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My Love She Is a Modest Girl

My love she wore a muslin cap and trim[m] ed wi' ribbons blue
What time the trees were full o' sap and meadows cowslips new
In meadows and on meadow banks in baulks and clover too
The white horse daisy's stand in ranks all silvered wi' the dew

My love she wore a pleasant gown and owned a rosy face
The prettiest girl o' half the town the finest i' the place
Her waist was sweet and sweet her size fleshy and fair not tall
Bright as the milkmaids were her eyes her neck white as the wall

A muslin cap my love had on and trimmed wi' ribbons blue

27

Our love is like the soothing rain
That follows clouds and thunders,
It comes to fill the world again
With fresh and blooming wonders.
It sweeps away all baser things
That flourished once unthwarted,
And washes clean the low and mean
Until they glow transported.

Our love is like the kindly snow
That covers great and small things,
Whose very softness seems to throw
A glamor over all things.
It makes of every common spot
A holy thing and tender,
And every dark and ugly mark
Is hidden by its splendor.

25

Now leaps the lyric madness
From field and sheltered grove;
They sing about our gladness,
They celebrate our love.

Birds in the distant mountains
Among the pine and fir,
And laughing, leaping fountains,
Are eloquent of her.

Breezes that thread the passes
Of forests far above,
And leaves among the grasses,
Whisper about our love.

Rivers and brooks are theming
Our numbers amorous,
And lakes that lie a-dreaming
Murmur and muse of us.

Bells in the parish steeple
Chant us with ringing tongues,

17

“The river turns to the peaceful breast
Of the brooding sea,
The red-bird turns to his mate in the nest,
The bud to the bee;
Oh learn, my love, from this sweet unrest—
And turn to me.

“The twilight sinks in the arms of sleep
At the day's decline;
The spent winds softly sink as they weep
In the arms of the pine—
Come down, oh love, from your frowning steep
And sink into mine.

“The breeze has a tale for the ear of the rose,
And her fragrance is stirred;
The Spring has a secret that everyone knows—
But I have not heard;

13

There is no Death to conquer Spring
And tear us with an unknown pain—
For she will always come to sing
The ancient throbbing back again.
And love, once gained, will live and bring
With every year a fairer flower;
Then why is Youth the only thing
That comes and dies within an hour!

To the Countesse of Salisbury

Victorious beauty, though your eyes
Are able to subdue an hoast,
And therefore are unlike to boast

The taking of a little prize,
Do not a single heart dispise.

It came alone, but yet so arm'd
With former love, I durst have sworne
That where a privy coat was worne,
With characters of beauty charm'd,
Thereby it might have scapt unharm'd.

But neither steele nor stony breast
Are proof against those lookes of thine,
Nor can a Beauty lesse divine
Of any heart be long possest,
Where thou pretend'st an interest.

46

An hour before the challenging gleam
Of dawn that heralds the day,
My love awoke in the midst of a dream
And turned to where I lay.

I felt her breath grow wild and warm
And her arms about me twine,
And she whispered a name as she turned to my arm—
A name that was not mine.

And then she slept at my breast as fast
As though she were never so dear;
But I knew that the glory of Love had passed,
And I knew that the end was near.

40

Last night we walked among the paths of air;
The earth with all its rude and ancient scars
Had faded out, and there was nothing there
But starlight and the stars.

Each star stood planted like a budding shoot,
And on the ground of Heaven a crescent lay—
Lay like the rind of some exotic fruit
A god had thrown away.

And further still we wandered till we came
Upon the very burning edge of space,
And saw the unborn worlds still wrapped in flame
Hiding God's face.

And then my soul in agony and fear

Evening Song

My song will rest while I rest. I struggle along. I'll get back to the corn and the open fields. Don't fret, love, I'll come out all right.
Back of Chicago the open fields. Were you ever there—trains coming toward you out of the West—streaks of light on the long gray plains? Many a song—aching to sing.
I've got a gray and ragged brother in my breast—that's a fact. Back of Chicago the open field—long trains go west too—in the silence. Don't fret, love. I'll come out all right.