If, in an odd angle of the hutment,
A puppy laps the water from a can
Of flowers, and the drunk sergeant shaving
Whistles O Paradiso!--shall I say that man
Is not as men have said: a wolf to man?

The other murderers troop in yawning;
Three of them play Pitch, one sleeps, and one
Lies counting missions, lies there sweating
Till even his heart beats: One; One; One.
O murderers! . . . Still, this is how it's done:

This is a war . . . But since these play, before they die,
Like puppies with their puppy; since, a man,

He stood, and heard the steeple
Sprinkle the quarters on the morning town.
One, two, three, four, to market-place and people
It tossed them down.

Strapped, noosed, nighing his hour,
He stood and counted them and cursed his luck;
And then the clock collected in the tower
Its strength, and struck.

Is it true, Spoon River,
That in the hall-way of the New Court House
There is a tablet of bronze
Containing the embossed faces
Of Editor Whedon and Thomas Rhodes?
And is it true that my successful labors
In the County Board, without which
Not one stone would have been placed on another,
And the contributions out of my own pocket
To build the temple, are but memories among the people,
Gradually fading away, and soon to descend
With them to this oblivion where I lie?
In truth, I can so believe.
For it is a law of the Kingdom of Heaven

There are people, I know, to be found,
Who say, and apparently think,
That sorrow and care may be drowned
By a timely consumption of drink.

Does not man, these enthusiasts ask,
Most nearly approach the divine,
When engaged in the soul-stirring task
Of filling his body with wine?

Have not beggars been frequently known,
When satisfied, soaked, and replete,
To imagine their bench was a throne
And the civilised world at their feet?

Lord Byron has finely described
The remarkably soothing effect

All people dream, but not equally.
Those who dream by night in the dusty recesses of their mind,
Wake in the morning to find that it was vanity.

But the dreamers of the day are dangerous people,
For they dream their dreams with open eyes,
And make them come true.

By the hut, left by people and heaven,
Where the fence’s black remnants are steeping,
The ragged beggar and black old raven,
Were discussing the dreams of the sleeping.

The old bird, with commotion’s moans,
Was repeating in hot indecision,
That he had on the tower’s stones
The unusual, fabulous visions;

That in flight, full of valor and air,
He, who lost their usual sadness,
Was a swan, snow white, sweet and fair,
And the beggar – a prince of the greatness!

When Reuben Pantier ran away and threw me
I went to Springfield. There I met a lush,
Whose father just deceased left him a fortune.
He married me when drunk. My life was wretched.
A year passed and one day they found him dead.
That made me rich. I moved on to Chicago.
After a time met Tyler Rountree, villain.
I moved on to New York. A gray-haired magnate
Went mad about me -- so another fortune.
He died one night right in my arms, you know.
(I saw his purple face for years thereafter.)
There was almost a scandal. I moved on,

Approaching my village:

Don't know about the people,
but all the scarecrows
are crooked.


Translated by Robert Hass

Forsaken, fucking in the cold,
eating each other, lost
runny noses,
complaining all the time
like so many
people
that we know

The ship, call'd the most holy "Trinidada,"
Was steering duly for the port Leghorn;
For there the Spanish family Moncada
Were settled long ere Juan's sire was born:
They were relations, and for them he had a
Letter of introduction, which the morn
Of his departure had been sent him by
His Spanish friends for those in Italy.


His suite consisted of three servants and
A tutor, the licentiate Pedrillo,
Who several languages did understand,
But now lay sick and speechless on his pillow,
And, rocking in his hammock, long'd for land,