The Sigh.

Nimble sigh, on thy warm wings,
Take this message and depart;
Tell Amoret, that smiles and sings,
At what thy airy voyage brings,
That thou cam'st lately from my heart.

Tell my lovely foe that I
Have no more such spies to send,
But one or two that I intend,
Some few minutes ere I die,
To her white bosom to commend.

Then whisper by that holy spring,
Where for her sake I would have died,
Whilst those water-nymphs did bring
Flowers to cure what she had tried;

There is too much of sighing, and weaving
Of pitiful tales of despair.
There is too much of wailing and grieving,
And too much of railing at care.
There is far too much glorification
Of money and pleasure and fame;
But I sing the joy of my station,
And I sing the love of my game.

There is too much of tremble-lip telling
Of hurts that have come with the fight.
There is too much of pitiful dwelling
On plans that have failed to go right.
There is too much of envious pining
For luxuries others may claim.

Songs of rejoicin',
Of love and of cheer,
Are the songs that I'm yearnin' for
Year after year.
The songs about children
Who laugh in their glee
Are the songs worth the singin',
The bright songs for me.

Songs of rejoicin',
Of kisses and love,
Of faith in the Father,
Who sends from above
The sunbeams to scatter
The gloom and the fear;
These songs worth the singin',
The songs of good cheer.

Songs of rejoicin',
Oh, sing them again,
The brave songs of courage
Appealing to men.
Of hope in the future

She I love (alas in vain!)
Floats before my slumbering eyes:
When she comes she lulls my pain,
When she goes what pangs arise!
Thou whom love, whom memory flies,
Gentle Sleep! prolong thy reign!
If even thus she soothe my sighs,
Never let me wake again!

We travelled in the print of olden wars;
Yet all the land was green;
And love we found, and peace,
Where fire and war had been.

They pass and smile, the children of the sword--
No more the sword they wield;
And O, how deep the corn
Along the battlefield!

I am a kind of farthing dip,
Unfriendly to the nose and eyes;
A blue-behinded ape, I skip
Upon the trees of Paradise.

At mankind's feast, I take my place
In solemn, sanctimonious state,
And have the air of saying grace
While I defile the dinner-plate.

I am "the smiler with the knife,"
The battener upon garbage, I--
Dear Heaven, with such a rancid life
Were it not better far to die?

Yet still, about the human pale,
I love to scamper, love to race,
To swing by my irreverent tail
All over the most holy place;

You too, my mother, read my rhymes
For love of unforgotten times,
And you may chance to hear once more
The little feet along the floor.

Where is my love--
In silence and shadow she lies,
Under the April-grey, calm waste of the skies;
And a bird above,
In the darkness tender and clear,
Keeps saying over and over, Love lies here!

Not that she's dead;
Only her soul is flown
Out of its last pure earthly mansion;
And cries instead
In the darkness, tender and clear,
Like the voice of a bird in the leaves, Love--love lies here.

Had the gods loved me I had lain
Where darnel is, and thorn,
And the wild night-bird's nightlong strain
Trembles in boughs forlorn.

Nay, but they loved me not; and I
Must needs a stranger be,
Whose every exiled day gone by
Aches with their memory.

Not any flower that blows
But shining watch doth keep;
Every swift changing chequered hour it knows
Now to break forth in beauty; now to sleep.

This for the roving bee
Keeps open house, and this
Stainless and clear is, that in darkness she
May lure the moth to where her nectar is.

Lovely beyond the rest
Are these of all delight:--
The tiny pimpernel that noon loves best,
The primrose palely burning through the night.

One 'neath day's burning sky
With ruby decks her place,
The other when Eve's chariot glideth by