In a dark time, the eye begins to see,
I meet my shadow in the deepening shade;
I hear my echo in the echoing wood--
A lord of nature weeping to a tree.
I live between the heron and the wren,
Beasts of the hill and serpents of the den.
What's madness but nobility of soul
At odds with circumstance? The day's on fire!
I know the purity of pure despair,
My shadow pinned against a sweating wall.
That place among the rocks--is it a cave,
Or a winding path? The edge is what I have.

A steady storm of correspondences!

How strange that here is nothing as it was!
The sward is young and new,
The sod there shapes a different mass,
The random trees stand other than I knew.
No, here the Past has left no residue,
No aftermath!
By a new path
The workmen homeward in the city twilight pass.

Yet was this willow here.
It hung as now its olive skeins aloft
Into the sky, then blue and clear,--
And yonder pair of poplar trees

Rose also, soft
And sibilant in the glory of the breeze.
It's early dark. One scarce distinguishes

Full well I trow that when I die
Down drops the curtain;
Another show is all my eye
And Betty Martin.
I know the score, and with a smile
Of rueful rating,
I reckon I am not worth while
Perpetuating.
II
I hope that God,--if God there be
Of love and glory,
Will let me off Eternity,
And end my story.
Will count me just a worn-out bit
Of human matter,
Who's done his job or bungled it,
--More like the latter.
III

I'm scared of it all, God's truth! so I am;
It's too big and brutal for me.
My nerve's on the raw and I don't give a damn
For all the "hoorah" that I see.
I'm pinned between subway and overhead train,
Where automobillies swoop down:
Oh, I want to go back to the timber again --
I'm scared of the terrible town.
II
I want to go back to my lean, ashen plains;
My rivers that flash into foam;
My ultimate valleys where solitude reigns;
My trail from Fort Churchill to Nome.
My forests packed full of mysterious gloom,

In the Book of God (Ilahi-nama) 'Attar framed his mystical teachings in various stories that a caliph tells his six sons, who are kings themselves and seek worldly pleasures and power.
The first son is captivated by a virgin princess, and his father tells him the adventures of a beautiful and virtuous woman who attracts several men but miraculously survives their abuse and then forgives them. They acknowledge that carnal desire is necessary to propagate the race but also recognize that passionate love can lead to spiritual love, which can annihilate the soul in the beloved.

Dear love, if you and I could sail away,
With snowy pennons to the wind unfurled,
Across the waters of some unknown bay,
And find some island far from all the world;

If we could dwell there, ever more alone,
While unrecorded years slip by apace,
Forgetting and forgotten and unknown
By aught save native song-birds of the place;

If Winter never visited that land,
And Summer's lap spilled o'er with fruits and flowers,
And tropic trees cast shade on every hand,
And twinèd boughs formed sleep-inviting bowers;

I used to think
The mind essential in the body, even
As stood the body essential in the mind:
Two inseparable things, by nature equal
And similar, and in creation's song
Halving the total scale: it is not so.
Unlike and cross like driftwood sticks they come
Churned in the giddy trough: a chunk of pine,
A slab of rosewood: mangled each on each
With knocks and friction, or in deadly pain
Sheathing each other's splinters: till at last
Without all stuff or shape they 're jetted up
Where in the bluish moisture rot whate'er

525

I think the Hemlock likes to stand
Upon a Marge of Snow—
It suits his own Austerity—
And satisfies an awe

That men, must slake in Wilderness—
And in the Desert—cloy—
An instinct for the Hoar, the Bald—
Lapland's—necessity—
The Hemlock's nature thrives—on cold—
The Gnash of Northern winds
Is sweetest nutriment—to him—
His best Norwegian Wines—

To satin Races—he is nought—
But Children on the Don,
Beneath his Tabernacles, play,
And Dnieper Wrestlers, run.

593

I think I was enchanted
When first a sombre Girl—
I read that Foreign Lady—
The Dark—felt beautiful—

And whether it was noon at night—
Or only Heaven—at Noon—
For very Lunacy of Light
I had not power to tell—

The Bees—became as Butterflies—
The Butterflies—as Swans—
Approached—and spurned the narrow Grass—
And just the meanest Tunes

That Nature murmured to herself
To keep herself in Cheer—
I took for Giants—practising
Titanic Opera—

The Days—to Mighty Metres stept—
The Homeliest—adorned

I strove with none, for none was worth my strife.
Nature I loved and, next to Nature, Art:
I warm'd both hands before the fire of life;
It sinks, and I am ready to depart.