From the Portuguese.

HEAVY my heart is, heavy to carry,
Full of soft foldings, of downy enwrapments--
And the outer fold of all is love,
And the next soft fold is love,
And the next, finer and softer, is love again;
And were they unwound before the eyes
More folds and more folds and more folds would unroll
Of love--always love,
And, quite at the last,
Deep in the nest, in the soft-packed nest,
One last fold, turned back, would disclose
You, little heart of my heart,
Laid there so warm, so soft, so soft,

One night a tiny dewdrop fell
Into the bosom of a rose,--
"Dear little one, I love thee well,
Be ever here thy sweet repose!"

Seeing the rose with love bedight,
The envious sky frowned dark, and then
Sent forth a messenger of light
And caught the dewdrop up again.

"Oh, give me back my heavenly child,--
My love!" the rose in anguish cried;
Alas! the sky triumphant smiled,
And so the flower, heart-broken, died.

. Most sweet it is with unuplifted eyes
To pace the ground, if path be there or none,
While a fair region round the traveller lies
Which he forbears again to look upon;
Pleased rather with some soft ideal scene,
The work of Fancy, or some happy tone
Of meditation, slipping in between
The beauty coming and the beauty gone.
If Thought and Love desert us, from that day
Let us break off all commerce with the Muse:
With Thought and Love companions of our way,
Whate'er the senses take or may refuse,

Darling, my darling, my heart is on the wing,
It flies to thee this morning like a bird,
Like happy birds in springtime my spirits soar and sing,
The same sweet song thine ears have often heard.

The sun is in my window, the shadow on the lea,
The wind is moving in the branches green,
And all my life, my darling, is turning unto thee,
And kneeling at thy feet, my own, my queen.

The golden bells are ringing across the distant hill,
Their merry peals come to me soft and clear,
But in my heart's deep chapel all incense-filled and still

Morning and evening
Someone waits at Matsushima!
One-sided love

DAWN in the east, and chill dew falling--
Tears of the new-born day;
Dew on the lawn, and blackbirds calling,
Music and mild mid-May.
The lilac, see, wins back the colour
Lost on the field of Night
See, the spent stars grow dimmer, duller!
Look forth, my life's delight!


Open your window, lean above me,
Rose, my white rose, my song!
Leave your white nest, love, if you love me--
Night is so lonely-long.
Day is our own, and day's a-breaking;
Sweet sleepy eyes of grey,
You shall not chide an early waking

Give to imagination some pure light
In human form to fix it, or you shame
The devils with that hideous human game:
Imagination urging appetite!
Thus fallen have earth's greatest Gogmagogs,
Who dazzle us, whom we can not revere:
Imagination is the charioteer
That, in default of better, drives the hogs.
So, therefore, my dear Lady, let me love!
My soul is arrowy to the light in you.
You know me that I never can renew
The bond that woman broke: what would you have?
'Tis Love, or Vileness! not a choice between,

Along the garden terrace, under which
A purple valley (lighted at its edge
By smoky torch-flame on the long cloud-ledge
Whereunder dropped the chariot), glimmers rich,
A quiet company we pace, and wait
The dinner-bell in prae-digestive calm.
So sweet up violet banks the Southern balm
Breathes round, we care not if the bell be late:
Though here and there grey seniors question Time
In irritable coughings. With slow foot
The low rosed moon, the face of Music mute,
Begins among her silent bars to climb.

My Lady unto Madam makes her bow.
The charm of women is, that even while
You're probed by them for tears, you yet may smile,
Nay, laugh outright, as I have done just now.
The interview was gracious: they anoint
(To me aside) each other with fine praise:
Discriminating compliments they raise,
That hit with wondrous aim on the weak point:
My Lady's nose of Nature might complain.
It is not fashioned aptly to express
Her character of large-browed steadfastness.
But Madam says: Thereof she may be vain!

It is no vulgar nature I have wived.
Secretive, sensitive, she takes a wound
Deep to her soul, as if the sense had swooned,
And not a thought of vengeance had survived.
No confidences has she: but relief
Must come to one whose suffering is acute.
O have a care of natures that are mute!
They punish you in acts: their steps are brief.
What is she doing? What does she demand
From Providence or me? She is not one
Long to endure this torpidly, and shun
The drugs that crowd about a woman's hand.