Once played to attentive faces
music has broken its frame
its bodice of always-weak laces
the entirely promiscuous art
pours out in public spaces
accompanying everything, the selections
of sex and war, the rejections.
To jeans-wearers in zipped sporrans
it transmits an ideal body
continuously as theirs age. Warrens
of plastic tiles and mesh throats
dispense this aural money
this sleek accountancy of notes
deep feeling adrift from its feelers
thought that means everything at once

When Tom and I were married, we took a little flat;
I had a taste for singing and playing and all that.
And Tom, who loved to hear me, said he hoped
I would not stop
All practice, like so many wives who let their
music drop.
So I resolved to set apart an hour or two each day
To keeping vocal chords and hands in trim to sing and play.

The second morning I had been for half and hour or more
At work on Haydn’s masses, when a tap came at my door.
A nurse, who wore a dainty cap and apron, and a smile,

I have been urged by earnest violins
And drunk their mellow sorrows to the slake
Of all my sorrows and my thirsting sins.
My heart has beaten for a brave drum's sake.
Huge chords have wrought me mighty: I have hurled
Thuds of gods' thunder. And with old winds pondered
Over the curse of this chaotic world,-
With low lost winds that maundered as they wandered.

I have been gay with trivial fifes that laugh;
And songs more sweet than possible things are sweet;
And gongs, and oboes. Yet I guessed not half

Oh, Mulligan's bar was the deuce of a place
To drink, and to fight, and to gamble and race;
The height of choice spirits from near and from far
Were all concentrated on Mulligan's bar.

There was "Jerry the Swell", and the jockey-boy Ned,
"Dog-bite-me" -- so called from the shape of his head --
And a man whom the boys, in their musical slang,
Designated the "Gaffer of Mulligan's Gang".

Now Mulligan's Gang had a racer to show,
A bad un to look at, a good un to go;
Whenever they backed her you safely might swear

The fear was on the cattle, for the gale was on the sea,
An' the pens broke up on the lower deck an' let the creatures free --
An' the lights went out on the lower deck, an' no one near but me.

I had been singin' to them to keep 'em quiet there,
For the lower deck is the dangerousest, requirin' constant care,
An' give to me as the strongest man, though used to drink and swear.

I see my chance was certain of bein' horned or trod,
For the lower deck was packed with steers thicker'n peas in a pod,

The sun, which doth the greatest comfort bring
To absent friends (because the self-same thing
They know they see, however absent), is
Here our best hay-maker (forgive me this,
It is our country style); in this warm shine
I lie, and dream of your full Mermaid wine.
Oh, we have water mixed with claret-lees,
Drink apt to bring in drier heresies
Than beer, good only for the sonnet strain,
With fustian metaphors to stuff the brain;
So mixed that given to the thirstiest one
'Twill not prove alms unless he have the stone.

I will let loose against you the fleet-footed vines--
I will call in the Jungle to stamp out your lines!
The roofs shall fade before it,
The house-beams shall fall;
And the Karela, the bitter Karela,
Shall cover it all!

In the gates of these your councils my people shall sing.
In the doors of these your garners the Bat-folk shall cling;
And the snake shall be your watchman,
By a hearthstone unswept;
For the Karela, the bitter Karela,
Shall fruit where ye slept!

Ye shall not see my strikers; ye shall hear them and guess.

I am tired of the heave and swell,
the deep lunge in the belly, the gut's
dumb show of dance and counterdance,
sway and pause, the pure jig of nausea
in the pit of a spinning world.
Where the body moves, the mind
often lags, clutching deck, anchor,
the gray strap that hangs like the beard
of death from the train's ceiling,
the mind lost in the slow bulge

If I could clasp my little babe
Upon my breast to-night,
I would not mind the blowing wind
That shrieketh in affright.
Oh, my lost babe! my little babe,
My babe with dreamful eyes;
Thy bed is cold; and night wind bold
Shrieks woeful lullabies.

My breast is softer than the sod;
This room, with lighter hearth,
Is better place for thy sweet face
Than frozen mother eatrth.
Oh, my babe! oh, my lost babe!
Oh, babe with waxen hands,
I want thee so, I need thee so -
Come from thy mystic lands!

Mother of all the high-strung poets and singers departed,
Mother of all the grass that weaves over their graves the glory of the field,
Mother of all the manifold forms of life, deep-bosomed, patient, impassive,
Silent brooder and nurse of lyrical joys and sorrows!
Out of thee, yea, surely out of the fertile depth below thy breast,
Issued in some strange way, thou lying motionless, voiceless,
All these songs of nature, rhythmical, passionate, yearning,
Coming in music from earth, but not unto earth returning.