Rosy as a waking bride
By her royal lover's side,
Flows the Sorgia's haunted tide
Through the laurel grove, —
Through the grove which Petrarch gave,
All that can escape the grave —
Fame, and song, and love.

He had left a feverish bed
For the wild flowers at his head,
And the dews the green leaves shed
O'er his charmed sleep:
From his hand had dropp'd the scroll
To which Virgil left his soul
Through long years to keep.

Passion on that cheek had wrought,
Its own paleness had it brought;

What more? 'Twas Rupert's fate to wed the maiden:
The weary wanderer, from his trouble free,
Bore her, upon his manly breast love-laden,
To pass their honeymoon beside the sea.
O sweet young girl, fit raiment white arrayed in!
O mystic hours of love! Untouched by me
Those days delicious of the early bridal,
Too delicate for song or sweetest idyl.

A night for love. Sir Rupert of the Sword
Saw a young maiden trip the terrace over,
Who saw not him. Whom once he had adored
Now held no empire o'er the war-stained rover.
The merry girl with joyous fancies stored
Danced gaily by: to watch her was to love her.
Grim Rupert to discern it was not slow:
He kissed her eyes and mouth, and let her go.

He kissed her in those woodland haunts, and she
Clung to his lip with that which love resembled.
O the sweet hours they spent beside the sea!
O on his breast how the sweet lady trembled
With love's divine delirium! Can it be
That she, so stately and so calm, dissembled?
" No," thought young Rupert — yet the diamond ring
Shone on his finger, an unaltered thing.

Miss Plumpness did not faint — she only tittered:
Where was the girl who would not like a kiss
From Vandyke-bearded Rupert, whose eyes glittered
With most mysterious meaning? But there is
In love's own sweet lip-contact an embittered
Ecstasy, making laughter all amiss.
Girl, trust no love, however strangely sweet,
If you can laugh, or he, when your lips meet.

Then — if she loves you — at the touch of lips,
The white light of the diamond has fled,
Not as a star which suffers strange eclipse
When in the wild blue sky its life is dead,
But with a marvellous apocalypse —
The virgin diamond blushes passionate red;
Sudden its icy pureness must depart;
It reddens like a rose's amorous heart.

Well—as I said—my love, my bride, my wife,
Is here, and gazes on me piteously.
It seems that reason and passion are at strife
As she comes in with strange humility.
‘O love and lord!’ she cries, ‘O love and life!
O author of my maiden agony!
Am I forgotten utterly? Am I
Left in the cold dark chancel vault to die?’

An un-sonnet sequence in Blues
1. Twilight Reverie

Here I set with a bitter old thought,
Something in my mind better I forgot.
Setting here thinking feeling sad.
Keep feeling like this I'm gonna start acting bad.
Gonna go get my pistol, I said forty-four —
Make you walk like a ghost if you bother me any more.
Gonna go get my pistol, I mean thirty-two,
And shoot all kinds o' shells into you.
Yal, here I set thinking — a bitter old thought
About two kinds o' pistols that I ain't got.
If I just had a Owl Head, old Owl Head would do,

The rhyme o' The Raggedy Man's 'at's best
Is Tickle me, Love, in these Lonesome Ribs,
'Cause that-un's the strangest of all o' the rest,
An' the worst to learn, an' the last one guessed,
An' the funniest one, an' the foolishest. —
Tickle me, Love, in these Lonesome Ribs!

I don't know what in the world it means —
Tickle me, Love, in these Lonesome Ribs! —
An' nen when I tell him I don't, he leans

O, die Liebe macht uns selig

" Oh, 'tis Love that makes us grateful,
Oh, 'tis Love that makes us rich! "
So sings man, and every fateful
Echo bears his amorous speech.

You, you know the song's own spirit
And its inner meaning, too;
Joyfully you wait and hear it
Till the great day dawns for you.

Till the bride, with a caressing
Smile is yours, from head to feet,
And her father gives his blessing —