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Inspiration

Whate'er we leave to God, God does,
And blesses us;
The work we choose should be our own,
God leaves alone.

If with light head erect I sing,
Though all the Muses lend their force,
From my poor love of anything,
The verse is weak and shallow as its source.

But if with bended neck I grope
Listening behind me for my wit,
With faith superior to hope,
More anxious to keep back than forward it;

Making my soul accomplice there
Unto the flame my heart hath lit,
Then will the verse forever wear--

Insomnia I

Some nights it's bound to be your best way out,
When nightmare is the short end of the stick,
When sleep is a part of town where it's not safe
To walk at night, when waking is the only way
You have of distancing your wretched dead,
A growing crowd, and escaping out of their
Time into yours for another little while;

Then pass ghostly, a planet in the house
Never observed, among the sleeping rooms
Where children dream themselves, and thence go down
Into the empty domain where daylight reigned;
Reward yourself with drink and a book to read,

Insomnia

I

Heigh ho! to sleep I vainly try;
Since twelve I haven't closed an eye,
And now it's three, and as I lie,
From Notre Dame to St. Denis
The bells of Paris chime to me;
"You're young," they say, "and strong and free."
II
I do not turn with sighs and groans
To ease my limbs, to rest my bones,
As if my bed were stuffed with stones,
No peevish murmur tips my tongue --
Ah no! for every sound upflung
Says: "Lad, you're free and strong and young."
III
And so beneath the sheet's caress
My body purrs with happiness;

Inside of King's College Chapel, Cambridge

. Tax not the royal Saint with vain expense,
With ill-matched aims the Architect who planned--
Albeit labouring for a scanty band
Of white-robed Scholars only--this immense
And glorious Work of fine intelligence!
Give all thou canst; high Heaven rejects the lore
Of nicely-calculated less or more;
So deemed the man who fashioned for the sense
These lofty pillars, spread that branching roof
Self-poised, and scooped into ten thousand cells,
Where light and shade repose, where music dwells

Inscriptions for a Friend's House

THE HOUSE

The cornerstone in Truth is laid,
The guardian walls of Honour made,
The roof of Faith is built above,
The fire upon the hearth is Love:
Though rains descend and loud winds call,
This happy house shall never fall.


THE DOORSTEAD

The lintel low enough to keep out pomp and pride:
The threshold high enough to turn deceit aside:
The doorband strong enough from robbers to defend:
This door will open at a touch to welcome every friend.


THE HEARTHSTONE

When the logs are burning free,

Inscription for the Entrance to a Wood

Stranger, if thou hast learned a truth which needs
No school of long experience, that the world
Is full of guilt and misery, and hast seen
Enough of all its sorrows, crimes, and cares,
To tire thee of it, enter this wild wood
And view the haunts of nature. The calm shade
Shall bring a kindred calm, and the sweet breeze
That makes the green leaves dance, shall waft a balm
To thy sick heart. Thou wilt find nothing here
Of all that pained thee in the haunts of men,
And made thee loathe thy life. The primal curse

Innocence

But that which most I wonder at, which most
I did esteem my bliss, which most I boast,
And ever shall enjoy, is that within
I felt no stain, nor spot of sin.

No darkness then did overshade,
But all within was pure and bright,
No guilt did crush, nor fear invade
But all my soul was full of light.

A joyful sense and purity
Is all I can remember;
The very night to me was bright,
'Twas summer in December.

A serious meditation did employ
My soul within, which taken up with joy
Did seem no outward thing to note, but fly

Inkerman. The Battle Field by Moonlight

Above the vale of Inkerman,
Calmly the moon's rays fell,
Revealing as by light of day,
That deep and lonely dell;
Tchernaya's waters as a band
Of silver graceful flowed,
But who can paint the ghastly scene,
Which those bright rays disclosed!
Thickly as leaves around the path
Through copse and brush-wood dense,
Lay piles of dead and wounded men,
Slain in that fierce defense.
The fearful moan, the struggles fierce,
The hoarse and gurgling cry
Comes on the night wind sweeping past,

Influence

The fervent, pale-faced Mother ere she sleep,
Looks out upon the zigzag-lighted square,
The beautiful bare trees, the blue night-air,
The revelation of the star-strewn deep,
World above world, and heaven over heaven.
Between the tree-tops and the skies, her sight
Rests on a steadfast, ruddy-shining light,
High in the tower, an earthly star of even.
Hers is the faith in saints' and angels' power,
And mediating love--she breathes a prayer
For yon tired watcher in the gray old tower.
He the shrewd, skeptic poet unaware

Infinitely

The hounds of despair, the hounds of the autumnal wind,
Gnaw with their howling the black echoes of evenings.
The darkness, immensely, gropes in the emptiness
For the moon, seen by the light of water.

From point to point, over there, the distant lights,
And in the sky, above, dreadful voices
Coming and going from the infinity of the marshes and planes
To the infinity of the valleys and the woods.

And roadways that stretch out like sails
And pass each other, coming unfolded in the distance, soundlessly,