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On the Bill Which Was Passed in England For Regulating the Slave-Trade

The hollow winds of night no more
In wild, unequal cadence pour,
On musing fancy's wakeful ear,
The groan of agony severe
From yon dark vessel, which contains
The wretch new bound in hopeless chains!
Whose soul with keener anguish bleeds,
As AFRIC'S less'ning shore recedes--

No more where Ocean's unseen bound
Leaves a drear world of waters round,
Between the howling gust, shall rise
The stifled captive's latest sighs!--
No more shall suffocating death
Seize the pent victim's sinking breath;
The pang of that convulsive hour,

On The Bible

Behold this little volume here inrolde:
'Tis the Almighty's present to the world:
Hearken earth's earth; each sencelesse thing can heare
His Maker's thunder, though it want an eare:
God's word is senior to his works, nay rather
If rightly weigh'd the world may call it father;
God spake, 'twas done; this great foundation
Is the Creator's Exhalation
Breath'd out in speaking. The best work of man
Is better than his word; but if wee scanne
God's word aright, his works far short doe fall;
The word is God, the works are creatures all.

On The Best, Last, And Only Remaning Comedy Of Mr. Fletcher

I'm un-ore-clowded, too! free from the mist!
The blind and late Heaven's-eyes great Occulist,
Obscured with the false fires of his sceme,
Not half those souls are lightned by this theme.

Unhappy murmurers, that still repine
(After th' Eclipse our Sun doth brighter shine),
Recant your false grief, and your true joys know;
Your blisse is endlesse, as you fear'd your woe!
What fort'nate flood is this! what storm of wit!
Oh, who would live, and not ore-whelm'd in it?
No more a fatal Deluge shall be hurl'd:

On the Bay

When the salt wave laps on the long, dim shore,
And frets the reef with its windy sallies,
And the dawn's white light is threading once more
The purple firs in the landward valleys,
While yet the arms of the wide gray sea
Are cradling the sunrise that is to be,
The fisherman's boat, through the mist afar,
Has sailed in the wake of the morning star.

The wind in his cordage and canvas sings
Its old glad song of strength and endeavor,
And up from the heart of the ocean rings
A call of courage and cheer forever;

On Seeing Larry Rivers' Washington Crossing The Delaware At The Museum Of Modern Art

Now that our hero has come back to us
in his white pants and we know his nose
trembling like a flag under fire,
we see the calm cold river is supporting
our forces, the beautiful history.

To be more revolutionary than a nun
is our desire, to be secular and intimate
as, when sighting a redcoat, you smile
and pull the trigger. Anxieties
and animosities, flaming and feeding

on theoretical considerations and
the jealous spiritualities of the abstract
the robot? they're smoke, billows above
the physical event. They have burned up.

On Recollection

MNEME begin. Inspire, ye sacred nine,
Your vent'rous Afric in her great design.
Mneme, immortal pow'r, I trace thy spring:
Assist my strains, while I thy glories sing:
The acts of long departed years, by thee
Recover'd, in due order rang'd we see:
Thy pow'r the long-forgotten calls from night,
That sweetly plays before the fancy's sight.
Mneme in our nocturnal visions pours
The ample treasure of her secret stores;
Swift from above the wings her silent flight
Through Phoebe's realms, fair regent of the night;

On Reading the

In a Kentish Rose Garden.


Beside a Dial in the leafy close,
Where every bush was burning with the Rose,
With million roses falling flake by flake
Upon the lawn in fading summer snows:

I read the Persian Poet's rhyme of old,
Each thought a ruby in a ring of gold--
Old thoughts so young, that, after all these years,
They're writ on every rose-leaf yet unrolled.

You may not know the secret tongue aright
The Sunbeams on their rosy tablets write;
Only a poet may perchance translate

On Rabbi Kook's Street

On Rabbi Kook's Street
I walk without this good man--
A streiml he wore for prayer
A silk top hat he wore to govern,
fly in the wind of the dead
above me, float on the water
of my dreams.

I come to the Street of Prophets--there are none.
And the Street of Ethiopians--there are a few. I'm
looking for a place for you to live after me
padding your solitary nest for you,
setting up the place of my pain with the sweat of my brow
examining the road on which you'll return
and the window of your room, the gaping wound,

On Looking for Models

The trees in time
have something else to do
besides their treeing. What is it.
I'm a starving to death
man myself, and thirsty, thirsty
by their fountains but I cannot drink
their mud and sunlight to be whole.
I do not understand these presences
that drink for months
in the dirt, eat light,
and then fast dry in the cold.
They stand it out somehow,
and how, the Botanists will tell me.
It is the "something else" that bothers
me, so I often go back to the forests.