THE corn was yellow upon the cliffs,
The fluttering grass was green to see,
The waves were blue as the sky above,
And the sun it was shining merrily.

'Marjorie, Marjorie! do you love me,
Faithfully, truly as I love you?'
The little lass reddened, and whitened, and smiled,
And answered him with her clear eyes of blue.

'Marjorie, you are but gentle and young;
I am too old and too rough for you.'
The little lass, trustfully giving her hand,
Answered, 'I love you, faithful and true.'

'Marjorie, Marjorie, when shall we wed?'

The sparrows wake beneath the convent eaves;
I think I have not slept the whole night through.
But I am old; the aged scarcely know
The times they wake and sleep, for life burns down;
They breathe the calm of death before they die.
The long night ends, the day comes creeping in,
Showing the sorrows that the darkness hid,
The bended head of Christ, the blood, the thorns,
The wall's gray stains of damp, the pallet bed
Where little Sister Marta dreams of saints,
Waking with arms outstretched imploringly

Ask if I love thee? Oh, smiles cannot tell
Plainer what tears are now showing too well.
Had I not loved thee, my sky had been clear:
Had I not loved thee, I had not been here,
Weeping by thee.

Ask if I love thee? How else could I borrow
Pride from man's slander, and strength from my sorrow?
Laugh when they sneer at the fanatic's bride,
Knowing no bliss, save to toil and abide
Weeping by thee.


Andernach on the Rhine,
August 1851.

Long night succeeds thy little day;
Oh blighted blossom! can it be,
That this grey stone, and grassy clay,
Have clos'd our anxious care of thee?

The half-form'd speech of artless thought
That spoke a mind beyond thy years;
The song, the dance, by nature taught;
The sunny smiles, the transient tears;

The symmetry of face and form,
The eye with light and life replete;
The little heart so fondly warm,
The voice so musically sweet;

These, lost to hope, in memory yet
Around the hearts that lov'd thee cling,

I stare at the ceiling's plasterwork.
I'm drawn into the dance of the meanders.
My happiness, I'm thinking, would
lie in height.

Symbols of the higher life:
unchanging, transubstantiated roses;
a white acanthus border round a
horn of plenty.

(Humble, unpretentious craft,
how sluggishly I learn your lesson!)
Bas-relief dream, I'll come to you
vertically.

Horizons will have smothered me.
In every climate, every latitude,
the struggle for one's bread and salt,
the love-affairs, the boredom.

Many will love you; you were made for love;
For the soft plumage of the unruffled dove
Is not so soft as your caressing eyes.
You will love many; for the winds that veer
Are not more prone to shift their compass, dear,
Than your quick fancy flies.

Many will love you; but I may not, no;
Even though your smile sets all my life aglow,
And at your fairness all my senses ache.
You will love many; but not me, my dear,
Who have no gift to give you but a tear
Sweet for your sweetness' sake.

Many are called, dear heart, to happiness,
But few are chosen, even for a wild short year.
Love calls us from our sleep, and we make stress
To rise and greet him in a world austere
With a sweet dawn, while blithe as chanticleer
He carols his brave message, and we loosen
The shutters of our grief to find him near.
Many are called by Love, but few are chosen.

Love's voice is truth. He speaks his messages
In tones we dare not doubt, and we give ear
As to a prophet of our wilderness,
The glorious lord of a new hemisphere.

Man I am and man would be, Love--merest man and nothing more.
Bid me seem no other! Eagles boast of pinions--let them soar!
I may put forth angel's plumage, once unmanned, but not before.

Now on earth to stand suffices,--nay, if kneeling serves, to kneel:
Here you front me, here I find the all of heaven that earth can feel:
Sense looks straight,--not over,under,--perfect sees beyond appeal.

Good you are and wise, full circle: what to me were more outside?
Wiser wisdom, better goodness? Ah, such want the angel's wide

'Who curseth Sorrow knows her not at all.
Dark matrix she, from which the human soul
Has its last birth; whence, with its misty thews,
Close-knitted in her blackness, issues out;
Strong for immortal toil up such great heights,
As crown o'er crown rise through Eternity,
Without the loud, deep clamour of her wail,
The iron of her hands; the biting brine
Of her black tears; the Soul but lightly built
of indeterminate spirit, like a mist
Would lapse to Chaos in soft, gilded dreams,
As mists fade in the gazing of the sun.

Said the high hill, in the morning: 'Look on me--
'Behold, sweet earth, sweet sister sky, behold
'The red flames on my peaks, and how my pines
'Are cressets of pure gold; my quarried scars
'Of black crevase and shadow-fill'd canon,
'Are trac'd in silver mist. How on my breast
'Hang the soft purple fringes of the night;
'Close to my shoulder droops the weary moon,
'Dove-pale, into the crimson surf the sun
'Drives up before his prow; and blackly stands
'On my slim, loftiest peak, an eagle, with
'His angry eyes set sunward, while his cry