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Shelley

Knight-errant of the Never-ending Quest,
And Minstrel of the Unfulfilled Desire;
For ever tuning thy frail earthly lyre
To some unearthly music, and possessed
With painful passionate longing to invest
The golden dream of Love's immortal fire
In mortal robes of beautiful attire,
And fold perfection to thy throbbing breast!

What wonder, Shelley, if the restless wave
Should claim thee and the leaping flame consume
Thy drifted form on Viareggio's beach?
Fate to thy body gave a fitting grave,

She, to Him, IV

This love puts all humanity from me;
I can but maledict her, pray her dead,
For giving love and getting love of thee—
Feeding a heart that else mine own had fed!

How much I love I know not, life not known,
Save as some unit I would add love by;
But this I know, my being is but thine own—
Fused from its separateness by ecstasy.

And thus I grasp thy amplitudes, of her
Ungrasped, though helped by nigh-regarding eyes;
Canst thou then hate me as an envier
Who see unrecked what I so dearly prize?

She, to Him, III

I will be faithful to thee; aye, I will!
And Death shall choose me with a wondering eye
That he did not discern and domicile
One his by right ever since that last Good-bye!

I have no care for friends, or kin, or prime
Of manhood who deal gently with me here;
Amid the happy people of my time
Who work their love’s fulfilment, I appear

Numb as a vane that cankers on its point,
True to the wind that kissed ere canker came;
Despised by souls of Now, who would disjoint
The mind from memory, and make Life all aim,

She Weeps over Rahoon

Rain on Rahoon falls softly, softly falling,
Where my dark lover lies.
Sad is his voice that calls me, sadly calling,
At grey moonrise.

Love, hear thou
How soft, how sad his voice is ever calling,
Ever unanswered, and the dark rain falling,
Then as now.

Dark too our hearts, O love, shall lie and cold
As his sad heart has lain
Under the moongrey nettles, the black mould
And muttering rain.

She Sung of Love

She sung of Love, while o'er her lyre
The rosy rays of evening fell,
As if to feed with their soft fire
The soul within that trembling shell.
The same rich light hung o'er her cheek,
And play'd around those lips that sung
And spoke, as flowers would sing and speak,
If Love could lend their leaves a tongue.

But soon the West no longer burn'd,
Each rosy ray from heaven withdrew;
And, when to gaze again I turn'd,
The minstrel's form seem'd fading too.
As if her light and heaven's were one,

She Moved Through the Faire

My young love said to me: My mother won't mind,
And my father won't slight you for your lack of kind.
She put her arms 'round me; these words she did say:
It will not be long, love, 'til our wedding day!
Then she stepped away from me, and she moved thru the Faire,
And so fondly I watched her move here and move there;
At last she turned homeward, with one star awake,
As the Swan in the evening moves over the lake.
Last night she came to me, my dead love came in,
And so soft did she move that her feet made no din;

She is Far From the Land

She is far from the land where her young hero sleeps,
And lovers are round her, sighing;
But coldly she turns from their gaze, and weeps,
For her heart in his grave is lying.

She sings the wild song of her dear native plains,
Every note which he loved awaking; --
Ah! little they think, who delight in her strains,
How the heart of the Minstrel is breaking.

He had lived for his love, for his country he died,
They were all that to life had entwined him;
Nor soon shall the tears of his country be dried,

Sexism

The happiest moment in a woman's life
Is when she hears the turn of her lover's key
In the lock, and pretends to be asleep
When he enters the room, trying to be
Quiet but clumsy, bumping into things,
And she can smell the liquor on his breath
But forgives him because she has him back
And doesn't have to sleep alone.

The happiest moment is a man's life
Is when he climbs out of bed
With a woman, after an hour's sleep,
After making love, and pulls on
His trousers, and walks outside,
And pees in the bushes, and sees