Skip to main content

On Australian Hills

Earth, outward tuning on her path in space
This pensive southern face,
Swathing its smile and shine
In that soft veil that day and darkness twine,
The silver-threaded twilight thin and fine,
With April dews impearled,
Looms like another and diviner world.


Here April brings her garnered harvest-sheaf,
Her withered autumn leaf,
Tintings of bronze and brass;
Her full-plumed reeds, her mushroom in the grass,
Her furrowed fields, where plough and sower pass,
Her laden apple bough.

On An Old Roundel

Death, from thy rigour a voice appealed,
And men still hear what the sweet cry saith,
Crying aloud in thine ears fast sealed,
Death.

As a voice in a vision that vanisheth,
Through the grave's gate barred and the portal steeled
The sound of the wail of it travelleth.

Wailing aloud from a heart unhealed,
It woke response of melodious breath
From lips now too by thy kiss congealed,
Death

II.

Ages ago, from the lips of a sad glad poet
Whose soul was a wild dove lost in the whirling snow,

On an Infant dying as soon as born

I SAW where in the shroud did lurk
A curious frame of Nature's work;
A floweret crush'd in the bud,
A nameless piece of Babyhood,
Was in her cradle-coffin lying;
Extinct, with scarce the sense of dying:
So soon to exchange the imprisoning womb
For darker closets of the tomb!
She did but ope an eye, and put
A clear beam forth, then straight up shut
For the long dark: ne'er more to see
Through glasses of mortality.
   Riddle of destiny, who can show
What thy short visit meant, or know

On a Viola D'Amore

CARVED WITH A CUPID'S HEAD, AND PLAYED ON FOR THE FIRST TIME AFTER MORE THAN A CENTURY.


What fairy music clear and light,
Responsive to your fingers,
Swells rippling on the summer night,
And amorously lingers
Upon the sense, as long ago
In days of rouge and rococo!

A century of silence lay
On strings that had not spoken
Since powdered lords to ladies gay
Gave, for a lover's token,
Fans glowing fresh from Watteau's art,
Well worth a marchioness's heart.

Your dormant music, tranced and bound,

Old King Cole

In Tilbury Town did Old King Cole
A wise old age anticipate,
Desiring, with his pipe and bowl,
No Khan’s extravagant estate.
No crown annoyed his honest head,
No fiddlers three were called or needed;
For two disastrous heirs instead
Made music more than ever three did.

Bereft of her with whom his life
Was harmony without a flaw,
He took no other for a wife,
Nor sighed for any that he saw;
And if he doubted his two sons,
And heirs, Alexis and Evander,
He might have been as doubtful once

Oina-Morul

After an address to Malvina, the daughter of Toscar, Ossian proceeds to relate his own expedition to Fuärfed, an island of Scandinavia. Mal-orchol, king of Fuärfed, being hard pressed in war by Ton-thormod, chief of Sar-dronto (who had demanded in vain the daughter of Mal-orchol in marriage,) Fingal sent Ossian to his aid. Ossian, on the day after his arrival, came to battle with Ton-thormod, and took him prisoner.

Of My Lady Isabella Playing on the Lute

Such moving sounds from such a careless touch,
So unconcerned herself, and we so much!
What art is this, that with so little pains
Transports us thus, and o'er the spirit reigns?
The trembling strings about her fingers crowd
And tell their joy for every kiss aloud.
Small force there needs to make them tremble so;
Touched by that hand, who would not tremble too?
Here love takes stand, and while she charms the ear,
Empties his quiver on the listening deer:
Music so softens and disarms the mind
That not an arrow does resistance find.

Of Child With Bird At The Bush

My little bird, how canst thou sit
And sing amidst so many thorns?
Let me a hold upon thee get,
My love with honour thee adorns.
Thou art at present little worth,
Five farthings none will give for thee,
But pr'ythee, little bird, come forth,
Thou of more value art to me.
'Tis true it is sunshine to-day,
To-morrow birds will have a storm;
My pretty one come thou away,
My bosom then shall keep thee warm.
Thou subject are to cold o'nights,
When darkness is thy covering;
At days thy danger's great by kites,

Of Being is a Bird

653

Of Being is a Bird
The likest to the Down
An Easy Breeze do put afloat
The General Heavens—upon—

It soars—and shifts—and whirls—
And measures with the Clouds
In easy—even—dazzling pace—
No different the Birds—

Except a Wake of Music
Accompany their feet—
As did the Down emit a Tune—
For Ecstasy—of it

Ode to the Muse

O, let me seize thy pen sublime
That paints, in melting dulcet rhyme,
The glowing pow'r, the magic art,
Th' extatic raptures of the Heart;
Soft Beauty's timid smile serene,
The dimples of Love's sportive mien;
The sweet descriptive tale to trace;
To picture Nature's winning grace;
To steal the tear from Pity's eye;
To catch the sympathetic sigh;
O teach me, with swift light'nings force
To watch wild passion's varying course;
To mark th' enthusiast's vivid fire,
Or calmly touch thy golden lyre,