Camilla
Camilla calls me heartless: hence you see
Logic in love has little part.
How can I otherwise than heartless be
Seeing Camilla has my heart?   						
Camilla calls me heartless: hence you see
Logic in love has little part.
How can I otherwise than heartless be
Seeing Camilla has my heart?   						
CAMILLA calls me heartless: hence you see
   Logic in love has little part.
How can I otherwise than heartless be
   Seeing Camilla has my heart?   						
Came those who saw and loved her,
 She was so fair to see!
No whit their homage moved her,
 So proud she was, so free;
But, ah, her soul was turning
With strange and mystic yearning,
With some divine discerning,
 Beyond them all–to me!
As light to lids that quiver
  Throughout a night forlorn,
She came–a royal giver–
  My temple to adorn;
And my soul rose to meet her,
To welcome her, to greet her,
To name, proclaim, her sweeter
  And dearer than the morn:
For her most rare devising
  Was mixed no common clay,
Warm noon's joy spreads under the big leaved trees
Beyond the garden hedge,
The honeysuckle waves in the grey wind
On the wrought iron gate.
   
   And in my eyes this lovely picture goes
   With me as I fare along the lane.
   Piano-notes, unmindful on the wind
   Fill the spring sky with pain.
   Along a lane in South Calcutta.   						
As I, with hopeless love o'erthrown,
With love o'erthrown, with love o'erthrown,
And this is truth I tell,
As I, with hopeless love o'erthrown,
Was sadly walking all alone,
I met my love one morning
In Cairnsmill Den.
One morning, one morning,
One blue and blowy morning,
I met my love one morning
In Cairnsmill Den.
A dead bough broke within the wood
Within the wood, within the wood,
And this is truth I tell.
A dead bough broke within the wood,
And I looked up, and there she stood.
Not though you die to-night, O Sweet, and wail,
A spectre at my door,
Shall mortal Fear make Love immortal fail --
I shall but love you more,
Who, from Death's House returning, give me still
One moment's comfort in my matchless ill.   						
A GREAT green spread of meadow land,
(Must rest his weight on an ample base),
A secret water moving on,
A clean blue air for his breathing-space,
A pair of willows bending down
In double witness to his grace,
And on the rock his sinner sprawls
And looks the Strong One face to face. 
The sinner's mocking tongue is dry,
Wonder is on that mighty jeerer,
He loves, and he never loved before,
He wants the glowing sky no nearer,
He likes the willows to be two,
He would not have the water clearer,
Flow on, ye lays so loved, so fair,
On to Oblivion's ocean flow!
May no rapt boy recall you e'er,
No maiden in her beauty's glow!
My love alone was then your theme,
But now she scorns my passion true.
Ye were but written in the stream;
As it flows on, then, flow ye too!
I heard the sighing of the reed 
In the grey pool in the green land, 
The sea-wind in the long reeds sighing 
Between the green hill and the sand. 
I heard the sighing of the reeds 
Day after day, night after night; 
I heard the whirring wild ducks flying, 
I saw the sea-gull's wheeling flight. 
I heard the sighing of the reeds 
Night after night, day after day, 
And I forgot old age, and dying, 
And youth that loves, and love's decay. 
I heard the sighing of the reeds 
At noontide and at evening, 
I never saw my love ; but I 
Can fancy that she 's wond'rous fair : 
With splendid eyes, that flash and shine 
Beneath her wealth of lustrous hair. 
I know her lips are cherry red, 
Her cheeks like blossoms newly blown ; 
And I am wild to see her since, 
I fell in love by telephone. 
I never stood beside my love ; 
I never held her hand in mine ; 
I never saw her smile, but, oh, 
Her voice is dulcet, sweet, divine ! 
I stand beside the instrument, 
And catch with gladness every tone ;