad Maria counts her lice,
Cracks them once and cracks them twice,
Combs them from her sunny hair;
People stop to turn and stare.
Innocent in thought and deed
Mad Maria pays no heed,
And the Cross upon her breast
Proves her blessed of the blest.
III
So she sings her little song,

I do not write for love of pelf,
Nor lust for phantom fame;
I do not rhyme to please myself,
Nor yet to win acclaim:
No, strange to say it is my plan,
What gifts I have, to lavish
Upon a simple working man
MACTAVISH.
II
For that's the rather smeary name,
Of dreary toil a hinter,
That heads the galley proofs that came
This morning from my printer;
My patient pencil much they need,
Yet how my eyes they ravish,
As at the top of each I read:
MACTAVISH.
III
Who is the meek and modest man,

Sleep, pretty lady, the night is enfolding you;
Drift, and so lightly, on crystalline streams.
Wrapped in its perfumes, the darkness is holding you;
Starlight bespangles the way of your dreams.
Chorus the nightingales, wistfully amorous;
Blessedly quiet, the blare of the day.
All the sweet hours may your visions be glamorous-
Sleep, pretty lady, as long as you may.

Sleep, pretty lady, the night shall be still for you;
Silvered and silent, it watches you rest.
Each little breeze, in its eagerness, will for you