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Sappho

I sigh at day-dawn, and I sigh
When the dull day is passing by.
I sigh at evening, and again
I sigh when night brings sleep to men.
Oh! it were far better to die
Than thus forever mourn and sigh,
And in death's dreamless sleep to be
Unconscious that none weep for me;
Eased from my weight of heaviness,
Forgetful of forgetfulness,
Resting from care and pain and sorrow
Thro' the long night that knows no morrow;
Living unloved, to die unknown,
Unwept, untended, and alone.

Safety

Dear! of all happy in the hour, most blest
He who has found our hid security,
Assured in the dark tides of the world that rest,
And heard our word, 'Who is so safe as we?'
We have found safety with all things undying,
The winds, and morning, tears of men and mirth,
The deep night, and birds singing, and clouds flying,
And sleep, and freedom, and the autumnal earth.
We have built a house that is not for Time's throwing.
We have gained a peace unshaken by pain for ever.

Sad-Eyed and Soft and Grey

Sad-Eyed and soft and grey thou art, o morn!
Across the long grass of the marshy plain
Thy west wind whispers of the coming rain,
Thy lark forgets that May is grown forlorn
Above the lush blades of the springing corn,
Thy thrush within the high elms strives in vain
To store up tales of spring for summer's pain -
Vain day, why wert thou from the dark night born?

O many-voiced strange morn, why must thou break
With vain desire the softness of my dream
Where she and I alone on earth did seem?
How hadst thou heart from me that land to take

Saddest Poem

I can write the saddest poem of all tonight.

Write, for instance: "The night is full of stars,
and the stars, blue, shiver in the distance."

The night wind whirls in the sky and sings.

I can write the saddest poem of all tonight.
I loved her, and sometimes she loved me too.

On nights like this, I held her in my arms.
I kissed her so many times under the infinite sky.

She loved me, sometimes I loved her.
How could I not have loved her large, still eyes?

I can write the saddest poem of all tonight.

Run to Death

A True Incident of Pre-Revolutionary French History.


Now the lovely autumn morning breathes its freshness in earth's face,
In the crowned castle courtyard the blithe horn proclaims the chase;
And the ladies on the terrace smile adieux with rosy lips
To the huntsmen disappearing down the cedar-shaded groves,
Wafting delicate aromas from their scented finger tips,
And the gallants wave in answer, with their gold-embroidered gloves.
On they rode, past bush and bramble, on they rode, past elm and oak;

Rouge Bouquet

In a wood they call the Rouge Bouquet
There is a new-made grave to-day,
Built by never a spade nor pick
Yet covered with earth ten metres thick.
There lie many fighting men,
   Dead in their youthful prime,
Never to laugh nor love again
   Nor taste the Summertime.
For Death came flying through the air
And stopped his flight at the dugout stair,
Touched his prey and left them there,
   Clay to clay.
He hid their bodies stealthily
In the soil of the land they fought to free

Roses and Rue

Could we dig up this long-buried treasure,
Were it worth the pleasure,
We never could learn love's song,
We are parted too long

Could the passionate past that is fled
Call back its dead,
Could we live it all over again,
Were it worth the pain!

I remember we used to meet
By an ivied seat,
And you warbled each pretty word
With the air of a bird;

And your voice had a quaver in it,
Just like a linnet,
And shook, as the blackbird's throat
With its last big note;

And your eyes, they were green and grey

Room 7 The Coco-Fiend

I look at no one, me;
I pass them on the stair;
Shadows! I don't see;
Shadows! everywhere.
Haunting, taunting, staring, glaring,
Shadows! I don't care.
Once my room I gain
Then my life begins.
Shut the door on pain;
How the Devil grins!
Grin with might and main;
Grin and grin in vain;
Here's where Heav'n begins:
Cocaine! Cocaine!

A whiff! Ah, that's the thing.
How it makes me gay!
Now I want to sing,
Leap, laugh, play.
Ha! I've had my fling!
Mistress of a king
In my day.
Just another snuff . . .

Romance

Of old, on her terrace at evening
...not here...in some long-gone kingdom
O, folded close to her breast!...

--our gaze dwelt wide on the blackness
(was it trees? or a shadowy passion
the pain of an old-world longing
that it sobb'd, that it swell'd, that it shrank?)
--the gloom of the forest
blurr'd soft on the skirt of the night-skies
that shut in our lonely world.

...not here...in some long-gone world...

close-lock'd in that passionate arm-clasp
no word did we utter, we stirr'd not: