WITNESS FOR TROUT FISHING

IN AMERICA PEACE

In San Francisco around Easter time last year, they had a

trout fishing in America peace parade. They had thousands

of red stickers printed and they pasted them on their small

foreign cars, and on means of national communication like

telephone poles.

The stickers had WITNESS FOR TROUT FISHING IN AM-

ERICA PEACE printed on them.

Then this group of college- and high-school-trained Com-

munists, along with some Communist clergymen and their

THE COVER FOR

TROUT FISHING IN AMERICA



The cover for Trout Fishing in America is a photograph taken

late in the afternoon, a photograph of the Benjamin Franklin

statue in San Francisco's Washington Square.

Born 1706--Died 1790, Benjamin Franklin stands on a

pedestal that looks like a house containing stone furniture.

He holds some papers in one hand and his hat in the other.

Then the statue speaks, saying in marble:

From all of this I am the only one who leaves.
From this bench I go away, from my pants,
from my great situation, from my actions,
from my number split side to side,
from all of this I am the only one who leaves.

From the Champs Elysées or as the strange
alley of the Moon makes a turn,
my death goes away, my cradle leaves,
and, surrounded by people, alone, cut loose,
my human resemblance turns around
and dispatches its shadows one by one.

And I move away from everything, since everything
remains to create my alibi:

Our lives avoided tragedy
Simply by going on and on,
Without end and with little apparent meaning.
Oh, there were storms and small catastrophes.

Simply by going on and on
We managed. No need for the heroic.
Oh, there were storms and small catastrophes.
I don't remember all the particulars.

We managed. No need for the heroic.
There were the usual celebrations, the usual sorrows.
I don't remember all the particulars.
Across the fence, the neighbors were our chorus.

There were the usual celebrations, the usual sorrows

Surging like a vast current of salmon or sheatfish,
Coiling up and down like an iron serpent
That rears now its torso, now its head,
The armed horsemen breast the prairie grass. --
But hold! my song's device breaks down:
My Muse begs a rest, having drained her cup
Empty of sweet nectar; and so, farewell
To you, on that steppeland rise,


My pair of golden, sun-drenched statues!
My iron ranks wallowing in the grass and herbage!
One needs here the yearning of a Malczewski--
The kind found in men who are half angels.

Two dumpy women with buns were drinking coffee
In a narrow kitchen—at least I think a kitchen
And I think it was whitewashed, in spite of all the shade.
They were flat brown, they were as brown as coffee.
Wearing brown muslin? I really could not tell.
How I loved this painting, they had grown so old
That everything had got less complicated,
Brown clothes and shade in a sunken whitewashed kitchen.

But it’s not like that for me: age is not simpler
Or less enjoyable, not dark, not whitewashed.
The people sitting on the marble steps

Little bush maiden, wondering-eyed,
Playing alone in the creek-bed dry,
In the small green flat on every side
Walled in by the Moonbi ranges high;
Tell me the tale of your lonely life
'Mid the great grey forests that know no change.
"I never have left my home," she said,
"I have never been over the Moonbi Range.
"Father and mother are long since dead,
And I live with granny in yon wee place."
"Where are your father and mother?" I said.
She puzzled awhile with thoughtful face,
Then a light came into the shy brown face,

MOTHER of God! no lady thou:
Common woman of common earth
Our Lady ladies call thee now,
But Christ was never of gentle birth;
A common man of the common earth.

For God’s ways are not as our ways:
The noblest lady in the land
Would have given up half her days,
Would have cut off her right hand,
To bear the child that was God of the land.

Never a lady did He choose,
Only a maid of low degree,
So humble she might not refuse
The carpenter of Galilee:
A daughter of the people, she.

My left hand will live longer than my right. The rivers
of my palms tell me so.
Never argue with rivers. Never expect your lives to finish
at the same time. I think

praying, I think clapping is how hands mourn. I think
staying up and waiting
for paintings to sigh is science. In another dimension this
is exactly what's happening,

it's what they write grants about: the chromodynamics
of mournful Whistlers,
the audible sorrow and beta decay of Old Battersea Bridge.

The people who live
On the Oojah-ka-Piv
Stand around in bundles of nine

When asked how it feels
They reply 'Curried Eels'!
Otherwise - everything's going fine!