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Ai

There is a chimp named Ai who can count to five.
There's a poet named Ai whose selected poems Vice
just won the National Book Award.
The name 'Ai' is pronounced 'I'
so that whenever I talk about the poet Ai
such as I'm teaching Ai's poems again this semester
it sounds like I'm teaching my own poems
or when I say I love Ai's work
it sounds as if I'm saying I love my own poems
but have poor grammar. I haven't had a chance
to talk much yet about this Japanese chimp
who can arrange pictures in order of the number of objects

Against Writing about Children

When I think of the many people
who privately despise children,
I can't say I'm completely shocked,

having been one. I was not
exceptional, uncomfortable as that is
to admit, and most children are not

exceptional. The particulars of
cruelty, sizes Large and X-Large,
memory gnawing it like

a fat dog, are ordinary: Mean Miss
Smigelsky from the sixth grade;
the orthodontist who

slapped you for crying out. Children
frighten us, other people's and
our own. They reflect

After the Golden Wedding Three Soliloquies

I. The husband's.

She's not a faultless woman; no!
She's not an angel in disguise:
She has her rivals here below:
She's not an unexampled prize:

She does not always see the point
Of little jests her husband makes:
And, when the world is out of joint,
She makes a hundred small mistakes:

She's not a miracle of tact:
Her temper's not the best I know:
She's got her little faults in fact,
Although I never tell her so.

But this, my wife, is why I hold you
As good a wife as ever stepped,

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Addressed To Haydon

High-mindedness, a jealousy for good,
A loving-kindness for the great man's fame,
Dwells here and there with people of no name,
In noisome alley, and in pathless wood:
And where we think the truth least understood,
Oft may be found a "singleness of aim,"
That ought to frighten into hooded shame
A money-mongering, pitiable brood.
How glorious this affection for the cause
Of steadfast genius, toiling gallantly!
What when a stout unbending champion awes
Envy and malice to their native sty?
Unnumbered souls breathe out a still applause,

Adam's Complaint

Some people,
no matter what you give them,
still want the moon.

The bread,
the salt,
white meat and dark,
still hungry.

The marriage bed
and the cradle,
still empty arms.

You give them land,
their own earth under their feet,
still they take to the roads

And water: dig them the deepest well,
still it’s not deep enough
to drink the moon from.

Achan

HATH he not followed a star through the darkness,
Ye people who sit at the table of Jephthah?
Oh! turn with the face to a light in the mountains,
Behold it is further from Achan than ever!
“I know how it is with my brothers in Mizpeh,”
Said Achan, the swift-footed runner of Zorah,
“They look at the wood they have hewn for the altar;
And think of a shadow in sackcloth and ashes.

“I know how it is with the daughter of Jephthah,
(O Ada, my love, and the fairest of women!)
She wails in the time when her heart is so zealous

Accordion

I

Some carol of the banjo, to its measure keeping time;
Of viol or of lute some make a song.
My battered old accordion, you're worthy of a rhyme,
You've been my friend and comforter so long.
Round half the world I've trotted you, a dozen years or more;
You've given heaps of people lots of fun;
You've set a host of happy feet a-tapping on the floor . . .
Alas! your dancing days are nearly done.
II
I've played you from the palm-belt to the suburbs of the Pole;
From the silver-tipped sierras to the sea.

About Troy

1

Troy O Troy
an archeologist
will sift your ashes through his fingers
yet a fire occurred greater than that of the Iliad
for seven strings--

too few strings
one needs a chorus
a sea of laments
and thunder of mountains
rain of stone

--how to lead
people away from the ruins
how to lead
the chorus from poems--

thinks the faultless poet
respectably mute
as a pillar of salt
--The song will escape unharmed
It escaped
with flaming wing
into a pure sky

The moon rises over the ruins

Aaron

Holiness on the head,
Light and perfection on the breast,
Harmonious bells below, raising the dead
To led them unto life and rest.
Thus are true Aarons dressed.

Profaneness in my head,
Defects and darkness in my breast,
A noise of passions ringing me for dead
Unto a place where is no rest.
Poor priest thus am I dressed.

Only another head
I have, another heart and breast,
another music, making live not dead,
without whom I could have no rest:
In him I am well dressed.

Christ is my only head,