Goethe in Weimar sleeps, and Greece,
Long since, saw Byron's struggle cease.
But one such death remain'd to come;
The last poetic voice is dumb--
We stand to-day by Wordsworth's tomb.

When Byron's eyes were shut in death,
We bow'd our head and held our breath.
He taught us little; but our soul
Had felt him like the thunder's roll.
With shivering heart the strife we saw
Of passion with eternal law;
And yet with reverential awe
We watch'd the fount of fiery life
Which served for that Titanic strife.

Your body was a sacred cell always,
A jewel that grew dull in garish light,
An opal which beneath my wondering gaze
Gleamed rarely, softly throbbing in the night.

I touched your flesh with reverential hands,
For you were sweet and timid like a flower
That blossoms out of barren tropic sands,
Shedding its perfume in one golden hour.

You yielded to my touch with gentle grace,
And though my passion was a mighty wave
That buried you beneath its strong embrace,
You were yet happy in the moment's grave.

HENCE, all you vain delights,
   As short as are the nights
   Wherein you spend your folly!
There 's naught in this life sweet,
If men were wise to see't,
   But only melancholy--
   O sweetest melancholy!
Welcome, folded arms and fixed eyes,
A sight that piercing mortifies,
A look that 's fasten'd to the ground,
A tongue chain'd up without a sound!

Fountain-heads and pathless groves,
Places which pale passion loves!
Moonlight walks, when all the fowls

Hence, hence, all you vaine delights,
As short as are the nights
Wherein you spend your folly:
Ther's nought in this life sweete,
If men were wise to see'te
But only Melancholly:
O sweetest Melancholly!


Welcome folded armes and fixed eyes,
A sigh that piercing mortifies,
A looke that's fastned to the ground,
A tongue chayned upp without a sound.
Fountains heads, and pathlesse groves,
Places which pale Passion loves:
Moonlike wakes, when all the Fowles
Are warmly housde, save Batts and Owles:

I have banked the fires
of my body
into a small but steady blaze
here in the kitchen
where the dough has a life of its own,
breathing under its damp cloth
like a sleeping child;
where the real child plays under the table,
pretending the tablecloth is a tent,
practicing departures; where a dim
brown bird dazzled by light
has flown into the windowpane
and lies stunned on the pavement--
it was never simple, even for birds,
this business of nests.
The innocent eye sees nothing, Auden says,
repeating what the snake told Eve,

Dead is he? Yes, our stranger guest said dead--
said it by noonday, when it seemed a thing
most natural and so indifferent
as if the tale ran that a while ago
there died a man I talked with a chance hour
when he by chance was near me. If I spoke
"Good news for us but ill news for the dead
when the gods sweep a villain down to them,"
'twas the prompt trick of words, like a pat phrase
from some one other's song, found on the lips
and used because 'tis there: for through all day
the news seemed neither good nor ill to me.

O lady! if, until this hour,
I've gazed in those bewildering eyes,
Yet never owned their touching power,
But when thou couldst not hear my sighs;
It has not been that love has slept
One single moment in my soul,
Or that on lip or look I kept
A stern and stoical control;
But that I saw, but that I felt,
In every tone and glance of thine,
Whate'er they spoke, where'er they dwelt,
How small, how poor a part was mine;
And that I deeply, dearly knew,
THAT hidden, hopeless love confessed,
The fatal words would lose me, too,

What means my name to you?...T'will die
As does the melancholy murmur
Of distant waves or, of a summer,
The forest's hushed nocturnal sigh.

Found on a fading album page,
Dim will it seem and enigmatic,
Like words traced on a tomb, a relic
Of some long dead and vanished age.

What's in my name?...Long since forgot,
Erased by new, tempestuous passion,
of tenderness 'twill leave you not
The lingering and sweet impression.

But in an hour of agony,
Pray, speak it, and recall my image,
And say, "He still remembers me,

Come, my darling, let us dance
To the moon that beckons us
To dissolve our love in trance
Heedless of the hideous
Heat & hate of Sirius-
Shun his baneful brilliance!

Let us dance beneath the palm
Moving in the moonlight, frond
Wooing frond above the calm
Of the ocean diamond
Sparkling to the sky beyond
The enchantment of our psalm.

Let us dance, my mirror of
Perfect passion won to peace,
Let us dance, my treasure trove,
On the marble terraces
Carven in pallid embroeideries
For the vestal veil of Love.

Strange fits of passion have I known:
   And I will dare to tell,
But in the lover's ear alone,
   What once to me befell.

When she I loved look'd every day
   Fresh as a rose in June,
I to her cottage bent my way,
   Beneath an evening moon.

Upon the moon I fix'd my eye,
All over the wide lea;
With quickening pace my horse drew nigh
Those paths so dear to me.

And now we reach'd the orchard-plot;
And, as we climb'd the hill,
The sinking moon to Lucy's cot