Too heedless friend, why thus augment the flame
That glows resistless in my beating breast?
Why with thy praises grace his fatal name,
Who robs thy Emma's hapless heart of rest?

Why needest thou dwell on Henry's graceful ease;
Why praise the timid worth his glance reveals;
Why speak enraptured of his power to please,
Whose power to wound my aching bosom feels?

Say not, "That gentle voice was formed for love,"
Nor in his eyes such sweet expression see;
Say not, that tenderness those glances prove,

Hark ! from the battlements of yonder tower
The solemn bell has tolled the midnight hour !
Roused from drear visions of distempered sleep,
Poor Broderick wakes—in solitude to weep !

"Cease, Memory; cease (the friendless mourner cried)
To probe the bosom too severely tried !
Oh ! ever cease, my pensive thoughts, to stray
Through tie bright fields of Fortune's better day,
When youthful Hope, the music of the mind,
Tuned all its charms, and Errington was kind !

Yet, can I cease, while glows this trembling frame,

All my past life is mine no more,
The flying hours are gone,
Like transitory dreams giv'n o'er,
Whose images are kept in store
By memory alone.
II
The time that is to come is not;
How can it then be mine?
The present moment's all my lot;
And that, as fast as it is got,
Phyllis, is only thine.
III
Then talk not of inconstancy,
False hearts, and broken vows;
If I, by miracle, can be
This live-long minute true to thee,
'Tis all that Heav'n allows.

All my past life is mine no more,
The flying hours are gone,
Like transitory dreams giv'n o'er,
Whose images are kept in store
By memory alone.

The time that is to come is not;
How can it then be mine?
The present moment's all my lot;
And that, as fast as it is got,
Phyllis, is only thine.

Then talk not of inconstancy,
False hearts, and broken vows;
If I, by miracle, can be
This live-long minute true to thee,
'Tis all that Heav'n allows.

What's wrong with you, with us,
what's happening to us?
Ah our love is a harsh cord
that binds us wounding us
and if we want
to leave our wound,
to separate,
it makes a new knot for us and condemns us
to drain our blood and burn together.

What's wrong with you? I look at you
and I find nothing in you but two eyes
like all eyes, a mouth
lost among a thousand mouths that I have kissed, more beautiful,
a body just like those that have slipped
beneath my body without leaving any memory.

FYTTE I.

'Look at the Clock!' quoth Winifred Pryce,
As she open'd the door to her husband's knock,
Then paus'd to give him a piece of advice,
'You nasty Warmint, look at the Clock!
Is this the way, you
Wretch, every day you
Treat her who vow'd to love and obey you?
Out all night!
Me in a fright;
Staggering home as it's just getting light!
You intoxified brute! you insensible block!
Look at the Clock!-- Do!-- Look at the Clock!'

Winifred Pryce was tidy and clean,

Long long ago I went through the castle of leaves
Yellowing slowly in the moss
And far away barnacles clung desperately to rocks in the sea
Your memory better still your tender presence was there too
Transparent and mine
Nothing had changed but everything had aged at the same rate as my temples and
my eyes
Don't you just love that platitude? Let me go it's so rare for me this ironic
satisfaction
Everything had aged except your presence
Long long ago I went through the surf on a lonely day
The waves were unreal even then

1

You scream, waking from a nightmare.

When I sleepwalk
into your room, and pick you up,
and hold you up in the moonlight, you cling to me
hard,
as if clinging could save us. I think
you think
I will never die, I think I exude
to you the permanence of smoke or stars,
even as
my broken arms heal themselves around you.

2

I have heard you tell
the sun, don't go down, I have stood by
as you told the flower, don't grow old,
don't die. Little Maud,

I would blow the flame out of your silver cup,

In a humble room in London sat a pretty little boy,
By the bedside of his sick mother her only joy,
Who was called Little Pierre, and who's father was dead;
There he sat poor boy, hungry and crying for bread.

There he sat humming a little song, which was his own,
But to the world it was entirely unknown,
And as he sang the song he felt heartsick,
But he resolved to get Madame Malibran to sing his song in public

Then he paused for a moment and clasped his hands,
And running to the looking-glass before it he stands,

She left me at the silent time
When the moon had ceas'd to climb
The azure path of Heaven's steep,
And like an albatross asleep,
Balanc'd on her wings of light,
Hover'd in the purple night,
Ere she sought her ocean nest
In the chambers of the West.
She left me, and I stay'd alone
Thinking over every tone
Which, though silent to the ear,
The enchanted heart could hear,
Like notes which die when born, but still
Haunt the echoes of the hill;
And feeling ever--oh, too much!--