Love has nothing to do with
the five senses and the six directions:
its goal is only to experience
the attraction exerted by the Beloved.
Afterwards, perhaps, permission
will come from God:
the secrets that ought to be told will be told
with an eloquence nearer to the understanding
of these subtle confusing allusions.
The secret is partner with none
but the knower of the secret:
in the skeptic's ear
the secret is no secret at all.

DEAREST, if I almost cease to weep for you,
Do not doubt I love you just the same;
'Tis because my life has grown to keep for you
All the hours that sorrow does not claim.


All the hours when I may steal away to you,
Where you lie alone through the long day,
Lean my face against your turf and say to you
All that there is no one else to say.


Do they let you listen--do you lean to me?
Know now what in life you never knew,
When I whisper all that you have been to me,
All that I might never be to you?

'O wha will shoe my fu' fair foot?
And wha will glove my hand?
And wha will lace my middle jimp,
Wi' the new-made London band?

'And wha will kaim my yellow hair,
Wi' the new made silver kaim?
And wha will father my young son,
Till Love Gregor come hame?'

'Your father will shoe your fu' fair foot,
Your mother will glove your hand;
Your sister will lace your middle jimp
Wi' the new-made London band.

'Your brother will kaim your yellow hair,
Wi' the new made silver kaim;
And the king of heaven will father your bairn,

Hast thou longed through weary days
For the sight of one loved face?
Mast thou cried aloud for rest,
Mid the pain of sundering hours;
Cried aloud for sleep and death,
Since the sweet unhoped for best
Was a shadow and a breath?
O, long now, for no fear lowers
O’er these faint feet-kissing flowers.
O, rest now; and yet in sleep
All thy longing shalt thou keep.

Thou shalt rest and have no fear
Of a dull awaking near,
Of a life for ever blind,
Uncontent and waste and wide.
Thou shalt wake and think it sweet

I had a love in soft south land,
Beloved through April far in May;
He waited on my lightest breath,
And never dared to say me nay.

He saddened if my cheer was sad,
But gay he grew if I was gay;
We never differed on a hair,
My yes his yes, my nay his nay.

The wedding hour was come, the aisles
Were flushed with sun and flowers that day;
I pacing balanced in my thoughts:
'It's quite too late to think of nay.'—

My bridegroom answered in his turn,
Myself had almost answered 'yea:'
When through the flashing nave I heard

Two hands lie still, the hairy and the white,
And soon down ladders of reflected light
The sleepers climb in silence. Gradually
They separate on paths of long ago,
Each winding on his arm the unpleasant clew
That leads, live as a nerve, to memory.

But often when too steep her dream descends,
Perhaps to the grotto where her father bends
To pick her up, the husband wakes as though
He had forgotten something in the house.
Motionless he eyes the room that glows
With the little animals of light that prowl

In vain ye woo me to your harmless joys,
Ye pleasant bowers, remote from strife and noise;
Your shades, the witnesses of many a vow,
Breathed forth in happier days, are irksome now;
Denied that smile 'twas once my heaven to see,
Such scenes, such pleasures, are all past with me.

In vain he leaves me, I shall love him still;
And, though I mourn, not murmur at his will;
I have no cause—an object all divine,
Might well grow weary of a soul like mine;
Yet pity me, great God! forlorn, alone,

Love encompasses all
The eternal end of our closeness
Metaphor of our being,
Your beauty beacons,
Inevitable inflictions,
How sweetly befall,
Love encompasses all.

With the break of dawn,
Dewdrops shine on rose petals,
A moth hovers around around the tree branch,
The flower, moth, turbulent oceans
Serenity, rise and fall,
Love encompasses all.

For the dreams we shared?
For the plans we carved?
But the waves do not stop,
On the threshold of time
In the dance of dust,
Colours fade away fast,

Too heedless friend, why thus augment the flame
That glows resistless in my beating breast?
Why with thy praises grace his fatal name,
Who robs thy Emma's hapless heart of rest?

Why needest thou dwell on Henry's graceful ease;
Why praise the timid worth his glance reveals;
Why speak enraptured of his power to please,
Whose power to wound my aching bosom feels?

Say not, "That gentle voice was formed for love,"
Nor in his eyes such sweet expression see;
Say not, that tenderness those glances prove,

Then thou hast learnt the secret of my soul,
Officious Friendship has its trust betrayed;
No more I need the bursting sigh control,
Nor summon pride my struggling soul to aid.

But think not banished hope returns again,
Think not I write thy thankless heart to move;
The faded form that tells my tender pain
May win thy pity, but it can't thy love.

Nor can I move thee by soft winning art,
By manners taught to charm, or practised glance;
Artless as thine, my too too feeling heart
Disdains the tutored eye, the fond advance.