In shame is man conceived, through pain is born,
And brief the time upon this earth he goes
In life inconstant, full of fears and woes.
He dies, a shadow by the sun forlorn.

And yet from such a man (O Endless God,
Within Thyself glorified and blissfully
Living through Thyself) almost wistfully
Dost Thou desire--from him!--both love and laud.

Wondrous the works of Thy charity are,
At which Cherubim (comprehension's crest)
Wonder bemused and righteous burns afar
The flame, the Seraphim, in love's sweet zest.

Unto the boundless Ocean of thy beauty
Runs this poor river, charg'd with streams of zeal:
Returning thee the tribute of my duty,
Which here my love, my youth, my plaints reveal.
Here I unclasp the book of my charg'd soul,
Where I have cast th'accounts of all my care:
Here have I summ'd my sighs, here I enroll
How they were spent for thee; look what they are.
Look on the dear expences of my youth,
And see how just I reckon with thine eyes:
Examine well they beauty in my truth,
And cross my cares ere greater sums arise.

Like an advent'rous seafarer am I,
Who hath some long and dang'rous voyage been,
And, call'd to tell of his discovery,
How far he sail'd, what countries he had seen;
Proceeding from the port whence he put forth,
Shows by his compass how his course he steer'd,
When East, when West, when South, and when by North,
As how the Pole to every place was rear'd,
What capes he doubled, of what Continent,
The gulfs and straits that strangely he had past,
Where most becalm'd, where with foul weather spent,

My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red:
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damask'd, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound.
I grant I never saw a goddess go:
My mistress, when she walks, treads on the ground.

Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O no! it is an ever-fixed mark
That looks on tempests and is never shaken;
It is the star to every wandering bark,
Whose worth's unknown, although his height be taken.
Love's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come:
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me proved,

Not mine own fears, nor the prophetic soul
Of the wide world dreaming on things to come,
Can yet the lease of my true love control,
Suppos'd as forfeit to a confin'd doom.
The mortal moon hath her eclipse endur'd
And the sad augurs mock their own presage;
Incertainties now crown themselves assur'd
And peace proclaims olives of endless age.
Now with the drops of this most balmy time
My love looks fresh, and Death to me subscribes,
Since, spite of him, I'll live in this poor rhyme,
While he insults o'er dull and speechless tribes;

The forward violet thus did I chide:
"Sweet thief, whence didst thou steal thy sweet that smells,
If not from my love's breath? The purple pride
Which on thy soft check for complexion dwells
In my love's veins thou hast too grossly dyed."
The lily I condemnèd for thy hand,
And buds of marjoram had stol'n thy hair;
The roses fearfully on thorns did stand,
One blushing shame, another white despair;
A third, nor red, nor white, had stol'n of both,
And to his robbery had annexed thy breath,
But, for his theft, in pride of all his growth

So shall I live, supposing thou art true,
Like a deceivèd husband; so love's face
May still seem love to me, though altered new,
Thy looks with me, thy heart in other place.
For there can live no hatred in thine eye,
Therefore in that I cannot know thy change.
In many's looks, the false heart's history
Is writ in moods and frowns and wrinkles strange,
But heaven in thy creation did decree
That in thy face sweet love should ever dwell;
Whate'er thy thoughts, or thy heart's workings be,
Thy looks should nothing thence but sweetness tell.

Say that thou didst forsake me for some fault,
And I will comment upon that offence;
Speak of my lameness, and I straight will halt,
Against thy reasons making no defence.
Thou canst not, love, disgrace me half so ill,
To set a form upon desirèd change,
As I'll my self disgrace, knowing thy will,
I will acquaintance strangle and look strange,
Be absent from thy walks and in my tongue
Thy sweet belovèd name no more shall dwell,
Lest I, too much profane, should do it wrong
And haply of our old acquaintance tell.

Why is my verse so barren of new pride?
So far from variation or quick change?
Why with the time do I not glance aside
To new-found methods, and to compounds strange?
Why write I still all one, ever the same,
And keep invention in a noted weed,
That every word doth almost tell my name,
Showing their birth and where they did proceed?
O, know, sweet love, I always write of you,
And you and love are still my argument;
So all my best is dressing old words new,
Spending again what is already spent.
For as the sun is daily new and old,