Tell me, lovely, loving pair!
Why so kind, and so severe?
Why so careless of our care,
Only to yourselves so dear?

By this cunning change of hearts,
You the power of love control;
While the boy's eluded darts
Can arrive at neither soul.

For in vain to either breast
Still beguiled love does come,
Where he finds a foreign guest,
Neither of your hearts at home.

Debtors thus with like design,
When they never mean to pay,
That they may the law decline,
To some friend make all away.

Dear youth, too early lost, who now art laid
Beneath the turf in green Labicum's glade,
O'er thee no storied urn, no labored bust
I rear to crumble with the crumbling dust;
But tapering box and shadowy vine shall wave,
And grass, with tears bedewed, shall clothe thy grave.
These gifts my sorrowing love to thee shall bring,
Gifts ever fresh and deathless as the Spring.
O when to me the fatal hour shall come,
Mine be as lowly and as green a tomb!

Wind whines and whines the shingle,
The crazy pierstakes groan;
A senile sea numbers each single
Slimesilvered stone.

From whining wind and colder
Grey sea I wrap him warm
And touch his trembling fineboned shoulder
And boyish arm.

Around us fear, descending
Darkness of fear above
And in my heart how deep unending
Ache of love!

So, they are dead! Love! when they passed
From thee to me, our fingers met;
O withered darlings of the May!
I feel those fairy fingers yet.

And for the bliss ye brought me then,
Your faded forms are precious things;
No flowers so fair, no buds so sweet
Shall bloom through all my future springs.

And so, pale ones! with hands as soft
As if I closed a baby's eyes,
I'll lay you in some favorite book
Made sacred by a poet's sighs.

Your lips shall press the sweetest song,
The sweetest, saddest song I know,

When through life unblest we rove,
Losing all that made life dear,
Should some notes we used to love,
In days of boyhood, meet our ear,
Oh! how welcome breathes the strain!
Wakening thoughts that long have slept,
Kindling former smiles again
In faded eyes that long have wept.

Like the gale, that sighs along
Beds of oriental flowers,
Is the grateful breath of song,
That once was heard in happier hours.
Fill'd with balm the gale sighs on,
Though the flowers have sunk in death;
So, when pleasure's dream is gone,

.


I grieve and dare not show my discontent,
I love and yet am forced to seem to hate,
I do, yet dare not say I ever meant,
I seem stark mute but inwardly to prate.
I am and not, I freeze and yet am burned.
Since from myself another self I turned.

My care is like my shadow in the sun,
Follows me flying, flies when I pursue it,
Stands and lies by me, doth what I have done.
His too familiar care doth make me rue it.
No means I find to rid him from my breast,
Till by the end of things it be supprest.

The storm hath blown thee a lover, sweet,
And laid him kneeling at thy feet.
But, -- guerdon rich for favor rare!
The wind hath all thy holy hair
To kiss and to sing through and to flare
Like torch-flames in the passionate air,
About thee, O Miranda.

Eyes in a blaze, eyes in a daze,
Bold with love, cold with amaze,
Chaste-thrilling eyes, fast-filling eyes
With daintiest tears of love's surprise,
Ye draw my soul unto your blue
As warm skies draw the exhaling dew,
Divine eyes of Miranda.

My lady woke upon a morning fair,
What time Apollo’s chariot takes the skies,
And, fain to fill with arrows from her eyes
His empty quiver, Love was standing there:
I saw two apples that her breast doth bear
None such the close of the Hesperides
Yields; nor hath Venus any such as these,
Nor she that had of nursling Mars the care.

Even such a bosom, and so fair it was,
Pure as the perfect work of Phidias,
That sad Andromeda’s discomfiture
Left bare, when Perseus passed her on a day,

I don't ask you to be faithful - you're beautiful, after all -
but just that I be spared the pain of knowing.
I make no stringent demands that you should really be chaste,
but only that you try to cover up.
If a girl can claim to be pure, it's the same as being pure:
it's only admitted vice that makes for scandal.
What madness, to confess by day what's wrapped in night,
and what you've done in secret, openly tell!
The hooker, about to bed some Roman off the street
still locks her door first, keeping out the crowd:

``With Donne, whose muse on dromedary trots,
Wreathe iron pokers into true-love knots ;
Rhyme's sturdy cripple, fancy's maze and clue,
Wit's forge and fire-blast, meaning's press and screw.''