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Sleep Waltz

for MCW

Get old enough so you won't have much to fear.
By then, the music plays inside your head
and everything beautiful must be learned by ear.

In the bathroom mirror I behold my wear and tear.
In our bedroom I try to levitate in bed.
Get old enough so you won't have much to fear.

Meanwhile, my son at six wants to keep me near
and we sing together every night head to head.
So everything beautiful must be learned by ear.

His father's tunes, though, will one day disappear
beyond today's routines and daily bread.

Skin of Light

The skin of light enveloping this world lacks depth and I can actually see the black night of all these
similar bodies beneath the trembling veil and light of myself it is this night that even the mask of the
sun cannot hide from me I am the seer of night the auditor of silence for silence too is dressed in
sonorous skin and each sense has its own night even as I do I am my own night I am the conceiver
of non-being and of all its splendor I am the father of death she is its mother she whom I evoke

Sister Cat

Cat stands at the fridge,
Cries loudly for milk.
But I've filled her bowl.
Wild cat, I say, Sister,
Look, you have milk.
I clink my fingernail
Against the rim. Milk.
With down and liver,
A word I know she hears.
Her sad miaow. She runs
To me. She dips
In her whiskers but
Doesn't drink. As sometimes
I want the light on
When it is on. Or when
I saw the woman walking
toward my house and
I thought there's Frances.
Then looked in the car mirror
To be sure. She stalks
The room. She wants. Milk

Sestina

for Jim Cummins

In Iowa, Jim dreamed that Della Street was Anne Sexton's
twin. Dave drew a comic strip called the "Adventures of Whitman,"
about a bearded beer-guzzler in Superman uniform. Donna dressed
like Wallace Stevens
in a seersucker summer suit. To town came Ted Berrigan,
saying, "My idea of a bad poet is Marvin Bell."
But no one has won as many prizes as Philip Levine.

At the restaurant, people were talking about Philip Levine's
latest: the Pulitzer. A toast was proposed by Anne Sexton.

Serenata

The night soaks itself
along the shore of the river
and in Lolita's breasts
the branches die of love.

The branches die of love.

Naked the night sings
above the bridges of March.
Lolita bathes her body
with salt water and roses.

The branches die of love.

The night of anise and silver
shines over the rooftops.
Silver of streams and mirrors
Anise of your white thighs.

The branches die of love.

Senlin His Futile Preoccupations

1

I am a house, says Senlin, locked and darkened,
Sealed from the sun with wall and door and blind.
Summon me loudly, and you'll hear slow footsteps
Ring far and faint in the galleries of my mind.
You'll hear soft steps on an old and dusty stairway;
Peer darkly through some corner of a pane,
You'll see me with a faint light coming slowly,
Pausing above some gallery of the brain . . .

I am a city . . . In the blue light of evening
Wind wanders among my streets and makes them fair;
I am a room of rock . . . a maiden dances

Self-Portrait in a Convex Mirror

As Parmigianino did it, the right hand
Bigger than the head, thrust at the viewer
And swerving easily away, as though to protect
What it advertises. A few leaded panes, old beams,
Fur, pleated muslin, a coral ring run together
In a movement supporting the face, which swims
Toward and away like the hand
Except that it is in repose. It is what is
Sequestered. Vasari says, "Francesco one day set himself
To take his own portrait, looking at himself from that purpose
In a convex mirror, such as is used by barbers . . .

Seeing For A Moment

I thought I was growing wings—
it was a cocoon.

I thought, now is the time to step
into the fire—
it was deep water.

Eschatology is a word I learned
as a child: the study of Last Things;

facing my mirror—no longer young,
the news—always of death,
the dogs—rising from sleep and clamoring
and howling, howling,

nevertheless
I see for a moment
that's not it: it is
the First Things.

Word after word
floats through the glass.
Towards me.


Submitted by Gnute

Seaward

Darling, you think it's love, it's just a midnight journey.
Best are the dales and rivers removed by force,
as from the next compartment throttles "Oh, stop it, Bernie,"
yet the rhythm of those paroxysms is exactly yours.
Hook to the meat! Brush to the red-brick dentures,
alias cigars, smokeless like a driven nail!
Here the works are fewer than monkey wrenches,
and the phones are whining, dwarfed by to-no-avail.
Bark, then, with joy at Clancy, Fitzgibbon, Miller.
Dogs and block letters care how misfortune spells.