The first Nowell the Angel did say
Was to three poor Shepherds in the fields as they lay;
In fields where they lay keeping their sheep
In a cold winter's night that was so deep.
Nowell, Nowell, Nowell, Nowell,
Born is the King of Israel.
They looked up and saw a Star
Shining in the East beyond them far,
And to the earth it gave great light,
And so it continued both day and night.
Nowell, Nowell, Nowell, Nowell,
Born is the King of Israel.
And by the light of that same Star,

You have read War and Peace.
Now here is Sister Carrie,
not up to Tolstoy; still
it will second the real world:
predictable planes and levels,
pavement that holds you,
stairs that lift you,
ice that trips you,
nights that begin after sunset,
four lunar phases,
a finite house.

I give you Dreiser
although (or because)
I am no longer sure.
Lately I have been walking into glass doors.
Through the car windows, curbs disappear.
On the highway, wrong turnoffs become irresistible,
someone else is controlling the wheel.

A vagueness comes over everything,
as though proving color and contour
alike dispensable: the lighthouse
extinct, the islands' spruce-tips
drunk up like milk in the
universal emulsion; houses
reverting into the lost
and forgotten; granite
subsumed, a rumor
in a mumble of ocean.
Tactile
definition, however, has not been
totally banished: hanging
tassel by tassel, panicled
foxtail and needlegrass,
dropseed, furred hawkweed,
and last season's rose-hips
are vested in silenced
chimes of the finest,

Sweet, I blame you not, for mine the fault was, had I not been made of common
clay
I had climbed the higher heights unclimbed yet, seen the fuller air, the
larger day.

From the wildness of my wasted passion I had struck a better, clearer song,
Lit some lighter light of freer freedom, battled with some Hydra-headed wrong.

Had my lips been smitten into music by the kisses that but made them bleed,
You had walked with Bice and the angels on that verdant and enamelled meed.

From Bindle's opera house in the village
To Broadway is a great step.
But I tried to take it, my ambition fired
When sixteen years of age,
Seeing "East Lynne" played here in the village
By Ralph Barrett, the coming
Romantic actor, who enthralled my soul.
True, I trailed back home, a broken failure,
When Ralph disappeared in New York,
Leaving me alone in the city --
But life broke him also.
In all this place of silence
There are no kindred spirits.
How I wish Duse could stand amid the pathos
Of these quiet fields

o



Whither, oh! whither wilt thou wing thy way?
What solemn region first upon thy sight
Shall break, unveiled for terror or delight?
What hosts, magnificent in dread array,
My spirit! when thy prison-house of clay
After long strife is rent? Fond, fruitless quest!
The unfledged bird, within his narrow nest,
Sees but a few green branches oer him play,
And through their parting leaves, by fits revealed,
A glimpse of summer sky; nor knows the field
Wherein his dormant powers must yet be tried.

I never kill a fly because
I think that what we have of laws
To regulate and civilize
Our daily life - we owe to flies.
II
Apropos, I'll tell you of Choo, the spouse
Of the head of the hunters, Wung;
Such a beautiful cave they had for a house,
And a brood of a dozen young.
And Wung would start by the dawn's red light
On the trailing of bird or beast,
And crawl back tired on the brink of night
With food for another feast.
III
Then the young would dance in their naked glee,
And Choo would fuel the fire;

Fisherman Jim lived on the hill
With his bonnie wife an' his little boys;
'T wuz "Blow, ye winds, as blow ye will -
Naught we reck of your cold and noise!"
For happy and warm were he an' his,
And he dandled his kids upon his knee
To the song of the sea.

Fisherman Jim would sail all day,
But, when come night, upon the sands
His little kids ran from their play,
Callin' to him an' wavin' their hands;
Though the wind was fresh and the sea was high,
He'd hear'em - you bet - above the roar
Of the waves on the shore!

Cool black night thru redwoods
cars parked outside in shade
behind the gate, stars dim above
the ravine, a fire burning by the side
porch and a few tired souls hunched over
in black leather jackets. In the huge
wooden house, a yellow chandelier
at 3 A.M. the blast of loudspeakers
hi-fi Rolling Stones Ray Charles Beatles
Jumping Joe Jackson and twenty youths
dancing to the vibration thru the floor,
a little weed in the bathroom, girls in scarlet
tights, one muscular smooth skinned man
sweating dancing for hours, beer cans

ARGUMENT.