The reivers they stole Fair Annie,
   As she walk'd by the sea;
But a noble knight was her ransom soon,
   Wi' gowd and white monie.

She bided in strangers' land wi' him,
   And none knew whence she cam;
She lived in the castle wi' her love,
   But never told her name.

'It 's narrow, narrow, mak your bed,
   And learn to lie your lane;
For I'm gaun owre the sea, Fair Annie,
   A braw Bride to bring hame.
Wi' her I will get gowd and gear,

I don't dare speak too loudly,
some timbres could be fatal--

that string is not too strong
I think: and at times I have

to breathe. Or maybe I fear
my paraphrastic exhalations

will spoil the oiled perfection
of its sleekness, will mist

over that brightness whose
needle sharp point compasses

my every stray. I am as
edgy in my way as it--

as little-rippled, as subtle.

Prey to vapors, to sudden
icecap thaws, seismic

dicethrows, the world wires me,
I hex myself up to a pitch

What blest examples do I find
Writ in the Word of Truth
Of children that began to mind
Religion in their youth!

Jesus, who reigns above the sky,
And keeps the world in awe,
Was once a child as young as I,
And kept His Father's law.

At twelve years old he talked with men,
The Jews all wondering stand;
Yet He obeyed his Mother then,
And came at her command.

Children a sweet hosanna sung,
And blest their Savior's name;
They gave Him honor with their tongue,
While scribes and priests blaspheme.

Even as a child
my face was “gloomy.” I found
few reasons to smile, none to laugh:
father gutting his great gifts
for the cheers of clowns.
For us. For money. My mother
dazed by drugs. My brother
charming, selfless. But also
smirking, corrupt. All lying,
and loving each other. Comedy?
From the fool’s angle, the coward’s angle. Laughter
means turning your back on suffering.
And on the hard truth that tragedy
writes the last act—always. I loved
the sea because it said that.
With infinite dignity and calm

The BALLYSHANNON foundered off the coast of Cariboo,
And down in fathoms many went the captain and the crew;
Down went the owners - greedy men whom hope of gain allured:
Oh, dry the starting tear, for they were heavily insured.

Besides the captain and the mate, the owners and the crew,
The passengers were also drowned excepting only two:
Young PETER GRAY, who tasted teas for BAKER, CROOP, AND CO.,
And SOMERS, who from Eastern shores imported indigo.

These passengers, by reason of their clinging to a mast,

Senti st'antra. A Ssan Pietro e Marcellino
Ce stanno certe moniche befane,
C'aveveno pe voto er contentino
De maggnà ttutto-quanto co le mane.

Vedi si una forchetta e un cucchiarino,
Si un cortelluccio pe ttajacce er pane,
Abbi da offenne Iddio! N'antro tantino
Leccaveno cor muso com'er cane!

Pio Ottavo però, bona-momoria,
Che vedde una matina quer porcaro,
Je disse: "Madre, e che vò dì sta storia?

Sete state avvezzate ar monnezzaro?!
Che voto! un cazzo. A dio pò dasse groria

Hark, hearer, hear what I do; lend a thought now, make believe
We are leafwhelmed somewhere with the hood
Of some branchy bunchy bushybowered wood,
Southern dene or Lancashire clough or Devon cleave,
That leans along the loins of hills, where a candycoloured, where a gluegold-brown
Marbled river, boisterously beautiful, between
Roots and rocks is danced and dandled, all in froth and waterblowballs, down.
We are there, when we hear a shout
That the hanging honeysuck, the dogeared hazels in the cover
Makes dither, makes hover

I. EDWIN BOOTH

An old actor at the Player's Club told me that Edwin Booth first impersonated Hamlet when a barnstormer in California. There were few theatres, but the hotels were provided with crude assembly rooms for strolling players.


The youth played in the blear hotel.
The rafters gleamed with glories strange.
And winds of mourning Elsinore
Howling at chance and fate and change;
Voices of old Europe's dead
Disturbed the new-built cattle-shed,
The street, the high and solemn range.

The while the coyote barked afar

Neque sermonibus vulgi dederis te, nec in præmiis spem posueris rerum tuarum; suiste oportet illecebris ipsa virtus trahat ad verum decus. Quid de te alii loquantur, ipsi videant,sed loquentur tamen.
(Cicero, De Re Publica VI.23)["... you will not any longer attend to the vulgar mob's gossip nor put your trust in human rewards for your deeds; virtue, through her own charms, should lead you to true glory. Let what others say about you be their concern; whatever it is, they will say it anyway."
Shut, shut the door, good John! fatigu'd, I said,

Full many a dreary hour have I past,
My brain bewildered, and my mind o'ercast
With heaviness; in seasons when I've thought
No spherey strains by me could e'er be caught
From the blue dome, though I to dimness gaze
On the far depth where sheeted lightning plays;
Or, on the wavy grass outstretched supinely,
Pry 'mong the stars, to strive to think divinely:
That I should never hear Apollo's song,
Though feathery clouds were floating all along
The purple west, and, two bright streaks between,
The golden lyre itself were dimly seen: