We go no more to Calverly's,
For there the lights are few and low;
And who are there to see by them,
Or what they see, we do not know.
Poor strangers of another tongue
May now creep in from anywhere,
And we, forgotten, be no more
Than twilight on a ruin there.

We two, the remnant. All the rest
Are cold and quiet. You nor I,
Nor fiddle now, nor flagon-lid,
May ring them back from where they lie.
No fame delays oblivion
For them, but something yet survives:
A record written fair, could we

This piece, as many more of Ossian's compositions, is addressed to one of the first Christian missionaries. The story of the poem is handed down by tradition thus:- In the country of the Britons, between the walls, two chiefs lived in the days of Fingal, Dunthalmo, Lord of Teutha, supposed to be the Tweed; and Rathmor, who dwelt at Clutha, well known to be the river Clyde. Rathmor was not more renowned for his generosity and hospitality, than Dunthalmo was infamous for his cruelty and ambition.

'Twas in the year of 1897, and on the night of Christmas day,
That ten persons' lives were taken sway,
By a destructive fire in London, at No. 9 Dixie Street,
Alas! so great was the fire, the victims couldn't retreat.

In Dixie Street, No. 9, if was occupied by two families,
Who were all quite happy, and sitting at their ease;
One of these was a labourer, David Barber and his wife,
And a dear little child, he loved as his life.

Barber's mother and three sisters were living on the ground floor,

1

Meandering abroad in the Lincolnshire meadows day
Day and day a month perhaps, lying at night lonely,
The early September evening administering a mystery,
The moon executing its wavering sleight of hand, I sense the
Advent of the extraordinary event, the calamiterror,
Turn and encounter the mountain descending upon me
The moment of terror flashes like dead powder
Revealing the features of the mass as mine.

2

Time like a mountain made of my own shadow
Collapsing on me, buries me in my life.

Partly to verify an era,
partly also to pass the time,
last night I picked up a collection
of Ptolemaic epigrams to read.
The plentiful praises and flatteries
for everyone are similar. They are all brilliant,
glorious, mighty, beneficent;
each of their enterprises the wisest.
If you talk of the women of that breed, they too,
all the Berenices and Cleopatras are admirable.

When I had managed to verify the era
I would have put the book away, had not a small
and insignificant mention of king Caesarion

If all the trees in all the woods were men;
And each and every blade of grass a pen;
If every leaf on every shrub and tree
Turned to a sheet of foolscap; every sea
Were changed to ink, and all earth's living tribes
Had nothing else to do but act as scribes,
And for ten thousand ages, day and night,
The human race should write, and write, and write,
Till all the pens and paper were used up,
And the huge inkstand was an empty cup,
Still would the scribblers clustered round its brink

Not though you die to-night, O Sweet, and wail,
A spectre at my door,
Shall mortal Fear make Love immortal fail --
I shall but love you more,
Who, from Death's House returning, give me still
One moment's comfort in my matchless ill.

Sometimes we remember kisses,
Remember the dear heart-leap when they came:
Not always, but sometimes we remember
The kindness, the dumbness, the good flame
Of laughter and farewell.
Beside the road
Afar from those who said "Good-by" I write,
Far from my city task, my lawful load.

Sun in my face, wind beside my shoulder,
Streaming clouds, banners of new-born night
Enchant me now. The splendors growing bolder
Make bold my soul for some new wise delight.

I write the day's event, and quench my drouth,

Beside an ebbing northern sea
While stars awaken one by one,
We walk together, I and he.

He woos me with an easy grace
That proves him only half sincere;
A light smile flickers on his face.

To him love-making is an art,
And as a flutist plays a flute,
So does he play upon his heart

A music varied to his whim.
He has no use for love of mine,
He would not have me answer him.

To hide my eyes within the night
I watch the changeful lighthouse gleam
Alternately with red and white.

I heard the sighing of the reed
In the grey pool in the green land,
The sea-wind in the long reeds sighing
Between the green hill and the sand.

I heard the sighing of the reeds
Day after day, night after night;
I heard the whirring wild ducks flying,
I saw the sea-gull's wheeling flight.

I heard the sighing of the reeds
Night after night, day after day,
And I forgot old age, and dying,
And youth that loves, and love's decay.

I heard the sighing of the reeds
At noontide and at evening,