kiss

Art thou poor, yet hast thou golden slumbers?
O sweet content!
Art thou rich, yet is thy mind perplexed?
O punishment!
Dost thou laugh to see how fools are vexed
To add to golden numbers, golden numbers?
O sweet content! O sweet, O sweet content!
Work apace, apace, apace, apace;
Honest labour bears a lovely face;
Then hey nonny nonny, hey nonny nonny!

Canst drink the waters of the crisped spring?
O sweet content!

1

What precious thing are you making fast
In all these silken lines?
And where and to whom will it go at last?
Such subtle knots and twines!

I am tying up all my love in this,
With all its hopes and fears,
With all its anguish and all its bliss,
And its hours as heavy as years.

I am going to send it afar, afar,
To I know not where above;
To that sphere beyond the highest star
Where dwells the soul of my Love.

But in vain, in vain, would I make it fast

Part of an entertainment presented to the Countess Dowager of
Darby at Harefield, by som Noble persons of her Family, who
appear on the Scene in pastoral habit, moving toward the seat
of State with this Song.

I. SONG.

Look Nymphs, and Shepherds look,
What sudden blaze of majesty
Is that which we from hence descry
Too divine to be mistook:
This this is she
To whom our vows and wishes bend,
Heer our solemn search hath end.

Fame that her high worth to raise,
Seem'd erst so lavish and profuse,

Let the rain kiss you
Let the rain beat upon your head with silver liquid drops
Let the rain sing you a lullaby
The rain makes still pools on the sidewalk
The rain makes running pools in the gutter
The rain plays a little sleep song on our roof at night
And I love the rain.

We have too much exhibitionism
and not enough voyeurism
in poetry we have plenty of bass
and not enough treble, more amber
beer than the frat boys can drink but
less red wine than meets the lip
in this beaker of the best Bordeaux,
too much thesis, too little antithesis
and way too much New York Times
in poetry we've had too much isolationism
and too few foreign entanglements
we need more Baudelaire on the quai
d'Anjou more olive trees and umbrella pines
fewer leafless branches on the rue Auguste Comte

Daphnis dearest, wherefore weave me
Webs of lies lest truth should grieve me?
I could pardon much, believe me:
Dower me, Daphnis, or bereave me,
Kiss me, kill me, love me, leave me,-
Damn me, dear, but don't deceive me!

Harry loves Myrtle--He has strong arms, from the warehouse,
And on Sunday when they take the bus to emerald meadows he doesn't say:
"What will your chastity amount to when your flesh withers in a little while?"
No,
On Sunday, when they picnic in emerald meadows they look at the Sunday paper:
GIRL SLAYS BANKER-BETRAYER
They spread it around on the grass
BATH-TUB STIRS JERSEY ROW
And then they sit down on it, nice.
Harry doesn't say "Ziggin's Ointment for withered flesh,

Cupid and my Campaspe played
At cards for kisses; Cupid paid:
He stakes his quiver, bow, and arrows,
His mother's doves, and team of sparrows;
Loses them too; then down he throws
The coral of his lip, the rose
Growing on's cheek (but none knows how);
With these, the crystal of his brow,
And then the dimple on his chin;
All these did my Campaspe win:
And last he set her both his eyes -
She won, and Cupid blind did rise.

O Love! has she done this to thee?
What shall, alas! become of me?

Do not write. I am sad, and want my light put out.
Summers in your absence are as dark as a room.
I have closed my arms again. They must do without.
To knock at my heart is like knocking at a tomb.
                Do not write!

Do not write. Let us learn to die, as best we may.
Did I love you? Ask God. Ask yourself. Do you know?
To hear that you love me, when you are far away,
Is like hearing from heaven and never to go.
                Do not write!

Do not write. I fear you. I fear to remember,

Drunk, I kissed the moon
where it stretched on the floor.
I'd removed happiness from a green bottle,
both sipped and gulped
just as a river changes its mind,
mostly there was a flood in my mouth

because I wanted to love the toaster
as soon as possible, and the toothbrush
with multi-level brissels
created by dental science, and the walls
holding pictures in front of their faces
to veil the boredom of living

fifty years without once
turning the other way. I wanted