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Cowardice

I

Although you deem it far from nice,
And it perchance may hurt you,
Let me suggest that cowardice
Can masquerade as virtue;
And many a maid remains a maid
Because she is afraid.
II
And many a man is chaste because
He fears the house of sin;
And though before the door he pause,
He dare not enter in:
So worse than being dissolute
At home he plays the flute.
III
And many an old cove such as I
Is troubled with the jitters,
And being as he's scared to die

Corinna's Going A-Maying

Get up, get up for shame, the blooming Morn
Upon her wings presents the god unshorn.
See how Aurora throws her fair
Fresh-quilted colours through the air;
Get up, sweet slug-a-bed, and see
The dew bespangling herb and tree.
Each flower has wept, and bow'd toward the east,
Above an hour since; yet you not drest,
Nay! not so much as out of bed?
When all the birds have matins said,
And sung their thankful hymns, 'tis sin,
Nay, profanation, to keep in,
Whenas a thousand virgins on this day

Convention

The snow is lying very deep.
My house is sheltered from the blast.
I hear each muffled step outside,
I hear each voice go past.

But I'll not venture in the drift
Out of this bright security,
Till enough footsteps come and go
To make a path for me.

Contemplating Hell

Contemplating Hell, as I once heard it,
My brother Shelley found it to be a place
Much like the city of London. I,
Who do not live in London, but in Los Angeles,
Find, contemplating Hell, that it
Must be even more like Los Angeles.

Also in Hell,
I do not doubt it, there exist these opulent gardens
With flowers as large as trees, wilting, of course,
Very quickly, if they are not watered with very expensive water. And fruit markets
With great leaps of fruit, which nonetheless

Conscience

Conscience is instinct bred in the house,
Feeling and Thinking propagate the sin
By an unnatural breeding in and in.
I say, Turn it out doors,
Into the moors.
I love a life whose plot is simple,
And does not thicken with every pimple,
A soul so sound no sickly conscience binds it,
That makes the universe no worse than 't finds it.
I love an earnest soul,
Whose mighty joy and sorrow
Are not drowned in a bowl,
And brought to life to-morrow;
That lives one tragedy,
And not seventy;
A conscience worth keeping;

Conrad in Twilight

Conrad, Conrad, aren't you old
To sit so late in your mouldy garden?
And I think Conrad knows it well,
Nursing his knees, too rheumy and cold
To warm the wraith of a Forest of Arden.

Neuralgia in the back of his neck,
His lungs filling with such miasma,
His feet dipping in leafage and muck:
Conrad! you've forgotten asthma.

Conrad's house has thick red walls,
The log on Conrad's hearth is blazing,
Slippers and pipe and tea are served,
Butter and toast are meant for pleasing!
Still Conrad's back is not uncurved

Confined Love

Some man unworthy to be possessor
Of old or new love, himself being false or weak,
Thought his pain and shame would be lesser
If on womankind he might his anger wreak,
And thence a law did grow,
One might but one man know;
But are other creatures so?

Are Sun, Moon, or Stars by law forbidden
To smile where they list, or lend away their light?
Are birds divorced, or are they chidden
If they leave their mate, or lie abroad a-night?
Beasts do no jointures lose
Though they new lovers choose,
But we are made worse than those.

Composed Upon Westminster Bridge, September 3, 1802

Earth has not anything to show more fair:
Dull would he be of soul who could pass by
A sight so touching in its majesty:
This City now doth, like a garment, wear
The beauty of the morning; silent, bare,
Ships, towers, domes, theatres, and temples lie
Open unto the fields, and to the sky;
All bright and glittering in the smokeless air.
Never did sun more beautifully steep
In his first splendour, valley, rock, or hill;
Ne'er saw I, never felt, a calm so deep!
The river glideth at his own sweet will:
Dear God! the very houses seem asleep;

Coming Home

Five minutes here, and they must steal two more!
shameful! Here have I been five mortal years
and not seen home nor one dear kindred face,
and these abominable slugs, this guard,
this driver, porters--what are they about?--
keep us here motionless, two minutes, three.--
Aha! at last!

Good! We shall check our minutes;
we're flying after them, like a mad wind
chasing the leaves it has tossed on in front.
Oh glorious wild speed, what giants' play!
and there are men who tell us poetry