Let those who're fond of idle tricks,
Of throwing stones, and hurling bricks,
And all that sort of fun,
Now hear a tale of idle Jim,
That warning they may take by him,
Nor do as he has done.

In harmless sport or healthful play
He did not pass his time away,
Nor took his pleasure in it;
For mischief was his only joy:
No book, or work, or even toy,
Could please him for a minute.

A neighbour's house he'd slyly pass,
And throw a stone to break the glass,
And then enjoy the joke!
Or, if a window open stood,

Do you know the land where the lemon-trees grow,
in darkened leaves the gold-oranges glow,
a soft wind blows from the pure blue sky,
the myrtle stands mute, and the bay-tree high?
Do you know it well?
It’s there I’d be gone,
to be there with you, O, my beloved one!

Do you know the house? It has columns and beams,
there are glittering rooms, the hallway gleams,
and figures of marble looking at me?
‘What have they done, child of misery?
Do you know it well?
It’s there I’d be gone,

Broad sun-stoned beaches.

White heat.
A green river.

A bridge,
scorched yellow palms

from the summer-sleeping house
drowsing through August.

Days I have held,
days I have lost,

days that outgrow, like daughters,
my harbouring arms.

Now warm with ministerial ire,
Fierce sallied forth our loyal 'Squire,
And on his striding steps attends
His desperate clan of Tory friends.
When sudden met his wrathful eye
A pole ascending through the sky,
Which numerous throngs of whiggish race
Were raising in the market-place.
Not higher school-boy's kites aspire,
Or royal mast, or country spire;
Like spears at Brobdignagian tilting,
Or Satan's walking-staff in Milton.
And on its top, the flag unfurl'd
Waved triumph o'er the gazing world,
Inscribed with inconsistent types

When Yankies, skill'd in martial rule,
First put the British troops to school;
Instructed them in warlike trade,
And new manoeuvres of parade,
The true war-dance of Yankee reels,
And manual exercise of heels;
Made them give up, like saints complete,
The arm of flesh, and trust the feet,
And work, like Christians undissembling,
Salvation out, by fear and trembling;
Taught Percy fashionable races,
And modern modes of Chevy-Chases:
From Boston, in his best array,
Great 'Squire M'Fingal took his way,
And graced with ensigns of renown,

Baucis and Philemon

THUS Achelous ends: his audience hear
With admiration, and admiring, fear
The pow'rs of heav'n; except Ixion's son,
Who laugh'd at all the gods, believ'd in none:
He shook his impious head, and thus replies,
"These legends are no more than pious lies:
You attribute too much to heavenly sway,
To think they give us forms, and take away."
The rest, of better minds, their sense declar'd
Against this doctrine, and with horrour heard.
Then Lelex rose, an old experienc'd man,
And thus with sober gravity began:

HERE, while the Thracian bard's enchanting strain
Sooths beasts, and woods, and all the listn'ing
plain,
The female Bacchanals, devoutly mad,
In shaggy skins, like savage creatures, clad,
Warbling in air perceiv'd his lovely lay,
And from a rising ground beheld him play.
When one, the wildest, with dishevel'd hair,
That loosely stream'd, and ruffled in the air;

The rhyme of the poet
Modulates the king's affairs,
Balance-loving nature
Made all things in pairs.
To every foot its antipode,
Each color with its counter glowed,
To every tone beat answering tones,
Higher or graver;
Flavor gladly blends with flavor;
Leaf answers leaf upon the bough,
And match the paired cotyledons.
Hands to hands, and feet to feet,
In one body grooms and brides;
Eldest rite, two married sides
In every mortal meet.
Light's far furnace shines,
Smelting balls and bars,
Forging double stars,

1. IN THE BACKS.

As I was strolling lonely in the Backs,
I met a woman whom I did not like.
I did not like the way the woman walked:
Loose-hipped, big-boned, disjointed, angular.
If her anatomy comprised a waist,
I did not notice it: she had a face
With eyes and lips adjusted thereunto,
But round her mouth no pleasing shadows stirred,
Nor did her eyes invite a second glance.
Her dress was absolutely colourless,
Devoid of taste or shape or character;
Her boots were rather old, and rather large,

Late, late last night, when the whole world slept,
Along to the garden of dreams I crept.
And I pulled the bell of an old, old house
Where the moon dipped down like a little white mouse.
I tapped the door and I tossed my head:
"Are you in, little girl? Are you in?" I said.
And while I waited and shook with cold
Through the door tripped me---just eight years old.
I looked so sweet with my pigtails down,
Tied up with a ribbon of dusky brown,
With a dimpled chin full of childish charme,
And my old black dolly asleep in my arms.