The Jumbo Jet has barely shuddered off
The ground, and I'm depressed. My scuba mask
And fins, my fly rod and beach hat

Crush each other in an overhead locker
Dark as the bedroom closet they're returning to.
Already the week's good times melt

Together like caramels in a hot car.
My vow to "Do this more often!" recedes
With the jade palms and sun-stroked beaches

I can barely see through my scratched window
As the pilot thanks us for "flying
United," and climbs through ectoplasmic

Ay, lay him 'neath the Simla pine --
A fortnight fully to be missed,
Behold, we lose our fourth at whist,
A chair is vacant where we dine.

His place forgets him; other men
Have bought his ponies, guns, and traps.
His fortune is the Great Perhaps
And that cool rest-house down the glen,

Whence he shall hear, as spirits may,
Our mundance revel on the height,
Shall watch each flashing 'rickshaw-light
Sweep on to dinner, dance, and play.

Benmore shall woo him to the ball
With lighted rooms and braying band;

Poets, come out of your closets,
Open your windows, open your doors,
You have been holed-up too long
in your closed worlds.
Come down, come down
from your Russian Hills and Telegraph Hills,
your Beacon Hills and your Chapel Hills,
your Mount Analogues and Montparnasses,
down from your foothills and mountains,
out of your teepees and domes.
The trees are still falling
and we’ll to the woods no more.
No time now for sitting in them
As man burns down his own house
to roast his pig
No more chanting Hare Krishna

Out of the fire
Came a man sunken
To less than cinders,
A tea-cup of ashes or so.
And I,
The gold in the house,
Writhed into a stiff pool.

What wonder this?--we ask the lympid well,
O earth! of thee--and from thy solemn womb
What yieldest thou?--is there life in the abyss--
Doth a new race beneath the lava dwell?
Returns the past, awakening from the tomb?
Rome--Greece!--Oh, come!--Behold--behold! for this!
Our living world--the old Pompeii sees;
And built anew the town of Dorian Hercules!
House upon house--its silent halls once more
Opes the broad portico!--Oh, haste and fill
Again those halls with life!--Oh, pour along
Through the seven-vista'd theatre the throng!

A gaunt built woman and her son-in-law—
A broad-faced fellow, with such flesh as shows
Nothing but easy nature—and his wife,
The woman’s daughter, who spills all her talk
Out of a wide mouth, but who has eyes as gray
As Connemara, where the mountain-ash
Shows berries red indeed: they enter now—
Our country singers!
“Sing, my good woman, sing us some romance
That has been round your chimney-nooks so long
’Tis nearly native; something blown here
And since made racy—like yon tree, I might say,

Nobody said Apples for nearly a minute
I thought I should die.
Finally, though, the second sardine,
from the end, on the left,
converted a try.
(It brought down the house.
The noise was terrific.
I dropped my glass eye.)

Meanwhile Mr BaIdwin
managed to make himself heard.
He looked sad
but with characteristic aplomb said
keep calm there is no cause for alarm.
Two soldiers' crutches had sexual intercourse
on the spot with a little bit of fluff
from a lint bandage in the firing chamber
of a 12 inch gun.

To Policeman G. the Inspector said:
"When you pass the 'shops' you must turn your head;
If you took a wager, that would be a sin;
So you'll earn no stripes if you run them in."
Mush-a-ring-tiy-ah,
Fol-de-diddle-doh!
To the House Committee, the Inspector said:
"'Tis a terrible thing how the gamblers spread,
For they bet on the steeple, and they bet on the Cup,
And the magistrates won't lock them up."
Mush-a-ring-tiy-ah,
Fol-de-diddle-doh!

But Policeman G., as he walks his beat,

In the mustardseed sun,
By full tilt river and switchback sea
Where the cormorants scud,
In his house on stilts high among beaks
And palavers of birds
This sandgrain day in the bent bay's grave
He celebrates and spurns
His driftwood thirty-fifth wind turned age;
Herons spire and spear.

Under and round him go
Flounders, gulls, on their cold, dying trails,
Doing what they are told,
Curlews aloud in the congered waves
Work at their ways to death,
And the rhymer in the long tongued room,
Who tolls his birthday bell,

This poem is for my wife.
I have made it plainly and honestly:
The mark is on it
Like the burl on the knife.

I have not made it for praise.
She has no more need for praise
Than summer has
Or the bright days.

In all that becomes a woman
Her words and her ways are beautiful:
Love's lovely duty,
the well-swept room.

Wherever she is there is sun
And time and a sweet air:
Peace is there,
Work done.

There are always curtains and flowers
And candles and baked bread
And a cloth spread