So here the great man stood,
fermenting malice and poems
we have to be nearly as fierce
against ourselves as he
not to misread by their disguises.
Blue in dawn haze, the tamarack
across the road is new since Frost
and thirty feet tall already.
No doubt he liked to scorch off
morning fog by simply staring through it
long enough so that what he saw
grew visible. "Watching the dragon
come out of the Notch," his children
used to call it. And no wonder
he chose a climate whose winter
and house whose isolation could be

Brooklyn, 1929. Of course Crane's
been drinking and has no idea who
this curious Andalusian is, unable
even to speak the language of poetry.
The young man who brought them
together knows both Spanish and English,
but he has a headache from jumping
back and forth from one language
to another. For a moment's relief
he goes to the window to look
down on the East River, darkening
below as the early light comes on.
Something flashes across his sight,
a double vision of such horror
he has to slap both his hands across

What is our life? a play of passion;
Our mirth the musick of division:
Our mother's wombes the tyring houses bee
Where wee are drest for tyme's short comedy:
The earth's the stage, heaven the spectator is,
Who marketh still whoere doth act amisse:
Our graves that hide us from the burning sunne
Are but drawne curtaynes when the play is done

You that affright with lamentable notes
The servants from their beef, whose hungry throats
Vex the grume porter's surly conscience:
That blesse the mint for coyning lesse than pence:
You whose unknown and meanly payd desarts
Begge silently within, and knocke at hearts:
You whose commanding worth makes men beleeve
That you a kindnesse give when you receave:
All sorts of them that want, your tears now lend:
A House-keeper, a Patron, and a Friend
Is lodged in clay. The man whose table fedde
So many while he lived, since hee is dead,

THROUGH thickest glooms look back, immortal
shade,
On that confusion which thy death has made:
Or from Olympus' height look down, and see
A Town involv'd in grief bereft of thee.
Thy Lucy sees thee mingle with the dead,
And rends the graceful tresses from her head,
Wild in her woe, with grief unknown opprest
Sigh follows sigh deep heaving from her breast.
Too quickly fled, ah! whither art thou gone?
Ah! lost for ever to thy wife and son!
The hapless child, thine only hope and heir,
Clings round his mother's neck, and weeps his sorrows

When the salt wave laps on the long, dim shore,
And frets the reef with its windy sallies,
And the dawn's white light is threading once more
The purple firs in the landward valleys,
While yet the arms of the wide gray sea
Are cradling the sunrise that is to be,
The fisherman's boat, through the mist afar,
Has sailed in the wake of the morning star.

The wind in his cordage and canvas sings
Its old glad song of strength and endeavor,
And up from the heart of the ocean rings
A call of courage and cheer forever;

940

On that dear Frame the Years had worn
Yet precious as the House
In which We first experienced Light
The Witnessing, to Us—

Precious! It was conceiveless fair
As Hands the Grave had grimed
Should softly place within our own
Denying that they died.

146

On such a night, or such a night,
Would anybody care
If such a little figure
Slipped quiet from its chair—

So quiet—Oh how quiet,
That nobody might know
But that the little figure
Rocked softer—to and fro—

On such a dawn, or such a dawn—
Would anybody sigh
That such a little figure
Too sound asleep did lie

For Chanticleer to wake it—
Or stirring house below—
Or giddy bird in orchard—
Or early task to do?

There was a little figure plump
For every little knoll—

Such were the lively eyes and rosy hue
Of Robin's face, when Robin first I knew;
The gay companion and the fav'rite guest;
Lov'd without awe, and without views caress'd;
His cheerful smile, and open honest look,
Added new graces to the truth he spoke.
Then ev'ry man found something to commend,
The pleasant neighbour and the worthy friend;
The gen'rous master of a private house,
The tender father and indulgent spouse.
The hardest censors at the worst believ'd,
His temper was too easily deceiv'd

The roving breezes come and go
On Kiley's Run,
The sleepy river murmurs low,
And far away one dimly sees
Beyond the stretch of forest trees --
Beyond the foothills dusk and dun --
The ranges sleeping in the sun
On Kiley's Run.

'Tis many years since first I came
To Kiley's Run,
More years than I would care to name
Since I, a stripling, used to ride
For miles and miles at Kiley's side,
The while in stirring tones he told
The stories of the days of old
On Kiley's Run.

I see the old bush homestead now