To the grave they bore him sleeping,
Him the aged, genial gardener;
Now the children gifts are heaping
From the flower-bed he made.

There the tree that he sat under,
And the garden gate is open,
While we cast a glance and wonder
Whether some one sits there still.

He is gone. A woman only
Wanders there with languid footsteps,
Clothed in black and now so lonely,
Where his laughter erst rang clear.

As a child when past it going,
Through the fence she looked with longing,
Now great tears so freely flowing

There's a soldier that's been doing of his share
In the fighting up and down and round about.
He's continually marching here and there,
And he's fighting, morning in and morning out.
The Boer, you see, he generally runs;
But sometimes, when he hides behind a rock,
And we can't make no impression with the guns,
Oh, then you'll hear the order, "Send for Jock!"
Yes -- it's Jock -- Scotch Jock.
He's the fellow that can give or take a knock.
For he's hairy and he's hard,
And his feet are by the yard,

LXXI
Aurora bright her crystal gates unbarred,
And bridegroom-like forth stept the glorious sun,
When trumpets loud and clarions shrill were heard,
And every one to rouse him fierce begun,
Sweet music to each heart for war prepared,
The soldiers glad by heaps to harness run;
So if with drought endangered be their grain,
Poor ploughmen joy when thunders promise rain.

LXXII
Some shirts of mail, some coats of plate put on,
Some donned a cuirass, some a corslet bright,
And halbert some, and some a habergeon,

Twitched strings, the clang of metal, beaten drums,
Dull, shrill, continuous, disquieting:
And now the stealthy dancer comes
Undulantly with cat-like steps that cling;

Smiling between her painted lids a smile,
Motionless, unintelligible, she twines
Her fingers into mazy lines,
The scarves across her fingers twine the while.

One, two, three, four glide forth, and, to and fro,
Delicately and imperceptibly,
Now swaying gently in a row,
Now interthreading slow and rhythmically,

Again I reply to the triple winds
running chromatic fifths of derision
outside my window:
Play louder.
You will not succeed. I am
bound more to my sentences
the more you batter at me
to follow you.
And the wind,
as before, fingers perfectly
its derisive music.

NOW glory to the Lord of hosts, from whom all glories are!
And glory to our sovereign liege, King Henry of Navarre!
Now let there be the merry sound of music and of dance,
Through thy corn-fields green, and sunny vines, O pleasant land of France!
And thou, Rochelle, our own Rochelle, proud city of the waters,
Again let rapture light the eyes of all thy mourning daughters.
As thou went constant in our ills, be joyous in our joy;
For cold and stiff and still are they who wrought thy walls annoy.

Thou hast thy calling to some palace-floor,
Most gracious singer of high poems ! where
The dancers will break footing, from the care
Of watching up thy pregnant lips for more.
And dost thou lift this house's latch too poor
For hand of thine ? and canst thou think and bear
To let thy music drop here unaware
In folds of golden fulness at my door ?
Look up and see the casement broken in,
The bats and owlets builders in the roof !
My cricket chirps against thy mandolin.
Hush, call no echo up in further proof

It is the hour when from the boughs
The nightingale's high note is heard;
It is the hour -- when lover's vows
Seem sweet in every whisper'd word;
And gentle winds and waters near,
Make music to the lonely ear.
Each flower the dews have lightly wet,
And in the sky the stars are met,
And on the wave is deeper blue,
And on the leaf a browner hue,
And in the Heaven that clear obscure
So softly dark, and darkly pure,
That follows the decline of day
As twilight melts beneath the moon away.

It is not Beauty I demand,
A crystal brow, the moon's despair,
Nor the snow's daughter, a white hand,
Nor mermaid's yellow pride of hair.

Tell me not of your starry eyes,
Your lips that seem on roses fed,
Your breasts where Cupid trembling lies,
Nor sleeps for kissing of his bed.

A bloomy pair of vermeil cheeks,
Like Hebe's in her ruddiest hours,
A breath that softer music speaks
Than summer winds a-wooing flowers.

These are but gauds; nay, what are lips?
Coral beneath the ocean-stream,

I.
Fair Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love's eye!
They could not in the self-same mansion dwell
Without some stir of heart, some malady;
They could not sit at meals but feel how well
It soothed each to be the other by;
They could not, sure, beneath the same roof sleep
But to each other dream, and nightly weep.

II.
With every morn their love grew tenderer,
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,
But her full shape would all his seeing fill;