Love ere he bleeds, an eagle in high skies,
Has earth beneath his wings: from reddened eve
He views the rosy dawn. In vain they weave
The fatal web below while far he flies.
But when the arrow strikes him, there's a change.
He moves but in the track of his spent pain,
Whose red drops are the links of a harsh chain,
Binding him to the ground, with narrow range.
A subtle serpent then has Love become.
I had the eagle in my bosom erst:
Henceforward with the serpent I am cursed.
I can interpret where the mouth is dumb.

You like not that French novel? Tell me why.
You think it quite unnatural. Let us see.
The actors are, it seems, the usual three:
Husband, and wife, and lover. She--but fie!
In England we'll not hear of it. Edmond,
The lover, her devout chagrin doth share;
Blanc-mange and absinthe are his penitent fare,
Till his pale aspect makes her over-fond:
So, to preclude fresh sin, he tries rosbif.
Meantime the husband is no more abused:
Auguste forgives her ere the tear is used.
Then hangeth all on one tremendous IF:--

Am I failing ? For no longer can I cast
A glory round about this head of gold.
Glory she wears, but springing from the mould;
Not like the consecration of the Past!
Is my soul beggared? Something more than earth
I cry for still: I cannot be at peace
In having Love upon a' mortal lease.
I cannot take the woman at her worth!
Where is the ancient wealth wherewith I clothed
Our human nakedness, and could endow
With spiritual splendour a white brow
That else had grinned at me the fact I loathed ?

The misery is greater, as I live!
To know her flesh so pure, so keen her sense,
That she does penance now for no offence,
Save against Love. The less can I forgive!
The less can I forgive, though I adore
That cruel lovely pallor which surrounds
Her footsteps; and the low vibrating sounds
That come on me, as from a magic shore.
Low are they, but most subtle to find out
The shrinking soul. Madam, 'tis understood
When women play upon their womanhood;
It means, a Season gone. And yet I doubt

'Tis Christmas weather, and a country house
Receives us: rooms are full: we can but get
An attic-crib. Such lovers will not fret
At that, it is half-said. The great carouse
Knocks hard upon the midnight's hollow door,
But when I knock at hers, I see the pit.
Why did I come here in that dullard fit?
I enter, and lie couched upon the floor.
Passing, I caught the coverlet's quick beat:--
Come, Shame, burn to my soul! and Pride, and Pain--
Foul demons that have tortured me, enchain!
Out in the freezing darkness the lambs bleat.

What may the woman labour to confess?
There is about her mouth a nervous twitch.
'Tis something to be told, or hidden:--which?
I get a glimpse of hell in this mild guess.
She has desires of touch, as if to feel
That all the household things are things she knew.
She stops before the glass. What sight in view?
A face that seems the latest to reveal!
For she turns from it hastily, and tossed
Irresolute, steals shadow-like to where
I stand; and wavering pale before me there,
Her tears fall still as oak-leaves after frost.

We three are on the cedar-shadowed lawn;
My friend being third. He who at love once laughed,
Is in the weak rib by a fatal shaft
Struck through, and tells his passion's bashful dawn
And radiant culmination, glorious crown,
When 'this' she said: went 'thus': most wondrous she.
Our eyes grow white, encountering that we are three,
Forgetful; then together we look down.
But he demands our blessing; is convinced
That words of wedded lovers must bring good.
We question; if we dare! or if we should!

I am not of those miserable males
Who sniff at vice and, daring not to snap,
Do therefore hope for heaven. I take the hap
Of all my deeds. The wind that fills my sails
Propels; but I am helmsman. Am I wrecked,
I know the devil has sufficient weight
To bear: I lay it not on him, or fate.
Besides, he's damned. That man I do suspect
A coward, who would burden the poor deuce
With what ensues from his own slipperiness.
I have just found a wanton-scented tress
In an old desk, dusty for lack of use.
Of days and nights it is demonstrative,

Here Jack and Tom are paired with Moll and Meg.
Curved open to the river-reach is seen
A country merry-making on the green.
Fair space for signal shakings of the leg.
That little screwy fiddler from his booth,
Whence flows one nut-brown stream, commands the joints
Of all who caper here at various points.
I have known rustic revels in my youth:
The May-fly pleasures of a mind at ease.
An early goddess was a county lass:
A charmed Amphion-oak she tripped the grass.
What life was that I lived? The life of these?

At dinner, she is hostess, I am host.
Went the feast ever cheerfuller? She keeps
The Topic over intellectual deeps
In buoyancy afloat. They see no ghost.
With sparkling surface-eyes we ply the ball:
It is in truth a most contagious game:
HIDING THE SKELETON, shall be its name.
Such play as this the devils might appal!
But here's the greater wonder; in that we,
Enamoured of an acting nought can tire,
Each other, like true hypocrites, admire;
Warm-lighted looks, Love's ephemerioe,
Shoot gaily o'er the dishes and the wine.