NOW list to my morning's romanza--I tell the signs of the Answerer;
To the cities and farms I sing, as they spread in the sunshine before
me.

A young man comes to me bearing a message from his brother;
How shall the young man know the whether and when of his brother?
Tell him to send me the signs.

And I stand before the young man face to face, and take his right
hand in my left hand, and his left hand in my right hand,
And I answer for his brother, and for men, and I answer for him that

The light along the hills in the morning
comes down slowly, naming the trees
white, then coasting the ground for stones to nominate.

Notice what this poem is not doing.

A house, a house, a barn, the old
quarry, where the river shrugs--
how much of this place is yours?

Notice what this poem is not doing.

Every person gone has taken a stone
to hold, and catch the sun. The carving
says, "Not here, but called away."

Notice what this poem is not doing.

The sun, the earth, the sky, all wait.

after Rene Char

Let's agree that the night is a blank canvas, a station
break, a bridge of a song.

Let's agree further that activities at night—movies,
campfires, reading by a lamp—are all
basically an homage to the day.

I have come to regard these two statements as
contradictory. Let me explain.

First, set aside that one could see a movie, torch a fire,
and read with the sun blazing over us.

The in-between aspect of night need not spark a flurry of
activity, is all I'm saying.

By Edward Leary.
There was an old fellow of Peterhouse,
Who said, "You could not find a neater house
Than our new Combination-Room
For a mild dissipation room."
That abandoned old Fellow of Peterhouse.
There was a boat captain of Downing,
Whose crew were in danger of drowning,
But he cried, "Swim to shore,
For I'm sure that eight more
Could not be collected in Downing."

There was a young genius of Queens',
Who was fond of explosive machines,
He once blew up a door,

I could have sold him up because
His rent was long past due;
And Grimes, my lawyer, said it was
The proper thing to do:
But how could I be so inhuman?
And me a gentle-woman.

Yet I am poor as chapel mouse,
Pinching to make ends meet,
And have to let my little house
To buy enough to eat:
Why, even now to keep agoing
I have to take in sewing.

Sylvester is a widowed man,
Clerk in a hardware store;
I guess he does the best he can
To feed his kiddies four:

A prisoner speaks:

Majority of twenty-three,
I face the Judge with joy and glee;
For am I not a lucky chap -
No more hanging, no more cap;
A "lifer," yes, but well I know
In fifteen years they'll let me go;
For I'll be pious in my prison,
Sing with gusto: Christ Is Risen;
Serve the hymn-books out on Sunday,
Sweep the chapel clean on Monday:
Such a model lag I'll be
In fifteen years they'll set me free.

Majority of twenty three,
You've helped me cheat the gallows tree.
I'm twenty now, at thirty-five

She heard the story of the end,
   Each message, too, she heard;
And there was one for every friend;
   For her alone -- no word.

And shall she bear a heavier heart,
   And deem his love was fled;
Because his soul from earth could part
   Leaving her name unsaid?

No -- No! -- Though neither sign nor sound
   A parting thought expressed --
Not heedless passed the Homeward-Bound
   Of her he loved the best.

You go up the long track
That will take a car, but is best walked
On slow foot, noting the lichen
That writes history on the page
Of the grey rock. Trees are about you
At first, but yield to the green bracken,
The nightjars house: you can hear it spin
On warm evenings; it is still now
In the noonday heat, only the lesser
Voices sound, blue-fly and gnat
And the stream's whisper. As the road climbs,
You will pause for breath and the far sea's
Signal will flash, till you turn again
To the steep track, buttressed with cloud.

Since you remember Nimmo, and arrive
At such a false and florid and far drawn
Confusion of odd nonsense, I connive
No longer, though I may have led you on.

So much is told and heard and told again,
So many with his legend are engrossed,
That I, more sorry now than I was then,
May live on to be sorry for his ghost.

You knew him, and you must have known his eyes,—
How deep they were, and what a velvet light
Came out of them when anger or surprise,
Or laughter, or Francesca, made them bright.

White, white in the milky night
The moon danced over a tree.
"Wouldn't it be lovely to swim in the lake!"
Someone whispered to me.

"Oh, do-do-do!" cooed someone else,
And clasped her hands to her chin.
"I should so love to see the white bodies--
All the white bodies jump in!"

The big dark house hid secretly
Behind the magnolia and the spreading pear-tree;
But there was a sound of music--music rippled and ran
Like a lady laughing behind her fan,
Laughing and mocking and running away...