Captain Carpenter rose up in his prime
Put on his pistols and went riding out
But had got wellnigh nowhere at that time
Till he fell in with ladies in a rout.

It was a pretty lady and all her train
That played with him so sweetly but before
An hour she'd taken a sword with all her main
And twined him of his nose for evermore.

Captain Carpenter mounted up one day
And rode straightway into a stranger rogue
That looked unchristian but be that as may
The Captain did not wait upon prologue.

Out on the high "bird islands," Ciboux and Hertford,
the razorbill auks and the silly-looking puffins all stand
with their backs to the mainland
in solemn, uneven lines along the cliff's brown grass-frayed edge,
while the few sheep pastured there go "Baaa, baaa."
(Sometimes, frightened by aeroplanes, they stampede
and fall over into the sea or onto the rocks.)
The silken water is weaving and weaving,
disappearing under the mist equally in all directions,
lifted and penetrated now and then
by one shag's dripping serpent-neck,

And then went down to the ship,
Set keel to breakers, forth on the godly sea, and
We set up mast and sail on that swart ship,
Bore sheep aboard her, and our bodies also
Heavy with weeping, and winds from sternward
Bore us onward with bellying canvas,
Crice's this craft, the trim-coifed goddess.
Then sat we amidships, wind jamming the tiller,
Thus with stretched sail, we went over sea till day's end.
Sun to his slumber, shadows o'er all the ocean,
Came we then to the bounds of deepest water,
To the Kimmerian lands, and peopled cities

And then went down to the ship,
Set keel to breakers, forth on the godly sea, and
We set up mast and sail on that swart ship,
Bore sheep aboard her, and our bodies also
Heavy with weeping, and winds from sternward
Bore us onward with bellying canvas,
Crice's this craft, the trim-coifed goddess.
Then sat we amidships, wind jamming the tiller,
Thus with stretched sail, we went over sea till day's end.
Sun to his slumber, shadows o'er all the ocean,
Came we then to the bounds of deepest water,
To the Kimmerian lands, and peopled cities

Ca Eva nos tolleu
Parays'e Deus
Ave nos y meteu;
porend', amigos meus:
Entre Av'e Eva…

For Eva took us away
from heaven and from God,
Ave puts us back there.
That is why, my friends:
'Twixt Ave and Eva…


Eva nos foi deitar
do dem' en sa prijon,
e Ave en sacar;
e por esta razon:
Entre Av'e Eva…

Eva had us bewitched
by the devil in his prison;
and Ave brought us out from there;
and for that reason:
'Twixt Ave and Eva…


Eva nos fez perder

Pero que seja a gente
d'outra lei [e] descreuda,
os que a Virgen mais aman,
a esses ela ajuda.

Fremosa miragre desto
fez a Virgen groriosa
na cidade de Marrocos,
que é mui gran' e fremosa,
a un rei que era ende
sennor, que perigoosa
guerra con outro avia,
per que gran mester ajuda.

Avia de quen lla désse:
ca assi corn' el cercado
jazia dentr' en Marrocos
ca o outro ja passado
era per un grande rio
que Morabe é chamado
con muitos de cavaleiros
e mui gran gente miuda.

Portugease


Santa Maria,
Strela do dia,
mostra-nos via
era Deus e nos guia.

Ca veer faze-los errados
que perder foran per pecados
entender de que mui culpados
son; mais per ti son perdõados
da ousadia
que lles fazia
fazer folia
mais que non deveria,
Santa Maria…

Amostrar-nos deves carreira
por gãar en toda maneira
a sen par luz e verdadeira
que tu dar-nos podes senlleira;
ca Deus a ti a
outorgaria
e a querria

Just as the name of the Virgin is beautiful to the virtuous,
so against evil doers it is mighty and fearful.
Concerning this, a miracle happened in the land of Catalonia to a minstrel who sang well, with grace and ease, earning a good living, he came to lodge in the house of a greedy knight
Just as the name of the Virgin is beautiful to the virtuous,
…
who gave him all that he needed that night. However, that base and avaricious knight began to covet so greatly the donkey and clothes belonging to that minstrel that he ordered one of his men, evil and cruel,

LADY, for the love of God,
Have some pity upon me!
See my eyes, a river-flood
Day and night, oh, see!
Brothers, cousins, uncles, all,
Have I lost for thee;
If thou dost not me recall,
Woe is me!

In most self-portraits it is the face that dominates:
Cezanne is a pair of eyes swimming in brushstrokes,
Van Gogh stares out of a halo of swirling darkness,
Rembrant looks relieved as if he were taking a breather
from painting The Blinding of Sampson.

But in this one Goya stands well back from the mirror
and is seen posed in the clutter of his studio
addressing a canvas tilted back on a tall easel.

He appears to be smiling out at us as if he knew
we would be amused by the extraordinary hat on his head