I staggered on through darkness,
There was a hazy sky, a few stars
Which I followed as best I could.
It was nine o'clock, I was trying to get home.
But somehow I was lost,
Though really keeping the road.
Then I reeled through a gate and into a yard,
And called at the top of my voice:
"Oh, Fiddler! Oh, Mr. Jones!"
(I thought it was his house and he would show me the way home.)
But who should step out but A. D. Blood,
In his night shirt, waving a stick of wood,
And roaring about the cursed saloons,
And the criminals they made?

When I was ten (no, younger
than that), my mother tried
to kill herself (without the facts
there can't be faith). One death
or another every day, Tanqueray bottles
halo the bed and she won't wake up
all weekend. In the myth book's color
illustration, the poet turns around
inside the mouth of hell to look at her
losing him (because it's not her fault
they had to meet there): so he can keep her
somewhere safe, save her place
till she comes back. Some say
she stepped on an asp, a handful of pills
littered the floor with their blues,

ARGUMENT
A hermit parts, by means of hollow sprite,
The two redoubted rivals' dangerous play;
Rinaldo goes where Love and Hope invite,
But is dispatched by Charles another way;
Bradamont, seeking her devoted knight,
The good Rogero, nigh becomes the prey
Of Pinabel, who drops the damsel brave
Into the dungeon of a living grave.


I
Injurious love, why still to mar accord
Between desires has been thy favourite feat?
Why does it please thee so, perfidious lord,

CANTO 1

ARGUMENT
Angelica, whom pressing danger frights,
Flies in disorder through the greenwood shade.
Rinaldo's horse escapes: he, following, fights
Ferrau, the Spaniard, in a forest glade.
A second oath the haughty paynim plights,
And keeps it better than the first he made.
King Sacripant regains his long-lost treasure;
But good Rinaldo mars his promised pleasure.


I
OF LOVES and LADIES, KNIGHTS and ARMS, I sing,
Of COURTESIES, and many a DARING FEAT;

Adieu dear object of my Love's excess,
And with thee all my hopes of happiness,
With the same fervent and unchanged heart
Which did it's whole self once to thee impart,
(And which though fortune has so sorely bruis'd,
Would suffer more, to be from this excus'd)
I to resign thy dear Converse submit,
Since I can neither keep, nor merit it.
Thou hast too long to me confined been,
Who ruine am without, passion within.
My mind is sunk below thy tenderness,
And my condition does deserve it less;
I'm so entangl'd and so lost a thing

A maiden sat in teh sunset glow
Of the shadowy, beautiful Long Ago,
That we see through a mist of tears.
She sat and dreamed, with lips apart,
With thoughtful eyes and a beating heart,
Of the mystical future years;
And brighter far than the sunset skies
Was the vision seen by the maiden's eyes.

There were castles built of the summer air,
And beautiful voices were singing there,
In a soft and floating strain.
There were skies of azure and fields of green,
With never a cloud to come between,
And never a thought of pain;

(Lord Dufferin to Lord Lansdowne)


So here's your Empire. No more wine, then?
Good.
We'll clear the Aides and khitmatgars away.
(You'll know that fat old fellow with the knife --
He keeps the Name Book, talks in English too,
And almost thinks himself the Government.)
O Youth, Youth, Youth! Forgive me, you're so young.
Forty from sixty -- twenty years of work
And power to back the working. Ay def mi!
You want to know, you want to see, to touch,
And, by your lights, to act. It's natural.
I wonder can I help you. Let me try.

We were out on the hills that night
To watch our sheep;
Drowsily by the fire we lay
Where the waning flame did flicker and leap,
And some were weary and half asleep,
And some talked low of their flocks and the fright
Of a lion that day.

But I had drawn from the others apart;
I was only a lad,
And the night's great silence so filled my heart
That I dared not talk and I dared not jest;
The moon had gone down behind the hill
And even the wind of the desert was still;
As the touch of death the air was cold,

The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster,

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother's watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn't hard to master.

Now the tent poles are rotting, the camp fires are dead,
And the possums may gambol in trees overhead;
I am humping my bluey far out on the land,
And the prints of my bluchers sink deep in the sand:
I am out on the wallaby humping my drum,
And I came by the tracks where the sundowners come.

It is nor'-west and west o'er the ranges and far
To the plains where the cattle and sheep stations are,
With the sky for my roof and the grass for my bunk,
And a calico bag for my damper and junk;
And scarcely a comrade my memory reveals,