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Slumber Song

Some day, if I should ever lose you,
will you be able then to go to sleep
without me softly whispering above you
like night air stirring in the linden tree?

Without my waking here and watching
and saying words as tender as eyelids
that come to rest weightlessly upon your breast,
upon your sleeping limbs, upon your lips?

Without my touching you and leaving you
alone with what is yours, like a summer garden
that is overflowing with masses
of melissa and star-anise?


Translated by Albert Ernest Flemming

Sleep

Sleep has not visited me the whole night,
Will the dawn ever come?
O my companion,
Once I awoke with a start from a dream.
Now the remembrance from that vision
Never fades.
My life is ebbing as I choke and sigh,
When will the Lord of the Afflicted come
I have lost my senses and gone mad,
But the Lord knows my secret.
He who deals out life and death
nows the secret of Mira's pain.

Skunk Hour

(for Elizabeth Bishop)

Nautilus Island's hermit
heiress still lives through winter in her Spartan cottage;
her sheep still graze above the sea.
Her son's a bishop. Her farmer is first selectman in our village;
she's in her dotage.

Thirsting for
the hierarchic privacy
of Queen Victoria's century
she buys up all
the eyesores facing her shore,
and lets them fall.

The season's ill--
we've lost our summer millionaire,
who seemed to leap from an L. L. Bean
catalogue. His nine-knot yawl

Skipper Ireson's Ride

Of all the rides since the birth of time,
Told in story or sung in rhyme, -
On Apuleius' Golden Ass,
Or one-eyed Calendar's horse of brass,
Witch astride of a human back,
Islam's prophet on Al-Borak, -
The strangest ride that ever was sped
Was Ireson's, out from Marblehead!
Old Floyd Ireson, for his hard heart,
Tarred and feathered and carried in a cart
By the women of Marblehead!

Body of turkey, head of owl,
Wings a-droop like a rained-on fowl,
Feathered and ruffled in every part,
Skipper Ireson stood in the cart.

Sit Down, Sad Soul

SIT down, sad soul, and count
The moments flying:
Come,—tell the sweet amount
That ’s lost by sighing!
How many smiles?—a score?
Then laugh, and count no more;
For day is dying.

Lie down, sad soul, and sleep,
And no more measure
The flight of Time, nor weep
The loss of leisure;
But here, by this lone stream,
Lie down with us, and dream
Of starry treasure.

We dream: do thou the same:
We love—for ever;
We laugh; yet few we shame,
The gentle, never.

Sir Macklin

Of all the youths I ever saw
None were so wicked, vain, or silly,
So lost to shame and Sabbath law,
As worldly TOM, and BOB, and BILLY.

For every Sabbath day they walked
(Such was their gay and thoughtless nature)
In parks or gardens, where they talked
From three to six, or even later.

SIR MACKLIN was a priest severe
In conduct and in conversation,
It did a sinner good to hear
Him deal in ratiocination.

He could in every action show
Some sin, and nobody could doubt him.
He argued high, he argued low,

Sing, Sweet Harp

Sing, sweet Harp, oh sing to me
Some song of ancient days,
Whose sounds, in this sad memory,
Long-buried dreams shall raise; --
Some lay that tells of vanish'd fame,
Whose light once round us shone,
Of noble pride, now turn'd to shame,
And hopes for ever gone.
Sing, sad Harp, thus sing to me;
Alike our doom is cast,
Both lost to all but memory,
We live but in the past.

How mournfully the midnight air
Among thy chords doth sigh,
As if it sought some echo there,
Of voices long gone by; --

Silhouette

The sky-line melts from russet into blue,
Unbroken the horizon, saving where
A wreath of smoke curls up the far, thin air,
And points the distant lodges of the Sioux.

Etched where the lands and cloudlands touch and die
A solitary Indian tepee stands,
The only habitation of these lands,
That roll their magnitude from sky to sky.

The tent poles lift and loom in thin relief,
The upward floating smoke ascends between,
And near the open doorway, gaunt and lean,
And shadow-like, there stands an Indian Chief.

Silence

I have known the silence of the stars and of the sea,
And the silence of the city when it pauses,
And the silence of a man and a maid,
And the silence of the sick
When their eyes roam about the room.
And I ask: For the depths,
Of what use is language?
A beast of the field moans a few times
When death takes its young.
And we are voiceless in the presence of realities --
We cannot speak.

A curious boy asks an old soldier
Sitting in front of the grocery store,
"How did you lose your leg?"

Silence

Since I lost you I am silence-haunted,
Sounds wave their little wings
A moment, then in weariness settle
On the flood that soundless swings.

Whether the people in the street
Like pattering ripples go by,
Or whether the theatre sighs and sighs
With a loud, hoarse sigh:

Or the wind shakes a ravel of light
Over the dead-black river,
Or night’s last echoing
Makes the daybreak shiver:

I feel the silence waiting
To take them all up again
In its vast completeness, enfolding