Moko, the Educated Ape is here,
The pet of vaudeville, so the posters say,
And every night the gaping people pay
To see him in his panoply appear;
To see him pad his paunch with dainty cheer,
Puff his perfecto, swill champagne, and sway
Just like a gentleman, yet all in play,
Then bow himself off stage with brutish leer.

And as to-night, with noble knowledge crammed,
I 'mid this human compost take my place,
I, once a poet, now so dead and damned,
The woeful tears half freezing on my face:

Pray why are you so bare, so bare,
Oh, bough of the old oak-tree;
And why, when I go through the shade you throw,
Runs a shudder over me?
My leaves were green as the best, I trow,
And sap ran free in my veins,
But I say in the moonlight dim and weird
A guiltless victim's pains.
They'd charged him with the old, old crime,
And set him fast in jail:
Oh, why does the dog howl all night long,
And why does the night wind wail?
He prayed his prayer and he swore his oath,
And he raised his hand to the sky;

Twelve snails went walking after night.
They'd creep an inch or so,
Then stop and bug their eyes
And blow.
Some folks . . . are . . . deadly . . . slow.
Twelve snails went walking yestereve,
Led by their fat old king.
They were so dull their princeling had
No sceptre, robe or ring—
Only a paper cap to wear
When nightly journeying.

This king-snail said: "I feel a thought
Within. . . . It blossoms soon. . . .
O little courtiers of mine, . . .
I crave a pretty boo. . . .
Oh, yes . . . (High thoughts with effort come

AN actor - GIBBS, of Drury Lane -
Of very decent station,
Once happened in a part to gain
Excessive approbation:
It sometimes turns a fellow's brain
And makes him singularly vain
When he believes that he receives
Tremendous approbation.

His great success half drove him mad,
But no one seemed to mind him;
Well, in another piece he had
Another part assigned him.
This part was smaller, by a bit,
Than that in which he made a hit.
So, much ill-used, he straight refused
To play the part assigned him.

The Hartley men are noble, and
Ye'll hear a tale of woe;
I'll tell the doom of the Hartley men -
The year of sixty two.

'Twas on the Thursday morning, on
The first month of the year,
When there befell the thing that well
May rend the heart to hear.

Ere chanticleer with music rare
Awakes the old homestead,
The Hartley men are up and off
To earn their daily bread.

On, on they toil; with heat they broil,
And streams of sweat still glue
The stour unto their skins, till they
Are black as the coal they hew.

The harp that once through Tara's halls
The soul of music shed,
Now hangs as mute on Tara's walls,
As if that soul were fled. --
So sleeps the pride of former days,
So glory's thrill is o'er,
And hearts, that once beat high for praise,
Now feel that pulse no more.

No more to chiefs and ladies bright
The harp of Tara swells;
The chord alone, that breaks at night,
Its tale of ruin tells.
Thus Freedom now so seldom wakes,
The only throb she gives,
Is when some heart indignant breaks,

It's when the birds go piping and the daylight slowly breaks,
That, clamoring for his dinner, our precious baby wakes;
Then it's sleep no more for baby, and it's sleep no more for me,
For, when he wants his dinner, why it's dinner it must be!
And of that lacteal fluid he partakes with great ado,
While gran'ma laughs,
And gran'pa laughs,
And wife, she laughs,
And I - well, I laugh, too!

You'd think, to see us carrying on about that little tad,
That, like as not, that baby was the first we'd ever had;

What does a hangman think about
When he goes home at night from work?
When he sits down with his wife and
Children for a cup of coffee and a
Plate of ham and eggs, do they ask
Him if it was a good day's work
And everything went well or do they
Stay off some topics and kill about
The weather, baseball, politics
And the comic strips in the papers
And the movies? Do they look at his
Hands when he reaches for the coffee
Or the ham and eggs? If the little
Ones say, Daddy, play horse, here's

Playing her parchment moon
Precosia comes
along a watery path of laurels and crystal lights.
The starless silence, fleeing
from her rhythmic tambourine,
falls where the sea whips and sings,
his night filled with silvery swarms.
High atop the mountain peaks
the sentinels are weeping;
they guard the tall white towers
of the English consulate.
And gypsies of the water
for their pleasure erect
little castles of conch shells
and arbors of greening pine.

Playing her parchment moon
Precosia comes.

Oh, there's some that breeds the Devon that's as solid as a stone,
And there's some that breeds the brindle which they call the "Goulburn Roan";
But amongst the breeds of cattle there are very, very few
Like the hairy-whiskered bullock that they breed at Gundaroo.
Far away by Grabben Gullen, where the Murrumbidgee flows,
There's a block of broken country-side where no one ever goes;
For the banks have gripped the squatters, and the free selectors too,
And their stock are always stolen by the men of Gundaroo.