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Nomenclature

My mother never heard of Freud
and she decided as a little girl
that she would call her husband Dick
no matter what his first name was
and did. He called her Ditty. They
called me Bud, and our generic names
amused my analyst. That must, she said,
explain the crazy times I had in bed
and quoted Freud: "Life is pain."
"What do women want?" and "My
prosthesis does not speak French."

Nocturne Of Remembered Spring

I.

Moonlight silvers the tops of trees,
Moonlight whitens the lilac shadowed wall
And through the evening fall,
Clearly, as if through enchanted seas,
Footsteps passing, an infinite distance away,
In another world and another day.
Moonlight turns the purple lilacs blue,
Moonlight leaves the fountain hoar and old,
And the boughs of elms grow green and cold,
Our footsteps echo on gleaming stones,
The leaves are stirred to a jargon of muted tones.
This is the night we have kept, you say:

No, Not More Welcome

No, not more welcome the fairy numbers
Of music fall on the sleeper's ear,
When half awaking from fearful slumbers,
He thinks the full quire of heaven is near --
Than came that voice, when, all forsaken,
This heart long had sleeping lain,
Nor thought its cold pulse would ever waken
To such benign blessed sounds again.

Sweet voice of comfort! 'twas like the stealing
Of summer wind through some wreathed shell --
Each secret winding, each inmost feeling
Of all my soul echoed to its spell.

No More Cliches

Beautiful face
That like a daisy opens its petals to the sun
So do you
Open your face to me as I turn the page.

Enchanting smile
Any man would be under your spell,
Oh, beauty of a magazine.

How many poems have been written to you?
How many Dantes have written to you, Beatrice?
To your obsessive illusion
To you manufacture fantasy.

But today I won't make one more Cliché
And write this poem to you.
No, no more clichés.

This poem is dedicated to those women
Whose beauty is in their charm,

No Message

She heard the story of the end,
   Each message, too, she heard;
And there was one for every friend;
   For her alone -- no word.

And shall she bear a heavier heart,
   And deem his love was fled;
Because his soul from earth could part
   Leaving her name unsaid?

No -- No! -- Though neither sign nor sound
   A parting thought expressed --
Not heedless passed the Homeward-Bound
   Of her he loved the best.

Ninth Sunday After Trinity

In troublous days of anguish and rebuke,
While sadly round them Israel's children look,
And their eyes fail for waiting on their Lord:
While underneath each awful arch of green,
On every mountain-top, God's chosen scene,
Of pure heart-worship, Baal is adored:

'Tis well, true hearts should for a time retire
To holy ground, in quiet to aspire
Towards promised regions of serener grace;
On Horeb, with Elijah, let us lie,
Where all around on mountain, sand, and sky,
God's chariot wheels have left distinctest trace;

Night Thoughts Over A Sick Child

Numb, stiff, broken by no sleep,
I keep night watch. Looking for
signs to quiet fear, I creep
closer to his bed and hear
his breath come and go, holding
my own as if my own were
all I paid. Nothing I bring,
say, or do has meaning here.

Outside, ice crusts on river
and pond; wild hare come to my
door pacified by torture.
No less ignorant than they
of what grips and why, I am
moved to prayer, the quaint gestures
which ennoble beyond shame
only the mute listener.

No one hears. A dry wind shifts

Night on the Convoy

(ALEXANDRIA-MARSEILLES)


Out in the blustering darkness, on the deck
A gleam of stars looks down. Long blurs of black,
The lean Destroyers, level with our track,
Plunging and stealing, watch the perilous way
Through backward racing seas and caverns of chill spray.
One sentry by the davits, in the gloom
Stands mute: the boat heaves onward through the night.
Shrouded is every chink of cabined light:
And sluiced by floundering waves that hiss and boom
And crash like guns, the troop-ship shudders ... doom.

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