An Actor sits in doubtful gloom,
His stock-in-trade unfurled,
In a damp funereal dressing-room
In the Theatre Royal, World.

He comes to town at Christmas-time,
And braves its icy breath,
To play in that favourite pantomime,
HARLEQUIN LIFE AND DEATH.

A hoary flowing wig his weird
Unearthly cranium caps,
He hangs a long benevolent beard
On a pair of empty chaps.

To smooth his ghastly features down
The actor's art he cribs, -
A long and a flowing padded gown.
Bedecks his rattling ribs.

Not the proudest damsel here
Looks so well as doth my dear.
All the borrowed light of dress
Outshining not her loveliness,

A loveliness not born of art,
But growing outwards from her heart,
Illuminating all her face,
And filling all her form with grace.

Said I, of dress the borrowed light
Could rival not her beauty bright?
Yet, looking round, `tis truth to tell,
No damsel here is dressed so well.

Only in them the dress one sees,
Because more greatly it doth please
Than any other charm that's theirs,

"Who is it that this dark night
Underneath my window plaineth?"
'It is one who from thy sight
Being, ah! exiled, disdaineth
Every other vulgar light.'

"Why, alas! and are you he?
Be not yet those fancies changed?"
'Dear, when you find change in me,
Though from me you be estranged,
Let my change to ruin be.'

"Well, in absence this will die;
Leave to see, and leave to wonder."
'Absence sure will help, If I
Can learn how myself to sunder
From what in my heart doth lie.'

"But time will these thoughts remove:

Come Sleep! O Sleep, the certain knot of peace,
The baiting-place of wit, the balm of woe,
The poor man's wealth, the prisoner's release,
Th' indifferent judge between the high and low.
With shield of proof shield me from out the prease
Of those fierce darts despair at me doth throw:
O make in me those civil wars to cease;
I will good tribute pay, if thou do so.
Take thou of me smooth pillows, sweetest bed,
A chamber deaf to noise and blind to light,
A rosy garland and a weary head:

You that do search for every purling spring
Which from the ribs of old Parnassus flows,
And every flower, not sweet perhaps, which grows
Near thereabouts, into your poesy wring;
Ye that do dictionary's method bring
Into your rimes, running in rattling rows;
You that poor Petrarch's long-deceased woes
With new-born sighs and denizen'd wit do sing:
You take wrong ways; those far-fet helps be such
As do bewray a want of inward touch,
And sure, at length stol'n goods do come to light.

Who will in fairest book of nature know
How virtue may best lodg'd in beauty be,
Let him but learn of love to read in thee,
Stella, those fair lines which true goodness show.
There shall he find all vices' overthrow,
Not by rude force, but sweetest sovereignty
Of reason, from whose light those night-birds fly;
That inward sun in thine eyes shineth so.
And, not content to be perfection's heir
Thyself, dost strive all minds that way to move,
Who mark in thee what is in thee most fair.

When Nature made her chief work, Stella's eyes,
In colour black why wrapt she beams so bright?
Would she in beamy black, like painter wise,
Frame daintiest lustre, mix'd of shades and light?
Or did she else that sober hue devise,
In object best to knit and strength our sight;
Lest, if no veil these brave gleams did disguise,
They, sunlike, should more dazzle than delight?
Or would she her miraculous power show,
That, whereas black seems beauty's contrary,
She even in black doth make all beauties flow?

Himself it was who wrote
His rank, and quartered his own coat.
There is no king nor sovereign state
That can fix a hero's rate;
Each to all is venerable,
Cap-a-pie invulnerable,
Until he write, where all eyes rest,
Slave or master on his breast.

I saw men go up and down
In the country and the town,
With this prayer upon their neck,
"Judgment and a judge we seek."
Not to monarchs they repair,
Nor to learned jurist's chair,
But they hurry to their peers,
To their kinsfolk and their dears,

The Poet took his walking-stick
Of fine and polished ebony.
Set in the close-grained wood
Were quaint devices;
Patterns in ambers,
And in the clouded green of jades.
The top was smooth, yellow ivory,
And a tassel of tarnished gold
Hung by a faded cord from a hole
Pierced in the hard wood,
Circled with silver.
For years the Poet had wrought upon this cane.
His wealth had gone to enrich it,
His experiences to pattern it,
His labour to fashion and burnish it.
To him it was perfect,
A work of art and a weapon,

Last night I slept, and when I woke her kiss
Still floated on my lips. For we had strayed
Together in my dream, through some dim glade,
Where the shy moonbeams scarce dared light our bliss.
The air was dank with dew, between the trees,
The hidden glow-worms kindled and were spent.
Cheek pressed to cheek, the cool, the hot night-breeze
Mingled ouir hair, our breath, and came and went,
As sporting with our passion. Low and deep
Spake in mine ear her voice: "And didst thou dream,
This could be buried? This could be sleep?